The Little Prince

Tone and writing style

The story of The Little Prince is recalled in a sombre, measured tone by the pilot-narrator, in memory of his small friend, "a memorial to the prince—not just to the prince, but also to the time the prince and the narrator had together."[19] The Little Prince was created when Saint-Exupéry was "an ex-patriate and distraught about what was going on in his country and in the world."[14] According to one analysis, "the story of the Little Prince features a lot of fantastical, unrealistic elements.... You can't ride a flock of birds to another planet... The fantasy of the Little Prince works because the logic of the story is based on the imagination of children, rather than the strict realism of adults."[20]

An exquisite literary perfectionist, akin to the 19th century French poet Stéphane Mallarmé,[21] Saint-Exupéry produced draft pages "covered with fine lines of handwriting, much of it painstakingly crossed out, with one word left standing where there were a hundred words, one sentence substitut[ing] for a page..."[22] He worked "long hours with great concentration." According to the author himself, it was extremely difficult to start his creative writing processes.[23] Biographer Paul Webster wrote of the aviator-author's style: "Behind Saint-Exupéry's quest for perfection was a laborious process of editing and rewriting which reduced original drafts by as much as two-thirds."[24] The French author frequently wrote at night, usually starting at about 11 p.m. accompanied by a tray of strong black coffee. In 1942 Saint-Exupéry related to his American English teacher, Adèle Breaux, that at such a time of night he felt "free" and able to concentrate, "writing for hours without feeling tired or sleepy", until he instantaneously dozed off.[22] He would wake up later, in daylight, still at his desk, with his head on his arms. Saint-Exupéry stated it was the only way he could work, as once he started a writing project it became an obsession.[25]

A native speaker of French, Saint-Exupéry was never able to achieve anything more than haltingly poor English. Adèle Breaux, his young Northport English tutor to whom he later dedicated a writing ("For Miss Adèle Breaux, who so gently guided me in the mysteries of the English language"), related her experiences with her famous student as Saint-Exupéry in America, 1942–1943: A Memoir, published in 1971.[26]

"Saint-Exupéry's prodigious writings and studies of literature sometimes gripped him, and on occasion he continued his readings of literary works until moments before take-off on solitary military reconnaissance flights, as he was adept at both reading and writing while flying. Taking off with an open book balanced on his leg, his ground crew would fear his mission would quickly end after contacting something 'very hard'. On one flight, to the chagrin of colleagues awaiting his arrival, he circled the Tunis airport for an hour so that he could finish reading a novel. Saint-Exupéry frequently flew with a lined carnet (notebook) during his long, solo flights, and some of his philosophical writings were created during such periods when he could reflect on the world below him, becoming 'enmeshed in a search for ideals which he translated into fable and parable'."[27][28]


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