Loveliest of Trees Literary Elements

Loveliest of Trees Literary Elements

Speaker or Narrator, and Point of View

The poem's speaker is a young man on the cusp of maturity.

Form and Meter

Iambic tetrameter

Metaphors and Similes

Springs are used as a metaphor to refer to seasons when the cherry trees blossom.

Alliteration and Assonance

Alliteration is in the line "Bloom and bough," in which "b" is repeated. There is also alliteration in the line, "woodland, wearing and white,” where “w” is used repeatedly.

Irony

The main irony is that the poem regrets wasting the first days he was born because he could not enjoy the blossoming of the cherry tree. However, the reader finds this paradoxical because an infant cannot recognize the transition of the cherry trees.

Genre

Lyric poem

Setting

Set in 1896 in the rural environs of Shropshire, England.

Tone

Optimistic, remorseful and re-energized

Protagonist and Antagonist

The protagonist is the speaker, a young man at the cusp of maturity. The antagonist is death.

Major Conflict

There is a major conflict between the poet and the past. The poet blames the past for robbing him of his twenty productive years. The poet says he has 50 years remaining, but regrets the 20 years that have gone to waste.

Climax

The climax comes in the spring when the poet looks at the blossoming cherry tree in the woodlands.

Foreshadowing

The blooming of the cherry tree foreshadows the arrival of April.

Understatement

There is an understatement when the poet says fifty springs are little room. This is an understatement because the remaining fifty years are more than the twenty years the poet has already lived in this world.

Allusions

The poem alludes to Biblical calendar events signifying Easter celebrations.

Metonymy and Synecdoche

"Spring" is used as a metonymy to refer to April.

Personification

The cherry tree is personified as a person wearing white clothes for Easter celebrations. In line four, the poet says, “Wearing white for Eastertide.”

Hyperbole

n/a

Onomatopoeia

n/a

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