Into the Wild (2007 Film) Literary Elements

Into the Wild (2007 Film) Literary Elements

Director

Sean Penn

Leading Actors/Actresses

Emile Hirsch, Marcia Gay Harden, and William Hurt

Supporting Actors/Actresses

Jena Malone, Catherine Keener, and Hal Holbrook

Genre

Biographical Survival/Drama

Language

English

Awards

Into the Wild was nominated for two Academy Awards: Best Supporting Actor for Hal Holbrook and Best Film Editing

Date of Release

September 21st. 2007

Producer

Sean Penn, Art Linson, and Bill Pohlad

Setting and Context

The film is set all across the United States

Narrator and Point of View

The film is told through the point of view of narrator Christopher McCandless

Tone and Mood

Sad, Revelatory, Adventurous, Solemn, Mysterious, Exploratory, Tense, Intense, Violent, Strange, and Naturalistic

Protagonist and Antagonist

Chris McCandless/Himself (and the animals/nature around him)

Major Conflict

The major conflict of the film involves Chris' struggle within himself to be happy and content with the world -- and people and things -- around him. Later, though, the films major conflict switches (but doesn't change) to Chris' struggle to survive in the harsh Alaskan wilderness with little food or water -- and no one around him.

Climax

When Chris tries to leave the bus he had been living in for the final time, cross the treacherous river, and leave Alaska for good

Foreshadowing

Chris' death is foreshadowed in some of the talks he has with Ron Franz

Understatement

Chris' struggles with materialism and mental health are understated in the film

Innovations in Filming or Lighting or Camera Techniques

Although undeniably well-shot and well-made, Into the Wild is not innovative in filming or lighting or camera techniques.

Allusions

Books (the film is based on the book of the same name by Jon Krakauer), geography (the places Chris visits across the country), history, philosophy, and cultural movements (minimalism, particularly).

Paradox

Chris has a loving family and everything going for him, yet he decides to live a minimalist and ultimately dies because of it.

Parallelism

There are no major instances of parallelism in Into the Wild.

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