T.S. Eliot: Prose T.S. Eliot

Early life and education

The Eliots were a Boston Brahmin family, with roots in England and New England. Eliot's paternal grandfather, William Greenleaf Eliot, had moved to St. Louis, Missouri,[6][9] to establish a Unitarian Christian church there. His father, Henry Ware Eliot, was a successful businessman, president and treasurer of the Hydraulic-Press Brick Company in St Louis. His mother, Charlotte Champe Stearns, who wrote poetry, was a social worker, which was a new profession in the U.S. in the early 20th century. Eliot was the last of six surviving children. Known to family and friends as Tom, he was the namesake of his maternal grandfather, Thomas Stearns.

Eliot's childhood infatuation with literature can be ascribed to several factors. First, he had to overcome physical limitations as a child. Struggling from a congenital double inguinal hernia, he could not participate in many physical activities and thus was prevented from socialising with his peers. As he was often isolated, his love for literature developed. Once he learned to read, the young boy immediately became obsessed with books, favouring tales of savage life, the Wild West, or Mark Twain's thrill-seeking Tom Sawyer.[10] In his memoir about Eliot, his friend Robert Sencourt comments that the young Eliot "would often curl up in the window-seat behind an enormous book, setting the drug of dreams against the pain of living."[11] Secondly, Eliot credited his hometown with fuelling his literary vision: "It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London."[12]

From 1898 to 1905, Eliot attended Smith Academy, the boys college preparatory division of Washington University, where his studies included Latin, Ancient Greek, French, and German. He began to write poetry when he was 14 under the influence of Edward Fitzgerald's translation of the Rubaiyat of Omar Khayyam. He said the results were gloomy and despairing and he destroyed them.[13] His first published poem, "A Fable For Feasters", was written as a school exercise and was published in the Smith Academy Record in February 1905.[14] Also published there in April 1905 was his oldest surviving poem in manuscript, an untitled lyric, later revised and reprinted as "Song" in The Harvard Advocate, Harvard University's student literary magazine.[15] He published three short stories in 1905, "Birds of Prey", "A Tale of a Whale" and "The Man Who Was King". The last mentioned story reflected his exploration of the Igorot Village while visiting the 1904 World's Fair of St. Louis.[16][17][18] His interest in indigenous peoples thus predated his anthropological studies at Harvard.[19]

Eliot lived in St. Louis, Missouri, for the first 16 years of his life at the house on Locust Street where he was born. After going away to school in 1905, he returned to St. Louis only for vacations and visits. Despite moving away from the city, Eliot wrote to a friend that "Missouri and the Mississippi have made a deeper impression on me than any other part of the world."[20]

Following graduation from Smith Academy, Eliot attended Milton Academy in Massachusetts for a preparatory year, where he met Scofield Thayer who later published The Waste Land. He studied at Harvard College from 1906 to 1909, earning a Bachelor of Arts in an elective program similar to comparative literature in 1909 and a Master of Arts in English literature the following year.[1][6] Because of his year at Milton Academy, Eliot was allowed to earn his Bachelor of Arts after three years instead of the usual four.[21] Frank Kermode writes that the most important moment of Eliot's undergraduate career was in 1908 when he discovered Arthur Symons's The Symbolist Movement in Literature. This introduced him to Jules Laforgue, Arthur Rimbaud, and Paul Verlaine. Without Verlaine, Eliot wrote, he might never have heard of Tristan Corbière and his book Les amours jaunes, a work that affected the course of Eliot's life.[22] The Harvard Advocate published some of his poems and he became lifelong friends with Conrad Aiken, the American writer and critic.[23]

After working as a philosophy assistant at Harvard from 1909 to 1910, Eliot moved to Paris where, from 1910 to 1911, he studied philosophy at the Sorbonne. He attended lectures by Henri Bergson and read poetry with Henri Alban-Fournier.[6][22] From 1911 to 1914, he was back at Harvard studying Indian philosophy and Sanskrit.[6][24] Whilst a member of the Harvard Graduate School, Eliot met and fell in love with Emily Hale.[25] Eliot was awarded a scholarship to Merton College, Oxford, in 1914. He first visited Marburg, Germany, where he planned to take a summer programme, but when the First World War broke out he went to Oxford instead. At the time so many American students attended Merton that the Junior Common Room proposed a motion "that this society abhors the Americanization of Oxford". It was defeated by two votes after Eliot reminded the students how much they owed American culture.[26]

Eliot wrote to Conrad Aiken on New Year's Eve 1914: "I hate university towns and university people, who are the same everywhere, with pregnant wives, sprawling children, many books and hideous pictures on the walls [...] Oxford is very pretty, but I don't like to be dead."[26] Escaping Oxford, Eliot spent much of his time in London. This city had a monumental and life-altering effect on Eliot for several reasons, the most significant of which was his introduction to the influential American literary figure Ezra Pound. A connection through Aiken resulted in an arranged meeting and on 22 September 1914, Eliot paid a visit to Pound's flat. Pound instantly deemed Eliot "worth watching" and was crucial to Eliot's fledgling career as a poet, as he is credited with promoting Eliot through social events and literary gatherings. Thus, according to biographer John Worthen, during his time in England Eliot "was seeing as little of Oxford as possible". He was instead spending long periods of time in London, in the company of Ezra Pound and "some of the modern artists whom the war has so far spared [...] It was Pound who helped most, introducing him everywhere."[27] In the end, Eliot did not settle at Merton and left after a year. In 1915 he taught English at Birkbeck, University of London.[28]

In 1916, he completed a doctoral dissertation for Harvard on "Knowledge and Experience in the Philosophy of F. H. Bradley", but he failed to return for the viva voce exam.[6][29]

Marriage

Before leaving the US, Eliot had told Emily Hale that he was in love with her. He exchanged letters with her from Oxford during 1914 and 1915, but they did not meet again until 1927.[25][30] In a letter to Aiken late in December 1914, Eliot, aged 26, wrote: "I am very dependent upon women (I mean female society)."[31] Less than four months later, Thayer introduced Eliot to Vivienne Haigh-Wood, a Cambridge governess. They were married at Hampstead Register Office on 26 June 1915.[32]

After a short visit, alone, to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at Birkbeck College, University of London. The philosopher Bertrand Russell took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed.[33]

The marriage seems to have been markedly unhappy, in part because of Vivienne's health problems. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature, fatigue, insomnia, migraines, and colitis.[34] This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health. As time went on, he became increasingly detached from her. According to witnesses, both Eliots were frequent complainers of illness, physical and mental, while Eliot would drink excessively and Vivienne is said to have developed a liking for opium and ether, drugs prescribed for medical issues. It is claimed that the couple's wearying behaviour caused some visitors to vow never to spend another evening in the company of both together.[35] The couple formally separated in 1933, and in 1938 Vivienne's brother, Maurice, had her committed to a mental hospital, against her will, where she remained until her death of heart disease in 1947. When told via a phone call from the asylum that Vivienne had died unexpectedly during the night, Eliot is said to have buried his face in his hands and cried out 'Oh God, oh God.'[35]

Their relationship became the subject of a 1984 play Tom & Viv, which in 1994 was adapted as a film of the same name.

In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of [Ezra] Pound) that she would save the poet by keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came The Waste Land."[36]

Teaching, banking, and publishing

After leaving Merton, Eliot worked as a schoolteacher, most notably at Highgate School in London, where he taught French and Latin: his students included John Betjeman.[6] He subsequently taught at the Royal Grammar School, High Wycombe in Buckinghamshire. To earn extra money, he wrote book reviews and lectured at evening extension courses at University College London and Oxford. In 1917, he took a position at Lloyds Bank in London, working on foreign accounts. On a trip to Paris in August 1920 with the artist Wyndham Lewis, he met the writer James Joyce. Eliot said he found Joyce arrogant, and Joyce doubted Eliot's ability as a poet at the time, but the two writers soon became friends, with Eliot visiting Joyce whenever he was in Paris.[37] Eliot and Wyndham Lewis also maintained a close friendship, leading to Lewis's later making his well-known portrait painting of Eliot in 1938.

Charles Whibley recommended T.S. Eliot to Geoffrey Faber.[38] In 1925 Eliot left Lloyds to become a director in the publishing firm Faber and Gwyer (later Faber and Faber), where he remained for the rest of his career.[39][40] At Faber and Faber, he was responsible for publishing distinguished English poets, including W. H. Auden, Stephen Spender, Charles Madge and Ted Hughes.[41]

Conversion to Anglicanism and British citizenship

On 29 June 1927, Eliot converted from Unitarianism to Anglicanism, and in November that year he took British citizenship, thereby renouncing his United States citizenship in the event he had not officially done so previously.[42] He became a churchwarden of his parish church, St Stephen's, Gloucester Road, London, and a life member of the Society of King Charles the Martyr.[43][44] He specifically identified as Anglo-Catholic, proclaiming himself "classicist in literature, royalist in politics, and anglo-catholic [sic] in religion".[45][46]

About 30 years later Eliot commented on his religious views that he combined "a Catholic cast of mind, a Calvinist heritage, and a Puritanical temperament".[47] He also had wider spiritual interests, commenting that "I see the path of progress for modern man in his occupation with his own self, with his inner being" and citing Goethe and Rudolf Steiner as exemplars of such a direction.[48]

One of Eliot's biographers, Peter Ackroyd, commented that "the purposes of [Eliot's conversion] were two-fold. One: the Church of England offered Eliot some hope for himself, and I think Eliot needed some resting place. But secondly, it attached Eliot to the English community and English culture."[41]

Separation and remarriage

By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the 1932–1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental hospital in Woodberry Down, Manor House, London, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her.[49] From 1933 to 1946 Eliot had a close emotional relationship with Emily Hale. Eliot later destroyed Hale's letters to him, but Hale donated Eliot's to Princeton University Library where they were sealed, following Eliot's and Hale's wishes, for 50 years after both had died, until 2020.[50] When Eliot heard of the donation he deposited his own account of their relationship with Harvard University to be opened whenever the Princeton letters were.[25]

From 1938 to 1957 Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir.[51][52][53]

From 1946 to 1957, Eliot shared a flat at 19 Carlyle Mansions, Chelsea, with his friend John Davy Hayward, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive".[54][55] Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as Poems Written in Early Youth. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge, in 1965.

On 10 January 1957, at the age of 68, Eliot married Esmé Valerie Fletcher, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in St. Barnabas Church, Kensington, London,[56] at 6:15 am with virtually no one in attendance other than his wife's parents. In the early 1960s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. S. Eliot and a facsimile of the draft of The Waste Land.[57] Valerie Eliot died on 9 November 2012 at her home in London.[58]

Eliot had no children with either of his wives.

Death and honours

Eliot died of emphysema at his home in Kensington in London, on 4 January 1965,[59] and was cremated at Golders Green Crematorium.[60] In accordance with his wishes, his ashes were taken to St Michael and All Angels' Church, East Coker, the village in Somerset from which his Eliot ancestors had emigrated to America.[61] A wall plaque in the church commemorates him with a quotation from his poem East Coker: "In my beginning is my end. In my end is my beginning."[62]

In 1967, on the second anniversary of his death, Eliot was commemorated by the placement of a large stone in the floor of Poets' Corner in London's Westminster Abbey. The stone, cut by designer Reynolds Stone, is inscribed with his life dates, his Order of Merit, and a quotation from his poem Little Gidding, "the communication / of the dead is tongued with fire beyond / the language of the living."[63]

In 1986, a blue plaque was placed on the apartment block - No. 3 Kensington Court Gardens - where he lived and died.[64]