Notes
- ^ Logan and Smith, p. 52.
- ^ The lost work by Day was probably a pamphlet, not a play; Chambers, vol. 3, p. 289.
- ^ Chambers, vol. 3, pp. 296–297.
- ^ Logan and Smith, p. 15.
- ^ Dekker, Thomas; Middleton, Thomas. Cook, Elizabeth (ed.). The Roaring Girl (New Mermaids ed.). Bloomsbury. Introduction: Date, Sources, and Afterlife.
- ^ Logan and Smith, p. 27.
- ^ Lake, pp. 52–6.
- ^ Mulholland, pp. 8, 11.
- ^ Hendricks, Margo (1990). "A Painter's Eye: Gender and Middleton and Dekker's Roaring Girl". Women's Studies. 18 (2–3): 191–203. doi:10.1080/00497878.1990.9978830. ISSN 0049-7878.
- ^ Rose, Mary Beth (1984). "Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl". English Literary Renaissance. 14 (3): 367–391. doi:10.1111/j.1475-6757.1984.tb00871.x. ISSN 0013-8312. S2CID 144369415.
- ^ "The Roaring Girl performance details and background material". Royal Shakespeare Company. 2014. Retrieved 8 March 2024.
References
- Chambers, E. K. The Elizabethan Stage. 4 volumes, Oxford, Clarendon Press, 1923.
- Lake, David J. The Canon of Thomas Middleton's Plays. Cambridge, Cambridge University Press, 1975.
- Logan, Terence P., and Denzell S. Smith, eds. The Popular School: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, Nebraska, University of Nebraska Press, 1975.
- Mulholland, Paul, ed. The Roaring Girl. The Revels Plays. Manchester University Press, 1987.
