The Rise of Rome

Reception

Imperial era

Livy's History of Rome was in high demand from the time it was published and remained so during the early years of the empire. Pliny the Younger reported that Livy's celebrity was so widespread, a man from Cádiz travelled to Rome and back for the sole purpose of meeting him.[25] Livy's work was a source for the later works of Aurelius Victor, Cassiodorus, Eutropius, Festus, Florus, Granius Licinianus and Orosius. Julius Obsequens used Livy, or a source with access to Livy, to compose his De Prodigiis, an account of supernatural events in Rome from the consulship of Scipio and Laelius to that of Paulus Fabius and Quintus Aelius.

Livy wrote during the reign of Augustus, who came to power after a civil war with generals and consuls claiming to be defending the Roman Republic, such as Pompey. Patavium had been pro-Pompey. To clarify his status, the victor of the civil war, Octavian Caesar, had wanted to take the title Romulus (the first king of Rome) but in the end accepted the senate proposal of Augustus. Rather than abolishing the republic, he adapted it and its institutions to imperial rule.

The historian Tacitus, writing about a century after Livy's time, described the Emperor Augustus as his friend. Describing the trial of Cremutius Cordus, Tacitus represents him as defending himself face-to-face with the frowning Tiberius as follows:

I am said to have praised Brutus and Cassius, whose careers many have described and no one mentioned without eulogy. Titus Livius, pre-eminently famous for eloquence and truthfulness, extolled Cn. Pompeius in such a panegyric that Augustus called him Pompeianus, and yet this was no obstacle to their friendship.[26]

Livy's reasons for returning to Padua after the death of Augustus (if he did) are unclear, but the circumstances of Tiberius' reign certainly allow for speculation.

Later

Titus Livius by Andrea Briosco (c. 1567)

During the Middle Ages, due to the length of the work, the literate class was already reading summaries rather than the work itself, which was tedious to copy, expensive, and required a lot of storage space. It must have been during this period, if not before, that manuscripts began to be lost without replacement. The Renaissance was a time of intense revival; the population discovered that Livy's work was being lost and large amounts of money changed hands in the rush to collect Livian manuscripts. The poet Beccadelli sold a country home for funding to purchase one manuscript copied by Poggio.[27] Petrarch and Pope Nicholas V launched a search for the now missing books. Laurentius Valla published an amended text initiating the field of Livy scholarship. Dante speaks highly of him in his poetry, and Francis I of France commissioned extensive artwork treating Livian themes; Niccolò Machiavelli's work on republics, the Discourses on Livy, is presented as a commentary on the History of Rome. Respect for Livy rose to lofty heights. Walter Scott reports in Waverley (1814) as an historical fact that a Scotsman involved in the first Jacobite uprising of 1715 was recaptured (and executed) because, having escaped, he yet lingered near the place of his captivity in "the hope of recovering his favourite Titus Livius".[28]


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