The Revenger's Tragedy belongs to the second generation of English revenge plays. It keeps the basic Senecan design brought to English drama by Thomas Kyd: a young man is driven to avenge an elder's death (in this case it's a lover, Gloriana, instead), which was caused by the villainy of a powerful older man; the avenger schemes to effect his revenge, often by morally questionable means; he finally succeeds in a bloodbath that costs him his own life as well. However, the author's tone and treatment are markedly different from the standard Elizabethan treatment in ways that can be traced to both literary and historical causes. Already by 1606, the enthusiasm that accompanied James I's assumption of the English throne had begun to give way to the beginnings of dissatisfaction with the perception of corruption in his court. The new prominence of tragedies that involved courtly intrigues seems to have been partly influenced by this dissatisfaction.
This trend towards court-based tragedy was contemporary with a change in dramatic tastes toward the satiric and cynical, beginning before the death of Elizabeth I but becoming ascendant in the few years following. The episcopal ban on verse satire in 1599 appears to have impelled some poets to a career in dramaturgy;[4] writers such as John Marston and Thomas Middleton brought to the theatres a lively sense of human frailty and hypocrisy. They found fertile ground in the newly revived children's companies, the Blackfriars Children and Paul's Children;[5] these indoor venues attracted a more sophisticated crowd than that which frequented the theatres in the suburbs.
While The Revenger's Tragedy was apparently performed by an adult company at the Globe Theatre, its bizarre violence and vicious satire mark it as influenced by the dramaturgy of the private playhouses.
