Pushkin uses metapoetic moments throughout the story to question the reliability of the narrator and to discern the genre of the work. These metapoetic moments refer to the story dealing with stories internally. One of the clearest example of this takes place after Hermann’s encounter with the countess’ ghostly form. After her departure, Hermann immediately writes down his vision, recording it on paper and writing a small story within the larger story of The Queen of Spades.[13] A second example is when Tomsky and his grandmother talk about traditional plot lines within a Russian novel, of which his grandmother denies the existence.[13]
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