- Austin, N. 1975. Archery at the Dark of the Moon: Poetic Problems in Homer's Odyssey. Berkeley: University of California Press.
- Clayton, B. 2004. A Penelopean Poetics: Reweaving the Feminine in Homer's Odyssey. Lanham: Lexington Books.
- — 2011. "Polyphemus and Odysseus in the Nursery: Mother's Milk in the Cyclopeia." Arethusa 44(3):255–77.
- Bakker, E. J. 2013. The Meaning of Meat and the Structure of the Odyssey. Cambridge: Cambridge University Press.
- Barnouw, J. 2004. Odysseus, Hero of Practical Intelligence. Deliberation and Signs in Homer's Odyssey. Lanham, MD: University Press of America.
- Dougherty, C. 2001. The Raft of Odysseus: The Ethnographic Imagination of Homer's Odyssey. New York: Oxford University Press.
- Fenik, B. 1974. Studies in the Odyssey. Hermes: Einzelschriften 30. Wiesbaden, West Germany: F. Steiner.
- Griffin, J. 1987. Homer: The Odyssey. Landmarks in World Literature. Cambridge: Cambridge University Press.
- Louden, B. 2011. Homer's Odyssey and the Near East. Cambridge: Cambridge University Press.
- — 1999. The Odyssey: Structure, Narration and Meaning. Baltimore: Johns Hopkins University Press.
- Müller, W. G. 2015. "From Homer's Odyssey to Joyce's Ulysses: Theory and Practice of an Ethical Narratology." Arcadia 50(1):9–36.
- Perpinyà, Núria. 2008. Las criptas de la crítica. Veinte lecturas de la Odisea [The Crypts of Criticism: Twenty Interpretations of the 'Odyssey']. Madrid: Gredos. Lay summary Archived 18 June 2020 at the Wayback Machine via El Cultural (in Spanish).
- Reece, Steve. 2011. "Toward an Ethnopoetically Grounded Edition of Homer's Odyssey Archived 1 January 2020 at the Wayback Machine." Oral Tradition 26:299–326.
- Saïd, S. 2011 [1998].. Homer and the Odyssey. New York: Oxford University Press.
- Thurman, Judith, "Mother Tongue: Emily Wilson makes Homer modern", The New Yorker, 18 September 2023, pp. 46–53. A biography, and presentation of the translation theories and practices, of Emily Wilson. "'As a translator, I was determined to make the whole human experience of the poems accessible,' Wilson said." (p. 47.)
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