The Marble Faun

Composition and publication history

After writing The Blithedale Romance in 1852, Hawthorne, who was then approaching fifty, was granted a political appointment as American Consul in Liverpool, England, which he held from 1853 to 1857. In 1858, Hawthorne and his wife Sophia Peabody moved the family to Italy and became tourists for a year and a half. In early 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in the Palazzo Nuovo of the Capitoline Museum in Rome.

Hawthorne began the manuscript and intended to complete it at home, The Wayside, in Concord, Massachusetts. Instead, he returned to England, where he would remain until July 1860, and entirely rewrote the book.[1] On October 10, 1859, he wrote to his American publisher James T. Fields that his wife enjoyed what she had read thus far and "speaks of it very rapturously. If she liked the author less, I should feel much encouraged by her liking the Romance so much. I likewise (to confess the truth) admire it exceedingly, at intervals, but am liable to cold fits, during which I think it the most infernal nonsense."[2] Sophia wrote to her sister Elizabeth Peabody that her husband's reaction was typical: "As usual, he thinks the book good for nothing... He has regularly despised each one of his books immediately upon finishing it."[2]

Hawthorne struggled with a title for his new book. He considered several, including Monte Beni; or, The Faun: A Romance, The Romance of a Faun, Marble and Life; a Romance, Marble and Man; a Romance, and St. Hilda's Shrine.[3] The book was published simultaneously in America and England in late 1860; the title for the British edition was Transformation: Or the Romance of Monte Beni.[4] The alternate title was chosen by the publishers and was used against Hawthorne's wishes.[5] Both titles continue to be used today in the U.K. Encouraged to write a book long enough to fill three volumes, Hawthorne included extended descriptions that critics found distracting or boring.[6] Complaints about the ambiguous ending led Hawthorne to add a postscript to the second edition.


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