Influence on the fantasy genre
The enormous popularity of Tolkien's work expanded the demand for fantasy fiction. Largely thanks to The Lord of the Rings, the genre flowered throughout the 1960s, and enjoys popularity to the present day. The opus has spawned many imitators, such as The Sword of Shannara, which Lin Carter called "the single most cold-blooded, complete rip-off of another book that I have ever read". Dungeons & Dragons, which popularized the role-playing game (RPG) genre in the 1970s, features many races found in The Lord of the Rings, most notably halflings (another term for hobbits), elves (who are distinct from dark elves, following Tolkien's example), dwarves, half-elves, orcs, and dragons. However, Gary Gygax, lead designer of the game, maintained that he was influenced very little by The Lord of the Rings, stating that he included these elements as a marketing move to draw on the popularity the work enjoyed at the time he was developing the game.
Because D&D has gone on to influence many popular role-playing video games, the influence of The Lord of the Rings extends to many of them as well, with titles such as Dragon Quest, the Ultima series, EverQuest, the Warcraft series, and the Elder Scrolls series of games as well as video games set in Middle-earth itself.
Research also suggests that some consumers of fantasy games derive their motivation from trying to create an epic fantasy narrative which is influenced by The Lord of the Rings.
In 1965, songwriter Donald Swann, who was best known for his collaboration with Michael Flanders as Flanders & Swann, set six poems from The Lord of the Rings and one from The Adventures of Tom Bombadil ("Errantry") to music. When Swann met with Tolkien to play the songs for his approval, Tolkien suggested for "Namárië" (Galadriel's lament) a setting reminiscent of plain chant, which Swann accepted. The songs were published in 1967 as The Road Goes Ever On: A Song Cycle, and a recording of the songs performed by singer William Elvin with Swann on piano was issued that same year by Caedmon Records as Poems and Songs of Middle Earth.
Rock bands of the 1970s were musically and lyrically inspired by the fantasy embracing counter-culture of the time; British 70s rock band Led Zeppelin recorded several songs that contain explicit references to The Lord of the Rings, such as mentioning Gollum in "Ramble On", the Misty Mountains in "Misty Mountain Hop", and Ringwraiths in "The Battle of Evermore". In 1970, the Swedish musician Bo Hansson released an instrumental concept album based on the book titled Sagan om ringen (translated as "The Saga of the Ring", which was the title of the Swedish translation of The Lord of the Rings at the time). The album was subsequently released internationally as Music Inspired by Lord of the Rings in 1972. The songs "Rivendell" and "The Necromancer" by the progressive rock band Rush were inspired by Tolkien. Styx also paid homage to Tolkien on their album Pieces of Eight with the song "Lords of the Ring", while Black Sabbath's song, "The Wizard", which appeared on their debut album, was influenced by Tolkien's hero, Gandalf. Progressive rock group Camel paid homage to the text in their lengthy composition "Nimrodel/The Procession/The White Rider", and progressive rock band Barclay James Harvest was inspired by the character Galadriel to write a song by that name, and used "Bombadil", the name of another character, as a pseudonym under which their 1972 single "Breathless"/"When the City Sleeps" was released; there are other references scattered through the BJH oeuvre.
Later, from the 1980s to the present day, many heavy metal acts have been influenced by Tolkien. Blind Guardian has written many songs relating to Middle-earth, including the full concept album Nightfall in Middle Earth. Almost the entire discography of Battlelore are Tolkien-themed. Summoning's music is based upon Tolkien and holds the distinction of the being the only artist to have crafted a song entirely in the Black Speech of Mordor. Gorgoroth, Cirith Ungol and Amon Amarth take their names from an area of Mordor, and Burzum take their name from the Black Speech of Mordor. The Finnish metal band Nightwish and the Norwegian metal band Tristania have also incorporated many Tolkien references into their music. American heavy metal band Megadeth released two songs titled "This Day We Fight!" and "How the Story Ends", which were both inspired by The Lord of the Rings. German folk metal band Eichenschild is named for Thorin Oakenshield, a character in The Hobbit, and naturally has a number of Tolkien-themed songs. They are not to be confused with the '70s folk rock band Thorin Eichenschild.
In 1988, Dutch composer and trombonist Johan de Meij completed his Symphony No. 1 "The Lord of the Rings", which encompassed 5 movements, titled "Gandalf", "Lothlórien", "Gollum", "Journey in the Dark", and "Hobbits". In 1989 the symphony was awarded the Sudler Composition Award, awarded biennially for best wind band composition. The Danish Tolkien Ensemble have released a number of albums that feature the complete poems and songs of The Lord of the Rings set to music, with some featuring recitation by Christopher Lee.
Enya wrote an instrumental piece called "Lothlórien" in 1991, and composed two songs for the film The Lord of the Rings: The Fellowship of the Ring—"May It Be" (sung in English and Quenya) and "Aníron" (sung in Sindarin).
Impact on popular culture
The Lord of the Rings has had a profound and wide-ranging impact on popular culture, beginning with its publication in the 1950s, but especially throughout the 1960s and 1970s, during which time young people embraced it as a countercultural saga. "Frodo Lives!" and "Gandalf for President" were two phrases popular amongst United States Tolkien fans during this time.
Parodies like the Harvard Lampoon's Bored of the Rings, the VeggieTales episode "Lord of the Beans", the South Park episode "The Return of the Fellowship of the Ring to the Two Towers", the Futurama film Bender's Game, The Adventures of Jimmy Neutron: Boy Genius episode "Lights! Camera! Danger!", The Big Bang Theory episode "The Precious Fragmentation", and the American Dad! episode "The Return of the Bling" are testimony to the work's continual presence in popular culture.
In 1969, Tolkien sold the merchandising rights to The Lord of The Rings (and The Hobbit) to United Artists under an agreement stipulating a lump sum payment of £10,000 plus a 7.5% royalty after costs, payable to Allen & Unwin and the author. In 1976, three years after the author's death, United Artists sold the rights to Saul Zaentz Company, who now trade as Tolkien Enterprises. Since then all "authorized" merchandise has been signed-off by Tolkien Enterprises, although the intellectual property rights of the specific likenesses of characters and other imagery from various adaptations is generally held by the adaptors. Outside any commercial exploitation from adaptations, from the late 1960s onwards there has been an increasing variety of original licensed merchandise, from posters and calendars created by illustrators such as Pauline Baynes and the Brothers Hildebrandt, to figurines and miniatures to computer, video, tabletop and role-playing games. Recent examples include the Spiel des Jahres award winning (for best use of literature in a game) board game The Lord of the Rings by Reiner Knizia and the Golden Joystick award-winning massively multiplayer online role-playing game, The Lord of the Rings Online: Shadows of Angmar by Turbine, Inc..
The Lord of the Rings has been mentioned in numerous songs including The Ballad of Bilbo Baggins by Leonard Nimoy, Led Zeppelin's Misty Mountain Hop, Over the Hills and Far Away, Ramble On, and The Battle of Evermore, Genesis' song "Stagnation" (from Trespass, 1970) was about Gollum, Rush included the song "Rivendell" on their second studio album Fly by Night, and Argent included the song "Lothlorien" on the 1971 album Ring of Hands.
Steve Peregrin Took (born Stephen Ross Porter) of British rock band T. Rex took his name from the hobbit Peregrin Took (better known as Pippin). Took later recorded under the pseudonym 'Shagrat the Vagrant', before forming a band called Shagrat in 1970.