The Lone Ranger and Tonto Fistfight in Heaven
Dealing With the Present via the Past in The Lone Ranger and Tonto Fistfight in Heaven
In Sherman Alexie's "The Lone Ranger and Tonto Fistfight in Heaven", the past is never really past. The aftershocks of 500 years of Native American persecution, oppression, and neglect continue to haunt the world of the reservation, in the form of alcoholism, poverty, and familial dysfunction. In spite of all this-or perhaps because of it-ancient tribal tradition/ritual lives on, if in a modified, more contemporary version. Throughout the story, the old ways-whether they be storytelling or vision seeking-serve to renew hope, and strengthen the bonds of the community. Thus, the past is both a destructive and a redemptive force within the novel. It is at once a source of continuing suffering and an antidote to that suffering.
These two opposing forces are best represented by two of the novel's principal characters: Victor and Thomas-Builds-the-Fire. Victor, raised in poverty by an alcoholic, "failure" of a father, can only see the past through dark colored glasses. For him, the past is a force that, more often than not, leaves disaster in its wake; the tragedy of the past begets the tragedy of the present, pain begets pain. It is an endless and indefatigable cycle. Thomas-Builds-the-Fire on the other...
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