During the McCarthy era, German-Jewish novelist and playwright Lion Feuchtwanger became the target of suspicion as a left-wing intellectual during his exile in the US. In 1947 Feuchtwanger wrote a play about the Salem witch trials, Wahn oder der Teufel in Boston (Delusion, or The Devil in Boston), as an allegory for the persecution of communists, thus anticipating the theme of The Crucible by Arthur Miller; Wahn premiered in Germany in 1949. It was translated by June Barrows Mussey and performed in Los Angeles in 1953 under the title The Devil in Boston.
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