He wrote an early novel, Lak Tar Miyo Kinyero Wi Lobo (1953), in Lwo, later translated into English as White Teeth. It concerns the experiences of a young Acholi man moving away from home, to find work and so a wife. Okot p'Bitek organised an arts festival at Gulu, and then at Kisumu. Subsequently he taught at Makerere University (1964–66) and then was Director of Uganda's National Theatre and National Cultural Centre (1966–68).[5]
He became unpopular with the Ugandan government, and took teaching posts outside the country. He took part in the International Writing Program at the University of Iowa in 1969. He was at the Institute of African Studies of University College, Nairobi from 1971 as a senior research fellow and lecturer, with visiting positions at University of Texas at Austin and University of Ife in Nigeria in 1978/9. He remained in exile during the regime of Idi Amin, returning in 1982 to Makerere University, to teach creative writing. He participated in the inaugural International Book Fair of Radical Black and Third World Books in London in April 1982, when he performed extracts from his poems "Song of Lawino" and "Song of Ocol" in what would be his last public appearance.[9]
Apart from his poetry and novels, he also took part in an ongoing debate about the integrity of scholarship on traditional African religion, with the assertion in African Religions in Western Scholarship (1971) that scholars centred on European concerns were "intellectual smugglers". His point, aimed partly at Africans who had had a training in Christian traditions, was that it led to a concentration on matters distant from the actual concerns of Africans; this has been contested by others. He was an atheist.[10]
