Box office
The film premiered on November 1, 1996, in the United States and Canada, in 1,276 theaters, and grossed $11.1 million its opening weekend, ranking number one at the US box office. It went on to gross $46.3 million in the United States and Canada.[22]
In Australia, the film opened on Boxing Day and was number one at the Australian box office with a gross of A$3.3 million (US$2.6 million) for the week.[23] It remained number one for a second week and returned to the top in its fourth week.[24][25] It was the ninth highest-grossing film in Australia for 1997 with a calendar year gross of A$12.9 million.[26] Overall, it has grossed US$12.6 million in Australia and US$147,554,998 worldwide.[5]
Critical response
Review aggregator Rotten Tomatoes reported 74% of 69 critics gave a positive review, with an average rating of 6.8/10. The site's critics consensus reads, "Baz Luhrmann's visual aesthetic is as divisive as it is fresh and inventive."[27] Metacritic gives the film a weighted average score of 60 out of 100 based on 20 critics, indicating "mixed or average reviews".[28] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[29]
James Berardinelli gave the film three out of four stars and wrote, "Ultimately, no matter how many innovative and unconventional flourishes it applies, the success of any adaptation of a Shakespeare play is determined by two factors: the competence of the director and the ability of the main cast members. Luhrmann, Danes, and DiCaprio place this Romeo and Juliet in capable hands."[30]
Conversely, Roger Ebert gave the film a mixed review of only two stars out of four, saying, "I've seen King Lear as a samurai drama and Macbeth as a Mafia story, and two different Romeo and Juliets about ethnic difficulties in Manhattan (West Side Story and China Girl), but I have never seen anything remotely approaching the mess that the new punk version of Romeo & Juliet makes of Shakespeare's tragedy."[31]
Accolades
Romeo + Juliet competed for the Golden Bear at the 47th Berlin International Film Festival, winning the Alfred Bauer Prize for Luhrmann and the Silver Bear for Best Actor for DiCaprio.[32] It received seven nominations at the 51st British Academy Film Awards and won in four categories, including Best Direction and Best Adapted Screenplay.[33] The film received a single nomination for Best Art Direction at the 69th Academy Awards.[34]
Other notable ceremonies where it received much recognition included audience oriented award shows, such as the Blockbuster Entertainment Awards, and the MTV Movie Awards.
Award | Category | Subject | Result | Ref. |
---|---|---|---|---|
Academy Awards | Best Art Direction | Art Direction: Catherine Martin; Set Decoration: Brigitte Broch | Nominated | [7] |
Australian Film Institute Awards | Best Foreign Film | Baz Luhrmann and Gabriella Martinelli | Nominated | |
Berlin International Film Festival | Golden Bear | Baz Luhrmann | Nominated | [6] |
Alfred Bauer Prize | Won | |||
Silver Bear for Best Actor | Leonardo DiCaprio | Won | ||
Blockbuster Entertainment Awards | Favorite Actor – Romance | Leonardo DiCaprio | Won | [35] |
Favorite Actress – Romance | Claire Danes | Won | ||
British Academy Film Awards | Best Direction | Baz Luhrmann | Won | [36] |
Best Adapted Screenplay | Baz Luhrmann and Craig Pearce | Won | ||
Best Cinematography | Donald McAlpine | Nominated | ||
Best Editing | Jill Bilcock | Nominated | ||
Best Original Film Music | Nellee Hooper, Craig Armstrong and Marius de Vries | Won | ||
Best Production Design | Catherine Martin | Won | ||
Best Sound | Gareth Vanderhope, Rob Young and Roger Savage | Nominated | ||
London Film Critics Circle Awards | Film of the Year | Baz Luhrmann | Nominated | |
Director of the Year | Nominated | |||
Actress of the Year | Claire Danes | Won | ||
MTV Movie Awards | Best Movie | Romeo + Juliet | Nominated | [37] |
Best Male Performance | Leonardo DiCaprio | Nominated | ||
Best Female Performance | Claire Danes | Won | [38] | |
Best Kiss | Claire Danes and Leonardo DiCaprio | Nominated | [37] | |
Best On-Screen Duo | Nominated | |||
Best Song from a Movie | "#1 Crush" by Garbage | Nominated |
American Film Institute recognition
- AFI's 100 Years ... 100 Passions – Nominated[39]
Home media
The film was originally released on DVD on March 19, 2002, by 20th Century Fox Home Entertainment.[40] A 10th anniversary special edition DVD containing extra features and commentary was released on February 6, 2007, and a Blu-ray edition was released on October 19, 2010.[41]
Retrospective reviews
The film maintains a popular reputation among English teachers, as a means through which to introduce secondary school students to the play. Although not to every critic's taste, the film is now recognised as one of the most influential Shakespeare film adaptations ever made.[42]
Miriam Margolyes, who played the nurse in the film, wrote about her experiences on the film in her 2021 memoir This Much Is True. On her co-star Leonardo DiCaprio, she wrote:[43]
"Leonardo has grown into an extremely fine actor but back then he was just a handsome boy who didn't always wash; he was quite smelly in that very male way some young men are. Sometimes he wore a dress. 'Leonardo, I think you're gay,' I said. He laughed and said, 'No Miriam. I'm really not gay.' But I was wrong. We filmed in Mexico City, paradise for someone like me who loves fossicking around flea markets and antiques shops, and, like me, Leonardo was into bling in a big way, too. We'd spend hours going through the markets together. I don't know that I've ever had such fun."[44][45]
She further commented on the chemistry between the film's two leads:
"I liked [DiCaprio] tremendously and admired his work, but luckily I was immune from his groin charms, unlike poor Claire Danes, then only 17. It was obvious to all of us that she really was in love with her Romeo, but Leonardo wasn't in love with her. She wasn't his type at all. He didn't know how to cope with her evident infatuation. He wasn't sensitive to her feelings, was dismissive of her and could be quite nasty in his keenness to get away, while Claire was utterly sincere and so open. It was painful to watch. Many years later, I was in a restaurant and she came up to me and said: 'We worked together on a film once, I don't know if you remember me? My name is Claire Danes.' It was the opposite of the arrogant behaviour of some stars and so typical of her."[44][46]