Punch-Drunk Love Paul Thomas Anderson

Box office

The film began a limited domestic release on October 11, 2002, grossing $118,539 from five theaters. It went on to gross $17.8 million in the United States, and an international total of $6.8 million, for a worldwide box office total of $24.6 million.[2]

Critical reception

On review aggregator Rotten Tomatoes, the film holds an approval rating of 79% based on 197 reviews, with an average rating of 7.40/10. The website's critical consensus states, "Odd, touching, and unique, Punch-Drunk Love is also delightfully funny, utilizing Adam Sandler's comic persona to explore the life of a lonely guy who finds love."[14] On Metacritic, the film has a weighted average score of 78 out of 100, based on 37 critics, indicating "generally favorable reviews".[15] Audiences polled by CinemaScore gave the film an average grade of "D+" on an A+ to F scale.[16]

Writing for Rolling Stone, Peter Travers felt the pairing of Anderson and Sandler was "parallel lines that meet triumphantly in a mesmerizer that stays true to both of their anarchic spirits," and praised the cast's performances, ultimately calling the film's effect "intoxicating."[17] Angie Errigo of Empire complimented Anderson's direction as "simply captivating and exquisitely controlled, with a restless mood and no end of fascinating, beautifully-orchestrated oddness," and said, "One of the joys of this film...is that you really have no idea what's going to happen next."[18] Daniel Fierman of Entertainment Weekly thought the film was a "meditation on true love, the ways in which we are all bizarre, the magic of the perfect match, and the preposterously unlikely nature of the whole enterprise."[19] The Los Angeles Times' Kenneth Turan stated that the film was "a comedy of discomfort and rage that turns unexpectedly sweet and pure."[20] Writing for Variety, Todd McCarthy said that "there is no mistaking the exceeding creativity that has gone into nearly every shot, transition, narrative choice and musical selection," and praised Adam Sandler, Emily Watson, and Philip Seymour Hoffman's performances. He also opined that "Sandler fans will probably take it as a lightweight, but agreeable enough, outing with slightly weird elements to it, while Anderson partisans could split between those who will revel in the thrill of his ongoing creative inventions and others who may find this light lifting between heavy workouts."[21] Charles Taylor of Salon.com described the film as a "manic-depressive romantic comedy that aspires to the soul of a musical," and complimented Anderson's direction, Christopher Scarabosio's sound design, and Jon Brion's score. He believed that Anderson properly utilized the "threat of sudden, bellowing, red-faced rage" of Sandler's known comic persona in the film.[22]

David Ansen of Newsweek described the film as "a romantic comedy on the verge of a nervous breakdown," praising the film's unpredictability and cinematography, but felt Lena was underwritten, concluding that it was "an emotional jigsaw puzzle that's missing a couple of crucial pieces."[23] Giving the film three stars out of five, Peter Bradshaw of The Guardian felt the story was "deeply unconvincing" and "a short cut to an entirely unearned emotional resolution that doesn't begin to illuminate the jagged and disturbing - and gripping - ideas that swirl around the beginning of this film," and felt the film's core romance was "the most bafflingly unreal love story you can imagine."[24]

Sandler's lead performance received acclaim. Giving the film three-and-a-half stars out of four, Roger Ebert of the Chicago Sun-Times praised Sandler's performance in his review, saying, "Sandler, liberated from the constraints of formula, reveals unexpected depths as an actor. Watching this film, you can imagine him in Dennis Hopper roles. He has darkness, obsession and power. He can't go on making those moronic comedies forever, can he?"[25] Errigo called the film "an anti-Adam Sandler movie that proves to be a highly defining moment for the actor" and called Sandler's performance "astonishing." She also felt Watson was "relishing a calming character who is on an even keel."[18] Entertainment Weekly's Owen Gleiberman said Sandler was "utterly winning to watch" and added that "he has become a tender and arresting presence, like a fusion of Chaplin’s Little Tramp, Woody Allen, and Edward Scissorhands."[26] Desson Thomson of The Washington Post proclaimed that Sandler gave "the performance of his life" in the film.[27]

Accolades

Sandler went on to win Best Actor at the Gijón International Film Festival for his performance and was also nominated for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. Anderson won the award for Best Director at the 2002 Cannes Film Festival and the film was nominated for the Palme d'Or.[28] The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics.