Othello William Shakespeare

References

  • Except where otherwise stated, references to the play Othello are to Honigmann, E. A. J. and Thompson, Ayanna (Eds.) "Othello" The Arden Shakespeare, Third Series, Bloomsbury Publishing Plc., 2016.
  • Except where otherwise stated, references to other works by Shakespeare are to Wells, Stanley and Taylor, Gary (Eds.) "The Oxford Shakespeare - The Complete Works" Second Edition, Oxford University Press, 2005.
  1. ^ Thompson and Honigmann, 2016, pp.13 & 376-377.
  2. ^ Thompson and Honigmann, 2016, p.13.
  3. ^ Thompson and Honigmann, 2016, pp.13-14. Honigmann, 1997, pp.12-13.
  4. ^ Thompson and Honigmann, 2016, pp.13-14. The complete novella appears, in different translations, in Thompson and Honigmann, 2016 at pp.377-396 and in Neill, 2006, pp.434-444.
  5. ^ McAlindon and Muir, 2005, pp.lvii-lviii.
  6. ^ Bate and Rasmussen, 2009, p.7.
  7. ^ Neil, 2006, pp.16-17
  8. ^ Enterline, Lynn "Eloquent Barbarians: Othello and the Critical Potential of Passionate Character" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.149-175 at p.158.
  9. ^ Enterline, 2014, p.163.
  10. ^ Thompson and Honigmann, 2016, p.11.
  11. ^ Muir, 1968, p.11.
  12. ^ Neil, 2006, p.20.
  13. ^ McAlindon and Muir, 2005, p.xxiv.
  14. ^ Thompson and Honigmann, 2016, p.18.
  15. ^ Bate, Jonathan (ed.), Rasmussen, Eric (ed.) and Shakespeare, William "Othello", The RSC Shakespeare, The Random House Publishing Group, 2009, p.3.
  16. ^ Thompson and Honigmann, 2016, p.397. Lockwood, Tom (ed.), White, Martin (ed.) "Arden of Faversham", New Mermaids edition, Methuen Drama, 2007, p.vii.
  17. ^ Neill, 2006, p.17.
  18. ^ Thompson and Honigmann, 2016, p.355.
  19. ^ Muir, 1968, p.8.
  20. ^ Thompson and Honigmann, 2016, pp.20-21.
  21. ^ Neil, 2006, p.18. Thompson and Honigmann 2016, pp.8, 20 & 397.
  22. ^ Bate, Jonathan; Rasmussen, Eric (2009). Othello. Basingstoke, England: Macmillan. p. 3. ISBN 978-0-230-57621-6.
  23. ^ Honigmann, 1997, p.2.
  24. ^ Siemon, James "Making Ambition Virtue" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.177-202 at p.178 and p.198n.
  25. ^ Thompson and Honigmann, 2016, pp.17-18.
  26. ^ Honigmann, 1997, p,4. Neill, 2006, p.19. Thompson and Honigmann, 2016, p.15.
  27. ^ Honigmann, 1997, p,4, citing John Pory's 1600 translation of Leo Africanus's A Geographical Historie of Africa
  28. ^ Thompson and Honigmann, 2016, p.15.
  29. ^ Othello 3.3.456.
  30. ^ Othello 5.2.348-349.
  31. ^ Othello 1.3.145-146.
  32. ^ Neil, 2006, pp.19-20.
  33. ^ Neill, 2006, p.20. Thompson and Honigmann, 2016, p.17.
  34. ^ a b Neill, 2006, p.399. Thompson and Honigmann, 2016, p.349.
  35. ^ Neill, 2006, pp.399-400.
  36. ^ Neil, 2006, p.400.
  37. ^ Neill, 2006, p.400.
  38. ^ Hamlet Q1, scene 5 lines 7-8 in Thompson, Ann and Taylor, Neil (eds.) and Shakespeare, William "Hamlet: The Texts of 1603 and 1623", The Arden Shakespeare Third Series, 2006 at p.73.
  39. ^ Othello 1.3.245
  40. ^ Thompson and Honigmann, 2016, pp.349-350.
  41. ^ a b c d Neill, 2006, p.405.
  42. ^ Othello 3.3.456-463.
  43. ^ Othello 4.3.29-52 and 4.3.54-56.
  44. ^ Neill, 2006, pp.405 & 411.
  45. ^ Neill, 2006, p.405. Thompson and Honigmann, 2016, p.358.
  46. ^ Mowat and Werstine, 2017, p.xlix.
  47. ^ a b Neill, 2006, p.411.
  48. ^ Neill, 2006, p.412.
  49. ^ Neill, 2006, p.413.
  50. ^ Neil, 2006, p.413.
  51. ^ Neill, 2006, pp.414-415.
  52. ^ Neill, 2006, p.414.
  53. ^ Neill, 2006, pp.416-417.
  54. ^ Neill, 2006, p.430.
  55. ^ Othello 3.3.167-169.
  56. ^ Desmet, Chisty "Character Criticism" in Wells, Stanley and Orlin, Lena Cowen "Shakespeare: An Oxford Guide", Oxford University Press, 2003, pp.351-372 at p.357, citing A. C. Bradley's Shakespearean Tragedy.
  57. ^ Muir, 1968, pp.21-22.
  58. ^ Muir, 1968, p.22.
  59. ^ Muir, 1968, p.20.
  60. ^ a b Muir, 1968, p.23.
  61. ^ Muir, 1968, p.24.
  62. ^ Muir, 1968, p.38.
  63. ^ Neill, 2006, p.113, citing Ben Okri's A Way of Being Free.
  64. ^ Neill, 2006,p.146.
  65. ^ Neill, 2006, p.41.
  66. ^ Bartels, 2003, p.160.
  67. ^ McAlindon and Muir, 2005, p.xxii.
  68. ^ McAlindon and Muir, 2005, p.lxxii.
  69. ^ Singh, Jyotsna "Post-Colonial Criticism" in Wells, Stanley and Orlin, Lena Cowen "Shakespeare: An Oxford Guide", Oxford University Press, 2003, pp.492-507 at p.493.
  70. ^ Neill, 2006, p.45.
  71. ^ Othello 1.1.65.
  72. ^ Othello 1.1.87-88.
  73. ^ Othello 1.1.109-110.
  74. ^ Othello 1.2.70-71.
  75. ^ Othello 3.3.267.
  76. ^ Othello 3.3.390-391.
  77. ^ Mowat and Werstine, 2017, p.267.
  78. ^ Bartels, Emily C. "Shakespeare's View of the World" in Wells, Stanley and Orlin, Lena Cowen "Shakespeare: An Oxford Guide", Oxford University Press, 2003, pp.151-164 at pp. 160-161.
  79. ^ Thompson ad Honigmann, 2016, p.25.
  80. ^ Neill, 2006, pp.122-123 citing Virginia Mason Vaughan's "Othello: A Contextual History". The quotation is a parody of Othello 3.3.387-388.
  81. ^ Ferraro, Bruno (translator) Gli Hecatommithi - Third Decade, Seventh Novella in Neil, 2006, Appendix C pp.434-444 at p.440.
  82. ^ Honigmann, 1997, p.60.
  83. ^ Honingmann, 1997, p.29, citing Thomas Rymer's A Short View of Tragedy.
  84. ^ Neil, 2006, p.3.
  85. ^ Lamb, Charles and Lamb, Mary "Tales from Shakespeare", 1807, Penguin Popular Classics edition, 1995, p.281.
  86. ^ Singh, 2003, p.494.
  87. ^ Thompson and Honigmann, 2016, pp.29-31 citing Samuel Taylor Coleridge's Lectures and Notes on Shakespeare and Other English Poets.
  88. ^ Thompson and Honigmann, 2016, p.32.
  89. ^ Neill, 2006, p.120.
  90. ^ Neill, 2006, p.120, quoting Martin Orkin's "Othello and the "Plain Face" of Racism".
  91. ^ Thompson and Honigmann, 2016, pp.62-63.
  92. ^ a b Thompson and Honigmann, 2016, p.63.
  93. ^ Thompson and Honigmann, 2016, p.63, citing Ben Okri's A Way of Being Free.
  94. ^ Thompson and Honigmann, 2016, p.65.
  95. ^ Neill, 2006, pp.69-70, citing Hugh Quarshie's lecture Hesitations on Othello.
  96. ^ Thompson and Honigmann, 2016, pp.65-66 & 87-89.
  97. ^ Mowat and Werstine, 2017, p.335, citing Virginia Vaughan's 2005 "Performing Blackness on English Stages 1500-1800".
  98. ^ "Othello". Walters Art Museum.
  99. ^ Othello 1.1.169-171.
  100. ^ Green MacDonald, Joyce "Black Ram, White Ewe: Shakespeare, Race, and Women" in Callaghan, Dympna (ed.) "A Feminist Companion to Shakespeare" Blackwell Publishers Limited, 2001, pp.188-207 at p.188 & 192
  101. ^ McAlindon and Muir, 2005, p.xxv.
  102. ^ Othello 5.2.139-142.
  103. ^ Snyder, Susan, "Othello: A Modern Perspective" in Mowat, Barbara A (ed.), Werstine, Paul (ed.) and Shakespeare, William, "Othello", Folger Shakespeare Library edition, Simon and Schuster, 2017, pp.291-302 at p.299.
  104. ^ Snyder, 2017, pp.299-300.
  105. ^ Stanton, Kay ""Made to write 'whore' upon?": Male and Female Use of the Word "Whore" in Shakespeare's Canon" in Callaghan, Dympna (ed.) "A Feminist Companion to Shakespeare" Blackwell Publishers Limited, 2001, pp.80-102 at pp.94 & 95.
  106. ^ Stanton, 2001, p.97
  107. ^ Stanton, 2001, p.98.
  108. ^ Howard, Jean E. "Feminist Criticism" in Wells, Stanley and Orlin, Lena Cowen "Shakespeare: An Oxford Guide", Oxford University Press, 2003, pp.411-430 at p.427, in turn citing Lisa Jardine's essay "She sat like Patience on a Monument / Smiling at grief".
  109. ^ McAlindon & Muir, 2005, p.lv.
  110. ^ Bate and Rasmussen, 2009, p.188.
  111. ^ Othello 5.2.192-194, 5.2.217-220 and 5.2.222.
  112. ^ Neill, 2006, p.176.
  113. ^ Neill, 2006, p.4.
  114. ^ Orlin, Lena Cowen "Introduction" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.1-16 at p. 5.
  115. ^ Green MacDonald, 2001, pp.193-194
  116. ^ Othello 3.4.57-77.
  117. ^ Watts, Cedric "Othello's Magical Handkerchief" in Sutherland, John and Watts, Cedric (eds.) "Henry V, War Criminal? & Other Shakespeare Puzzles" Oxford World's Classics series, Oxford University Press, 2000, pp.76-84 at pp.78-79
  118. ^ Thompson and Honigmann, 2016, pp.50-51.
  119. ^ Othello 3.4.57-60
  120. ^ Othello 5.2.214-215.
  121. ^ Watts, 2000, p.80. Smith, 2014, p.102.
  122. ^ Thompson and Honigmann, 2016, p.50.
  123. ^ Honigmann, 1997, p.72.
  124. ^ Othello 3.3.290-292.
  125. ^ Howard, 2003, p.425.
  126. ^ Smith, Ian "Othello's Black Handkerchief" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.95-120 at p.95.
  127. ^ Howard, 2003, p.426. Neill, 2006, p.155. Thompson and Honigmann, 2016, p.51.
  128. ^ Othello 3.4.76.
  129. ^ Smith, 2014, pp.102 & 105.
  130. ^ Rosenfeld, Colleen Ruth "Shakespeare's Nobody" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.257-279 at p.269.
  131. ^ Hornback, Robert "'Speak[ing] Parrot' and Ovidian Echoes in Othello: Recontextualizing Black Speech in the Global Renaissance" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.63-93 at p.86. Henry V is in fourth place.
  132. ^ A Midsummer Night's Dream Act 1 Scene 1 Lines 36-38.
  133. ^ Othello 1.3.179-180
  134. ^ Thompson and Honigmann, 2016, pp.10-11.
  135. ^ Mowat, Barbara A (ed.), Werstine, Paul (ed.) and Shakespeare, William, "Othello", Folger Shakespeare Library edition, Simon and Schuster, 2017, p.xxii.
  136. ^ Watson, Robert N. "Tragedy" in Braunmuller, A. R. and Hattaway, Michael (eds.) "The Cambridge Companion to English Renaissance Drama" Second Edition, Cambridge University Press, 2003, pp.292-343 at p.329.
  137. ^ Honigmann, 1997, p.34.
  138. ^ Othello 1.1.5-7, 1.1.32, 1.1.87-90 & 1.1.108-112
  139. ^ Honigmann, 1997, p.35. Neill, 2006, p.31.
  140. ^ Othello 1.1.7-32.
  141. ^ a b McAlindon & Muir, 2005, p.xliii.
  142. ^ Othello 1.3.385-9 & 2.1.293-297.
  143. ^ Thompson & Honigmann, 2016, p.45.
  144. ^ Othello 2.1.303-305.
  145. ^ McAlindon & Muir, 2005, pp.xliii-xliv.
  146. ^ Othello 2.1.289-291
  147. ^ Neill, 2006, p.31.
  148. ^ Othello 5.1.18-20.
  149. ^ McAlindon & Muir, 2005, p.xliv.
  150. ^ Samuel Taylor Coleridge's marginal note to the closing speech of Act 1 in his own personal copy of Othello, cited by Thomson and Honigmann, 2016, p.45; Neil, 2006, p.31; McAlindon & Muir, 2005, p.xliv and by Honigmann, 1997, pp.33-34
  151. ^ Honigmann, 1997, pp.50-51
  152. ^ Watson, 2003, p.329.
  153. ^ Othello 5.2.300-301
  154. ^ Watson, 2003, p.331.
  155. ^ Orgel, Stephen "Introduction" in Sutherland, John and Watts, Cedric (eds.) "Henry V, War Criminal? & Other Shakespeare Puzzles" Oxford World's Classics series, Oxford University Press, 2000, pp.ix-xvi at p.xi.
  156. ^ a b Orgel, 2000, p.xi.
  157. ^ Orgel, 2000, p.xii.
  158. ^ "The temptation scene" is a term often used in the critical literature to mean Othello 3.3.
  159. ^ Honigmann, 1997, pp.68-72, citing M R Ridley's Arden Second Series edition of the play, at p.69.
  160. ^ For example Othello 5.1.20-21.
  161. ^ Othello 5.2.209-210.
  162. ^ Othello 3.3.296.
  163. ^ Othello 3.4.173.
  164. ^ Muir, 1968, p.26.
  165. ^ Othello 1.3.380.
  166. ^ Othello 4.2.187-188.
  167. ^ a b Honigmann, 1997, p.70.
  168. ^ Othello 3.4.23.
  169. ^ a b Honigmann, 1997, p.68.
  170. ^ Rasmussen and Bate, 2009, p.189.
  171. ^ Neill, Michael (ed.) Shakespeare, William "Othello", The Oxford Shakespeare, Oxford University Press, 2006, p.35.
  172. ^ Neill, 2006, p.36.
  173. ^ a b c Thompson and Honigmann, 2016, p.67.
  174. ^ Honigmann, E. A. J. and Thompson, Ayanna (eds.) "Othello" The Arden Shakespeare, Third Series Revised Edition, Bloomsbury Publishing Plc., 2016, p. 28.
  175. ^ Taylor, Gary "Shakespeare Plays on Renaissance Stages" in Wells, Stanley and Stanton, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage", Cambridge University Press, 2002, pp. 1–20 at p. 4.
  176. ^ Gurr, Andrew and Ichikawa, Mariko "Oxford Shakespeare Topics: Staging in Shakespeare's Theatres" Oxford University Press, 2000, p. 55.
  177. ^ Taylor, 2002, p. 5.
  178. ^ Bate and Rasmussen, 2009, p.149.
  179. ^ Marsden, Jean I "Improving Shakespeare: from the Restoration to Garrick" in Wells, Stanley and Siddons, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage", Cambridge University Press, 2002, pp. 21–36, at p. 21.
  180. ^ Brown, John Russell "The Oxford Illustrated History of the Theatre", Oxford University Press, 1995, pp. 206–207.
  181. ^ Gay, Penny "Women and Shakespearean Performance" in Wells, Stanley and Stanton, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage" Cambridge University Press, 2002, pp. 155–173, at p. 157.
  182. ^ Thompson and Honigmann, 2016, p.68.
  183. ^ Marsden, p. 21. For examples see Wikipedia's articles on The Tempest, Macbeth and King Lear.
  184. ^ Honigmann, 1997, p. 90.
  185. ^ Honigmann, 1997, p. 90–92.
  186. ^ McAlindon, Tom (ed.), Muir, Kenneth (ed.) and Shakespeare, William "Othello" Penguin Shakespeare Series, Penguin Books, 2005 pp.lxvi-lxvii.
  187. ^ John Bernard in The Theatrical Review (1772) cited by McAlindon, 2005, p.lxvii.
  188. ^ Morrison, Michael A. "Shakespeare in North America" in Wells, Stanley and Stanton, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage", Cambridge University Press, 2002, pp. 230–258, at pp. 231-232.
  189. ^ Stone, John (March 2024). "Othello Goes to Lisbon, 1765". Notes and Queries. https://doi.org/10.1093/notesj/gjae022
  190. ^ Honigmann and Thompson, 2016, pp. 77–78.
  191. ^ Thompson and Honigmann, 2016, pp. 78-79.
  192. ^ Neill, 2006, p.8.
  193. ^ Gillies, John "Stanislavski, Othello, and the Motives of Eloquence" in Hodgson, Barbara and Worthen, W. B. (eds.) "A Companion to Shakespeare and Performance", Blackwell Publishing Limited 2008, pp. 267–284, at p. 267.
  194. ^ Welles, 2000, pp. 55–57.
  195. ^ Moody, Jane "Romantic Shakespeare" in Welles, Stanley and Stanton, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage", Cambridge University Press, 2002, pp. 37–57, at p. 53.
  196. ^ Thompson and Honigmann, 2016, p. 32, citing Kean's biographer F. W. Hawkins.
  197. ^ Thompson and Honigmann, 2016, pp. 31–32, 71–72.
  198. ^ Bate and Rasmussen, 2009, p.152.
  199. ^ Neil, 2006, p.102.
  200. ^ Thompson and Honigmann, 2016, p.93, citing Fanny Kemble's 1882 Records of Later Life.
  201. ^ Gillies, Minami, Li and Trivedi, 2002, pp.273-274.
  202. ^ Gillies, p. 267.
  203. ^ Wells, Stanley (ed.) "Oxford Shakespeare Topics: Shakespeare in the Theatre – An Anthology of Criticism", Oxford University Press, 2000, pp. 112–113.
  204. ^ Joseph Knight's 1875 "Theatrical Notes" cited in Welles, 2000, p. 113.
  205. ^ Gillies, 2008, pp. 269–270 (in turn citing the 1982 reprint of My Life in Art, p. 266).
  206. ^ Thompson and Honigmann, 2016, pp. 75–77, citing Ellen Terry's The Story of My Life: Recollections and Reflections.
  207. ^ Edwin Booth, cited by McAlindon, 2005, p.lxix.
  208. ^ Gillies, 2008, p. 271 (in turn citing the 1982 reprint of My Life in Art).
  209. ^ Gillies, John; Minami, Ryuta; Li, Ruru and Trivedi, Poonam "Shakespeare on the Stages of Asia" in Wells, Stanley and Stanton, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage", Cambridge University Press, 2002, pp.259-283 at pp.260-261.
  210. ^ Gillies, 2008, pp.272-273.
  211. ^ Morrison, 2002, p.251.
  212. ^ Morrison, 2002, p.251-252.
  213. ^ Howard Barnes in the Herald Tribune 20 October 1943, cited by Morrison, 2002, p.252.
  214. ^ Morrison, 2002, p.252
  215. ^ Earle Hyman interviewed by Michael A. Morrison 9 April 1999 cited in Morrison, 2002, p.252.
  216. ^ Welles, 2000, p.239.
  217. ^ Thompson and Honigmann, 2016, p.82, citing Laurence Olivier's On Acting.
  218. ^ a b Honigmann and Thompson, 2016, p.80.
  219. ^ Taylor, Neil "National and Racial Stereotypes in Shakespeare Films" in Jackson, Russell (ed.) "The Cambridge Companion to Shakespeare on Film" Cambridge University Press, 2000 pp.261-273 at p.269, in turn quoting Olivier's "On Acting".
  220. ^ Banham, Martin; Mooneeram, Roshni and Plastow, Jane "Shakespeare in Africa" in Wells, Stanley and Stanton, Sarah (eds.) "The Cambridge Companion to Shakespeare on Stage", Cambridge University Press, 2002, pp.284-299 at pp.288-289.
  221. ^ McAlindon, 2005, p.lxxiii.
  222. ^ Thompson and Honigmann, 2016, pp.97-98.
  223. ^ Robert Smallwood writing for Shakespeare Quarterly in 1990, quoted by Welles, 2000, pp.307-313 at p.311.
  224. ^ Albanese, 2001, p.226.
  225. ^ Albanese, Denise "Black and White and Dread All Over: The Shakespeare Theatre's "Photonegative" Othello and the Body of Desdemona" in Callaghan, Dympna (ed.) "A Feminist Companion to Shakespeare" Blackwell Publishers Limited, 2001, pp.226-247 at p.226.
  226. ^ Taylor, 2000, p.271.
  227. ^ Neill, 2006, pp.99-100.
  228. ^ Thompson and Honigmann, 2016, pp.98-99.
  229. ^ Neill, 2006, p.69.
  230. ^ Thompson and Honigmann, 2016, pp.100-101.
  231. ^ Thompson and Honigmann, 2016, p.83.
  232. ^ Thompson and Honigmann, 2016, p.90.
  233. ^ Thompson and Honigmann, 2016, p.96.
  234. ^ Thompson and Honigmann, 2016, pp.83-84.
  235. ^ Bate and Rasmussen, 2009, p.159.
  236. ^ Maguire, Laurie "Othello, Theatre Boundaries, and Audience Cognition" in Orlin, Lena Cowen (ed.) "Othello - The State of Play" The Arden Shakespeare, Bloomsbury Publishing, 2014, pp.17-43 at p.34.
  237. ^ McKernan, Luke and Terris, Olwen (eds.) "Walking Shadows: Shakespeare in the National Film and Television Archive" British Film Institute, 1994 pp.119-131.
  238. ^ Rosenthal, Daniel "100 Shakespeare Films", British Film Institute, 2007, p.163
  239. ^ Howard, Tony "Shakespeare's Cinematic Offshoots" in Jackson, Russell (ed.) "The Cambridge Companion to Shakespeare on Film", Cambridge University Press, 2000, pp.295-313 at pp.303-306.
  240. ^ Brode, 2000, p.172.
  241. ^ Howard, 2000, p.295.
  242. ^ Rosenthal, 2007 pp.171-173
  243. ^ Burt, Richard "Backstage Pass(ing): Stage Beauty, Othello and the Make-up of Race" in Burnett, Mark Thornton and Wray, Ramona (eds.) "Screening Shakespeare in the Twenty-First Century" Edinburgh University Press Ltd., 2006 pp.53-71 at p.53.
  244. ^ Rosenthal, 2007 pp.165-166
  245. ^ Rosenthal, 2007, p.166.
  246. ^ Tatspaugh, 2000 p.145
  247. ^ Tatspaugh, Patricia "The Tragedies of Love on Film" in Jackson, Russell (ed.) "The Cambridge Companion to Shakespeare on Film" Cambridge University Press, 2000 pp.135-159 at p.144
  248. ^ Mason, Pamela "Orson Welles and Filmed Shakespeare" in Jackson, Russell (ed.) "The Cambridge Companion to Shakespeare on Film" Cambridge University Press, 2000 pp.183-198 at pp.189-193.
  249. ^ Rosenthal, 2007 p.167.
  250. ^ a b Brode, 2000, p.159.
  251. ^ Brode, 2000, p.160
  252. ^ Laurence Olivier quoted by Rosenthal, 2007, p.174
  253. ^ The Spectator quoted by Rosenthal, 2007, p.174
  254. ^ Rosenthal, 2007, p.
  255. ^ Rosenthal, 2007 pp.174-175.
  256. ^ Gillies, 2008, p.268.
  257. ^ Barbara Hodgdon, quoted in Tatspaugh, 2000, p.151.
  258. ^ Greenhall, Susanne and Shaughnessy, Robert "Our Shakespeares: British Television and the Strains of Multiculturalism" in Burnett, Mark Thornton and Wray, Ramona (eds.) "Screening Shakespeare in the Twenty-First Century" Edinburgh University Press Ltd., 2006 pp.90-112 at p.94.
  259. ^ Chillington Rutter, Carol "Looking at Shakespeare's Women on Film" in Jackson, Russell (ed.) "The Cambridge Companion to Shakespeare on Film" Cambridge University Press, 2000 pp.141-260 at p.257.
  260. ^ Chillington Rutter, 2000, p.257.
  261. ^ Rosenthal, 2007, p.178.
  262. ^ Daileader, Celia B. "Nude Shakespeare in Film and Nineties Popular Feminism" in Alexander, Catherine M. S. and Wells, Stanley "Shakespeare and Sexuality" Cambridge University Press, 2001, pp.183-200 at pp.190-192.
  263. ^ Rosenthal, 2007, pp.178-179.
  264. ^ a b Rosenthal, 2007, p.179.
  265. ^ Brode, Douglas "Shakespeare in the Movies - From the Silent Era to Today" Oxford University Press, 2000, pp.167-168.
  266. ^ The Times, quoted by Rosenthal, 2007 p.179.
  267. ^ Rosenthal, 2007, pp.176-177
  268. ^ Brode, 2000, p.173.
  269. ^ Holland, 2007, p.43.
  270. ^ Rosenthal, 2007, pp.180-181.
  271. ^ Rosenthal, 2007, pp.182-183.
  272. ^ Rosenthal, 2007, pp.184-185 & 188-191.
  273. ^ Hodgdon, Barbara; Worthen, W. B. (8 January 2024). A companion to Shakespeare and performance. Wiley. ISBN 978-1-4051-1104-1.
  274. ^ https://web.archive.org/web/20090110064022/http://movies.bizhat.com/review_kaliyattam.php
  275. ^ a b Neill, 2006, p.14.
  276. ^ a b Neil, 2006, p.15.
  277. ^ Hoenselaars, Ton "Shakespeare and Translation" in Wells, Stanley and Orlin, Lena Cowen "Shakespeare: An Oxford Guide", Oxford University Press, 2003, pp. 645-657 at p.648.
  278. ^ Brown, 1995, p. 309.
  279. ^ Moody, 2002, p. 39.
  280. ^ Lanier, Douglas "Oxford Shakespeare Topics: Shakespeare and Modern Popular Culture", Oxford University Press, 2002, p. 38.
  281. ^ Neill, 2006, p.42.
  282. ^ Thompson and Honigmann, 2016, 102-105.
  283. ^ Thompson and Honigmann, 2016, p.106, citing James Andreas' "Othello's African American Progeny".
  284. ^ Thompson and Honigmann, 2016, p.106.
  285. ^ Sanders, 2007, pp. 73–74.
  286. ^ Lanier, 2002, p. 71.
  287. ^ Neill, 2006, p.1.
  288. ^ a b Neill, 2006, p.12.
  289. ^ Thompson and Honigmann, 2016, p.107.
  290. ^ Thompson and Honigmann, 2016, p.108.
  291. ^ Gillies, Minami, Li and Trivedi, 2002, pp.278-280.
  292. ^ Thompson and Honigmann, 2016, pp.108-109.
  293. ^ Neill, 2006, p.13.
  294. ^ Thompson and Honigmann, 2016, pp.111-113.
  295. ^ Holland, Peter "Shakespeare Abbreviated" in Shaughnessy, Robert (ed.) "The Cambridge Companion to Shakespeare and Popular Culture", Cambridge University Press, 2007, pp. 26–45, at p. 41.
  296. ^ Lanier, Douglas "Shakespeare on the Record" in Hodgdon, Barbara and Worthen, W. B. (eds.) "A Companion to Shakespeare and Performance", Blackwell Publishing Limited, 2008, pp. 415–435, at p. 424. The stage production is discussed in the section "20th Century" above.
  297. ^ Greenhalgh, Susanne "Shakespeare Overheard: Performances, Adaptations, and Citations on Radio" in Shaughnessy, Robert (ed.) "The Cambridge Companion to Shakespeare and Popular Culture", Cambridge University Press, 2007, pp. 175–198, at p. 186.
  298. ^ Othello, 4.3.39–56.
  299. ^ Sanders, 2007, p. 30.
  300. ^ Austern, 2006, p.451-452.
  301. ^ Austern, Linda Phyllis "The Music in the Play" in Neil, Michael (ed.) and Shakespeare, William "Othello" The Oxford Shakespeare, Oxford University Press, 2006 pp.445-454 at p.445.
  302. ^ Othello 2.3.65-69 and Othello 2.3.85-92.
  303. ^ Austern, 2006, p.446-447.
  304. ^ Austern, 2006, pp.447-448.
  305. ^ Sanders, Julie "Shakespeare and Music – Afterlives and Borrowings", Polity Press, 2007, p. 103.
  306. ^ Gross, John "Shakespeare's Influence" in Wells, Stanley and Orlin, Lena Cowen (Eds.) "An Oxford Guide: Shakespeare", Oxford University Press, 2003, pp. 633–644, at p. 642.
  307. ^ Hoenselaars, Ton "Shakespeare and Translation" in Wells, Stanley and Orlin, Lena Cowen (eds.) "An Oxford Guide: Shakespeare". Oxford University Press, 2003, pp. 645–657, at p. 649.
  308. ^ A Midsummer Night's Dream Act 4 Scene 1 Lines 116–117.
  309. ^ Othello, 1.3.129–170.
  310. ^ Sanders, 2007, pp. 17–18.
  311. ^ Sanders, 2007, p. 154, 171–172.
  312. ^ Buhler, Stephen M., "Musical Shakespeares: Attending to Ophelia, Juliet, and Desdemona" in Shaughnessy, Robert (ed.) "The Cambridge Companion to Shakespeare and Popular Culture", Cambridge University Press, 2007, pp. 150–174, at pp. 171–172.
  313. ^ Gillies, p. 272.
  314. ^ Gillies, pp. 277–278.
  315. ^ Lanier, 2002, pp. 135–136.
  316. ^ Neil, 2006, p.118.

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