Although One Hundred Years of Solitude has come to be considered one of, if not the, most influential Latin American texts of all time, the novel and Gabriel García Márquez have both received occasional criticisms. Stylistically, Harold Bloom remarked that "My primary impression, in the act of rereading One Hundred Years of Solitude, is a kind of aesthetic battle fatigue, since every page is rammed full of life beyond the capacity of any single reader to absorb... There are no wasted sentences, no mere transitions, in this novel, and you must notice everything at the moment you read it." Additionally, David Haberly alleges that García Márquez may have borrowed themes from several works, such as William Faulkner's Yoknapatawpha County, Virginia Woolf's Orlando: A Biography, Defoe's A Journal of the Plague Year, and Chateaubriand's Atala. This, however, is not necessarily a negative criticism, as it involves the concept of intertextuality.
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