MAUS Art Spiegelman

1. ^ Witek 1989, p. 98; LaCapra 1998, p. 154.
2. ^ a b c d e Fathers 2007, p. 122.
3. ^ a b c d e Gordon 2004.
4. ^ a b c d Kannenberg 1999, pp. 100–101.
5. ^ a b Liss 1998, p. 55.
6. ^ a b Levine 2006, p. 29.
7. ^ Young 2006, p. 250; Fathers 2007, p. 123.
8. ^ Merino 2010.
9. ^ Pekar 1986, p. 54.
10. ^ a b Reibmann 2001, p. 26.
11. ^ Spiegelman 2011, p. 18.
12. ^ a b Wood 1997, p. 83.
13. ^ Levine 2006, p. 36.
14. ^ Witek 1989, p. 100; Levine 2006, p. 38.
15. ^ a b Kaplan 2006, p. 114.
16. ^ a b Wood 1997, p. 84.
17. ^ Levine 2006, p. 34; Rothberg 2000, p. 211.
18. ^ Weine 2006, p. 29.
19. ^ Rothberg 2000, p. 217.
20. ^ McGlothlin 2003, p. 177.
21. ^ McGlothlin 2006, p. 85; Adams 2008, p. 172.
22. ^ Kois 2011; Wood 1997, p. 88.
23. ^ Mandel 2006, p. 118.
24. ^ a b Wood 1997, p. 85.
25. ^ Spiegelman 2011, p. 17.
26. ^ a b Spiegelman 2011, p. 292.
27. ^ a b c Fathers 2007, p. 124.
28. ^ Young 2006, p. 250; Fathers 2007, p. 123; Levine 2006, p. 29.
29. ^ a b Harvey 1996, p. 242.
30. ^ a b Spiegelman 2011, p. 16.
31. ^ a b Spiegelman 2011, pp. 291, 293.
32. ^ Gordon 2004; Tan 2001, p. 39.
33. ^ a b Spiegelman 2011, pp. 291, 294.
34. ^ Rice 2007, p. 18.
35. ^ Hirsch 1997, p. 35.
36. ^ a b Pekar 1986, p. 56.
37. ^ a b Rothberg 2000, p. 214.
38. ^ Levine 2006, p. 35.
39. ^ Moss 2017, p. 194.
40. ^ Schuldiner 2011, pp. 76–77; Hirsch 1997, p. 27; Adams 2008, p. 180.
41. ^ a b c Kois 2011.
42. ^ Fischer & Fischer 2002.
43. ^ Fathers 2007, p. 122; Weiner 2003, p. 36.
44. ^ a b Fathers 2007, p. 125.
45. ^ a b c Kaplan 2008, p. 171.
46. ^ a b c Witek 1989, p. 103.
47. ^ a b c Chute 2010, p. 18.
48. ^ Kaplan 2008, p. 140.
49. ^ a b c Conan 2011.
50. ^ Spiegelman 2011, pp. 22–24.
51. ^ a b c d e Brown 1988.
52. ^ a b Witek 1989, p. 98.
53. ^ Blau 2008.
54. ^ Petersen 2010, p. 221.
55. ^ Weiner 2003, pp. 5–6.
56. ^ Duncan & Smith 2009, p. 68.
57. ^ Duncan & Smith 2009, p. 91.
58. ^ a b Witek 2004.
59. ^ Russell 2008, p. 221; Duncan & Smith 2009, p. 1.
60. ^ Witek 2004; Fagan & Fagan 2011, p. 3; Abell 2012, pp. 68–84.
61. ^ a b Petersen 2010, p. 222.
62. ^ Kaplan 2006, p. 113.
63. ^ Kaplan 2008, p. 171; Kaplan 2006, p. 118.
64. ^ Kaplan 2006, p. 118; Kaplan 2008, p. 172.
65. ^ Kaplan 2006, p. 115.
66. ^ McGrath 2004, p. 2; Morman 2003.
67. ^ Rhoades 2008, p. 220.
68. ^ Horowitz 1997, p. 403.
69. ^ Hignite 2007, p. 57.
70. ^ Garner 2011.
71. ^ Liss 1998, p. 55; LaCapra 1998, p. 156.
72. ^ Witek 1989, p. 94; Hirsch 1997, p. 26; Wirth-Nesher 2006, p. 169.
73. ^ Smith 2007, p. 93.
74. ^ a b Weschler 2001; Spiegelman 2011, pp. 122–125.
75. ^ a b Gambino 2015.
76. ^ Spiegelman 2011, pp. 122–124.
77. ^ Spiegelman 2011, p. 152.
78. ^ "Major russian bookshop "Bookvoed"".
79. ^ Mozzocco 2011; Spiegelman 2011, p. 154.
80. ^ Tzadka 2012; Spiegelman 2011, pp. 152–153.
81. ^ Spiegelman 2011, p. 153.
82. ^ Reizbaum 2000, p. 135–136.
83. ^ a b Reizbaum 2000, p. 139.
84. ^ Wood 1997, p. 87.
85. ^ Young 2006, p. 250; Witek 1989, pp. 112–114.
86. ^ Pustz 2007, p. 69.
87. ^ Loman 2010, pp. 221–223.
88. ^ a b Hungerford 2003, p. 87.
89. ^ a b Witek 1989, p. 106.
90. ^ Rothberg 2000, p. 210; Hatfield 2005, p. 140.
91. ^ Reibmann 2001, p. 25; Liss 1998, p. 53; Pekar 1986, p. 55.
92. ^ Liss 1998, p. 53.
93. ^ Bolhafner 1991, p. 96.
94. ^ Hays 2011.
95. ^ Pustz 2007, p. 70.
96. ^ a b Hirsch 1997, p. 27.
97. ^ Wolk 2008, p. 283.
98. ^ Hirsch 1997, p. 26.
99. ^ Levine 2006, p. 17; Berger 1999, p. 231.
100. ^ Merino 2010; Weine 2006, p. 27; Brown 1988.
101. ^ Hirsch 1997, p. 33–34.
102. ^ Schwab 2010, p. 37.
103. ^ Kannenberg 2001, p. 86.
104. ^ Schuldiner 2011, p. 69.
105. ^ Schuldiner 2011, p. 70.
106. ^ Schuldiner 2011, p. 75.
107. ^ Loman 2010, p. 224.
108. ^ Loman 2010, p. 225.
109. ^ LaCapra 1998, pp. 161.
110. ^ LaCapra 1998, pp. 167–168.
111. ^ LaCapra 1998, pp. 166–167.
112. ^ Rosen 2005, p. 165.
113. ^ Rosen 2005, p. 166.
114. ^ Spiegelman, Art (1997). The Complete Maus. New York: Pantheon Books. p. 14. ISBN 0679406417.
115. ^ Wirth-Nesher 2006, p. 168.
116. ^ Levine 2006, p. 21.
117. ^ a b Levine 2006, p. 22.
118. ^ Rothberg 2000, p. 208.
119. ^ Russell 2008, p. 221.
120. ^ Witek 1989, p. 97.
121. ^ Witek 1989, p. 110.
122. ^ Witek 1989, p. 111.
123. ^ Witek 2004, p. 100.
124. ^ a b Liss 1998, p. 54.
125. ^ Kannenberg 2001, p. 85.
126. ^ a b Rothberg 2000, pp. 207–208.
127. ^ Weine 2006, pp. 25–26.
128. ^ Adams 2008, p. 172.
129. ^ Weine 2006, p. 26.
130. ^ Witek 1989, p. 104.
131. ^ Witek 1989, p. 112.
132. ^ a b Frahm 2004.
133. ^ Kannenberg 2001, p. 28.
134. ^ Kaplan 2008, p. 172.
135. ^ Spiegelman 2011, p. 196.
136. ^ Weiner 2003, p. 36.
137. ^ Witek 1989, p. 94.
138. ^ Kaplan 2008, p. 172; Sabin 1993, p. 246; Stringer 1996, p. 262; Ahrens & Meteling 2010, p. 1; Williams & Lyons 2010, p. 7.
139. ^ Witek 1989, pp. 94–95.
140. ^ Russell 2008, p. 223; Horowitz 1997, p. 406.
141. ^ Witek 2004; Langer 1998.
142. ^ Russell 2008, p. 223.
143. ^ Kaplan 2006, p. 118; Weine 2006, p. 25.
144. ^ Orbán 2005, pp. 39–40; Rhoades 2008, p. 219.
145. ^ For "biography", see Brown 1988 For "fiction", see New York Times staff 1987; Ruth 2011 For "autobiography", see Merino 2010 For "history", see Brown 1988; Ruth 2011; Garner 2011 For "memoir", see Ruth 2011; Garner 2011
146. ^ Ruth 2011; Horowitz 1997, p. 405.
147. ^ Liss 1998, p. 54; Fischer & Fischer 2002.
148. ^ Wizard staff 2009.
149. ^ Entertainment Weekly staff 2008.
150. ^ Silver 2011.
151. ^ Grossman 2009.
152. ^ Kaplan 2006, p. 118.
153. ^ Pustz 2007, p. 73.
154. ^ Ball & Kuhlman 2010, p. xii.
155. ^ Guzman, Francisco (January 27, 2022). "What we know about the removal of Holocaust book 'Maus' by a Tennessee school board". The Tennessean. Nashville. Retrieved January 31, 2022.
156. ^ a b Chris Boyette (January 28, 2022). "A Tennessee school board removed the graphic novel 'Maus', about the Holocaust, from curriculum due to language and nudity concerns". CNN.
157. ^ a b Gorman, Steve (January 28, 2022). "Tennessee school board bans Holocaust-themed graphic novel 'Maus'". Reuters. Retrieved January 28, 2022.
158. ^ Wegner, Rachel (January 27, 2022). "Tennessee school board's removal of Holocaust book 'Maus' draws international attention". The Tennessean. Nashville. Retrieved January 28, 2022.
159. ^ Fronczek, Mel. "Defense of 'Maus' erupts online after McMinn County schools remove it from curriculum". The Tennessean. Nashville.
160. ^ "Defense of 'Maus' erupts online after McMinn County schools remove it from curriculum". Yahoo. January 28, 2022.
161. ^ "Maus banned in Tennessee: Tennessee school board bans Holocaust-themed graphic novel 'Maus'". Daily Maverick. January 28, 2022.
162. ^ AFP, Sudouest fr avec (January 28, 2022). "États-Unis: jugé "vulgaire et inapproprié", "Maus", le roman graphique sur l'Holocauste, banni d'une école" – via Sud Ouest.
163. ^ "US school board bans Holocaust graphic novel 'Maus'". The Jakarta Post.
164. ^ Wegner, Rachel (January 27, 2022). "Tennessee school board's removal of Holocaust book 'Maus' draws international attention". The Tennessean. Retrieved January 28, 2022.
165. ^ Mangan, Dan (January 26, 2022). "Tennessee school board bans Holocaust graphic novel 'Maus' – author Art Spiegelman condemns the move as 'Orwellian'". CNBC. Retrieved January 28, 2022.
166. ^ Gross, Jenny (January 27, 2022). "School Board in Tennessee Bans Teaching of Holocaust Novel 'Maus'". The New York Times.
167. ^ "Sales soar for 'Maus' after its banning in Tennessee". Fox 44 Waco. Associated Press. January 28, 2022. Retrieved February 5, 2022.
168. ^ Mangan, Dan (January 28, 2022). "'Maus' is an Amazon bestseller after Tennessee school ban – author Art Spiegelman compares board to Putin". CNBC.
169. ^ "Sales soar for 'Maus' after its banning in Tennessee". WNYT NewsChannel 13. January 28, 2022. Archived from the original on January 29, 2022. Retrieved January 30, 2022.
170. ^ "'Maus' Hits No. 1 On Amazon Best Sellers List After Being Banned By Tennessee School Board". HuffPost. January 31, 2022.
171. ^ "Explained: Why Pulitzer Prize-winning novel 'Maus' topped Amazon best-seller list". The Indian Express. January 31, 2022.
172. ^ Andrew, Scottie (January 31, 2022). "'Maus' is back on best seller lists after its ban from a Tennessee school district". CNN.
173. ^ "Youth-Led Group To Give Out Hundreds Of Copies Of 'Beloved,' 'Maus' Amid Book Bans". HuffPost. February 2, 2022. Retrieved February 22, 2024.
174. ^ Alfonseca, Kiara. "Students protest book bans by distributing 'Maus,' 'Beloved'". ABC News. Retrieved February 22, 2024.
175. ^ Meskin & Cook 2012, p. xxiv.
176. ^ Monnin 2010, p. 121.
177. ^ Loman 2010, p. 217.
178. ^ Loman 2010, p. 218.
179. ^ Kaplan 2006, p. 119.
180. ^ Hatfield 2005, pp. 139–140; Russell 2008, p. 221.
181. ^ Park 2011.
182. ^ Pekar 1986, p. 55; Pekar 1990, pp. 32–33.
183. ^ Pekar 1986, p. 56; Pekar 1990, p. 32.
184. ^ Pekar 1986, p. 57.
185. ^ Harvey 1996, p. 243.
186. ^ Harvey 1996, p. 244.
187. ^ a b Obst & , "A Commentary on Maus by Art Spiegelman"; Weschler 2001.
188. ^ Baker 1993, pp. 142, 160.
189. ^ Baym et al. 2007, p. 3091.
190. ^ Pekar 1990, pp. 32–33; Obst & , "A Commentary on Maus by Art Spiegelman".
191. ^ Surridge 2001, p. 37.
192. ^ a b Loman 2010, pp. 223–224.
193. ^ a b Beaty 2012.
194. ^ Chute 2006, pp. 200–201.
195. ^ Chute 2006, p. 201.
196. ^ Couvreur 2012.
197. ^ Brown 1988; National Book Critics Circle staff 2012.
198. ^ Brown 1988; New York Times staff 1987.
199. ^ Weekly newspaper founded in 1941, in Lyon, to promote French resistance against the Nazis
200. ^ Tout en BD staff 1998.
201. ^ Tout en BD staff 1998; Jannequin 1990, p. 19.
202. ^ a b Hammarlund 2007.
203. ^ Comic Salon staff 2012.
204. ^ National Book Critics Circle staff 2012.
205. ^ Pulitzer Prize staff 2012.
206. ^ Eisner Awards staff 2012.
207. ^ Harvey Awards staff 1992.
208. ^ Colbert 1992.
209. ^ Tout en BD staff 1993.

Works cited

Books

• Abell, Catharine (2012). "Comics and Genre". In Meskin, Aaron; Cook, Roy T (eds.). The Art of Comics: A Philosophical Approach. John Wiley & Sons. ISBN 978-1-4443-3464-7.
• Adams, Jeff (2008). Documentary Graphic Novels and Social Realism. Peter Lang. ISBN 978-3-03911-362-0.
• Ahrens, Jörn; Meteling, Arno (2010). Comics and the City: Urban Space in Print, Picture, and Sequence. Continuum International Publishing Group. ISBN 978-0-8264-4019-8.
• Baker, Steve (1993). Picturing the Beast: Animals, Identity, and Representation. Manchester University Press. ISBN 978-0-7190-3378-0. (attributed to Kohn, Marek (September 10, 1987). "Paws and Whiskers". The Listener: 25.)
• Ball, David M.; Kuhlman, Martha B. (2010). The Comics of Chris Ware: Drawing Is a Way of Thinking. University Press of Mississippi. ISBN 978-1-60473-442-3.
• Berger, James (1999). After the End: Representations of Post-Apocalypse. University of Minnesota Press. ISBN 978-0-8166-2932-9.
• Chute, Hillary L (2010). Graphic Women: Life Narrative and Contemporary Comics. Columbia University Press. ISBN 978-0-231-15062-0.
• Duncan, Randy; Smith, Matthew J (2009). The Power of Comics. Continuum International Publishing Group. ISBN 978-0-8264-2936-0.
• Fagan, Bryan D.; Fagan, Jody Condit (2011). "Medium or Genre?". Comic Book Collections for Libraries. ABC-CLIO. p. 3. ISBN 978-1-59884-511-2.
• Fathers, Michael (2007). "Art Mimics Life in the Death Camps". In Witek, Joseph (ed.). Art Spiegelman: Conversations. University Press of Mississippi. pp. 122–125. ISBN 978-1-934110-12-6. (Originally in Independent on Sunday on 1992-03-22)
• Fischer, Heinz Dietrich; Fischer, Erika J. (2002). "Spiegelman, Art". Complete Biographical Encyclopedia of Pulitzer Prize Winners, 1917–2000: Journalists, Writers and Composers on Their Ways to the Coveted Awards. Walter de Gruyter. p. 230. ISBN 978-3-598-30186-5.
• Harvey, R. C. (1996). The Art of the Comic Book: An Aesthetic History. University Press of Mississippi. ISBN 978-0-87805-758-0.
• Hatfield, Charles (2005). Alternative Comics: An Emerging Literature. University Press of Mississippi. ISBN 978-1-57806-719-0.
• Hignite, Todd (2007). "Art Spiegelman". In the Studio: Visits With Contemporary Cartoonists. Yale University Press. pp. 40–61. ISBN 978-0-300-13387-5.
• Hirsch, Marianne (1997). Family Frames: Photography, Narrative, and Postmemory. Harvard University Press. ISBN 978-0-674-29265-9.
• Horowitz, Sara R. (1997). "Art Spiegelman". In Shatzky, Joel; Taub, Michael (eds.). Contemporary Jewish-American Novelists: A Bio-Critical Sourcebook. Greenwood Publishing Group. pp. 400–408. ISBN 978-0-313-29462-4.
• Hungerford, Amy (2003). "Surviving Rego Park". The Holocaust of Texts: Genocide, Literature, and Personification. University of Chicago Press. pp. 73–96. ISBN 978-0-226-36076-8.
• Kannenberg, Gene Jr. (2001). "'I Looked Just Like Rudolph Valentino': Identity and Representation in Maus". In Baetens, Jan (ed.). The Graphic Novel. Leuven University Press. pp. 79–89. ISBN 978-90-5867-109-7.
• Kaplan, Arie (2006). Masters of the Comic Book Universe Revealed!. Chicago Review Press. ISBN 978-1-55652-633-6.
• Kaplan, Arie (2008). From Krakow to Krypton: Jews and Comic Books. Jewish Publication Society. ISBN 978-0-8276-0843-6.
• Baym, Nina; Klinkowitz, Jerome; Krupat, Arnold; Wallace, Patricia B., eds. (2007). The Norton Anthology of American Literature. Vol. E. W. W. Norton. ISBN 978-0393927436.
• LaCapra, Dominick (1998). "'Twas the Night Before Christmas: Art Spiegelman's Maus". History and Memory After Auschwitz. Cornell University Press. pp. 139–179. ISBN 978-0-8014-8496-4.
• Levine, Michael G. (2006). The Belated Witness: Literature, Testimony, and the Question of Holocaust Survival. Stanford University Press. ISBN 978-0-8047-5555-9.
• Liss, Andrea (1998). Trespassing Through Shadows: Memory, Photography, and the Holocaust. University of Minnesota Press. ISBN 978-0-8166-3060-8.
• Loman, Andrew (2010). "The Canonization of Maus". In Williams, Paul; Lyons, James (eds.). The Rise of the American Comics Artist: Creators and Contexts. University Press of Mississippi. ISBN 978-1-60473-792-9.
• Mandel, Naomi (2006). "The Story of my Death: Night, Maus, Shoah and the Image of the Speaking Corpse". Against the Unspeakable: Complicity, the Holocaust, and Slavery in America. University of Virginia Press. pp. 99–130. ISBN 978-0-8139-2581-3.
• McGlothlin, Erin Heather (2006). "'In Auschwitz We Didn't Wear Watches': Marking Time in Art Spiegelman's Maus". Second-Generation Holocaust Literature: Legacies of Survival and Perpetration. Camden House Publishing. pp. 66–90. ISBN 978-1-57113-352-6.
• Meskin, Aaron; Cook, Roy T., eds. (2012). The Art of Comics: A Philosophical Approach. John Wiley & Sons. ISBN 978-1-4443-3464-7.
• Monnin, Katie (2010). Teaching Graphic Novels: Practical Strategies for the Secondary ELA Classroom. Maupin House Publishing, Inc. ISBN 978-1-934338-40-7.
• Moss, Joshua Louis (2017). Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love. University of Texas Press. ISBN 978-1-4773-1283-4.
• Orbán, Katalin (2005). "Mauschwitz". Ethical Diversions: The Post-Holocaust Narratives of Pynchon, Abish, DeLillo, and Spiegelman. Routledge. pp. 35–74. ISBN 978-0-415-97167-6.
• Petersen, Robert (2010). Comics, Manga, and Graphic Novels: A History of Graphic Narratives. ABC-CLIO. ISBN 978-0-313-36330-6.
• Pustz, Matthew J (2007). "I Gave It All Up to Draw Comics: Autobiographical (And Other) Tales About Creating Comic Books". In Klaehn, Jeffery (ed.). Inside the World of Comic Books. Black Rose Books. pp. 61–81. ISBN 978-1-55164-296-3.
• Reibmann, James E. (2001). "Fredric Wertham, Spiegelman's Maus, and Representations of the Holocaust". In Baetens, Jan (ed.). The Graphic Novel. Leuven University Press. pp. 23–30. ISBN 978-90-5867-109-7.
• Reizbaum, Marilyn (2000). Silberstein, Laurence Jay (ed.). Mapping Jewish Identities. New York University Press. ISBN 978-0-8147-9769-3.
• Rhoades, Shirrel (2008). Comic Books: How the Industry Works. Peter Lang. ISBN 978-0-8204-8892-9.
• Rice, Maria J. (2007). Migrations of Memory: Postmemory in Twentieth Century Ethnic American Women's Literature. ISBN 978-0-549-69539-4.
• Rosen, Alan Charles (2005). Sounds of Defiance: the Holocaust, Multilingualism, and the Problem of English. University of Nebraska Press. ISBN 978-0-8032-3962-3.
• Rothberg, Michael (2000). Traumatic Realism: The Demands of Holocaust Representation. University of Minnesota Press. ISBN 978-0-8166-3459-0.
• Russell, Vanessa (2008). "The Mild-Mannered Reporter: How Clark Kent Surpassed Superman". In Ndalianis, Angela (ed.). The Contemporary Comic Book Superhero. Taylor & Francis. pp. 216–232. ISBN 978-0-415-99176-6.
• Sabin, Roger (1993). Adult Comics: An Introduction. Taylor & Francis. ISBN 978-0-415-04419-6.
• Schuldiner, Michael (2011). "The Second-Generation Holocaust Nonsurvivor: Third-Degree Metalepsis and Creative Block in Art Spiegelman's Maus". In Royal, Derek Parker (ed.). Unfinalized Moments: Essays in the Development of Contemporary Jewish American Narrative. Purdue University Press. pp. 69–80. ISBN 978-1-55753-584-9.
• Schwab, Gabriele (2010). Haunting Legacies: Violent Histories and Transgenerational Trauma. Columbia University Press. ISBN 978-0-231-52635-7.
• Smith, Graham (2007). "From Mickey to Maus: Recalling the Genocide Through Cartoon". In Witek, Joseph (ed.). Art Spiegelman: Conversations. University Press of Mississippi. pp. 84–94. ISBN 978-1-934110-12-6. (Originally in Oral History Journal Vol. 15, Spring 1987)
• Spiegelman, Art (2011). Chute, Hillary (ed.). MetaMAUS. Viking Press. ISBN 978-0-670-91683-2.
• Stringer, Jenny, ed. (1996). "Graphic novel". The Oxford Companion to Twentieth-Century Literature in English. Oxford University Press. p. 262. ISBN 978-0-19-212271-1.
• Tan, Ed (2001). "The Telling Face in Comic Strip and Graphic Novel". In Baetens, Jan (ed.). The Graphic Novel. Leuven University Press. pp. 31–46. ISBN 978-90-5867-109-7.
• Weine, Stevan J. (2006). Testimony After Catastrophe: Narrating the Traumas of Political Violence. Northwestern University Press. ISBN 978-0-8101-2300-7.
• Weiner, Stephen (2003). Faster than a Speeding Bullet: The Rise of the Graphic Novel. NBM Publishing. ISBN 978-1-56163-368-5.
• Williams, Paul; Lyons, James (2010). The Rise of the American Comics Artist: Creators and Contexts. University Press of Mississippi. ISBN 978-1-60473-792-9.
• Wirth-Nesher, Hana (2006). Call It English: The Languages of Jewish American Literature. Princeton University Press. ISBN 978-0-691-13844-2.
• Witek, Joseph (1989). Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. University Press of Mississippi. ISBN 978-0-87805-406-0.
• Wolk, Douglas (2008). Reading Comics: How Graphic Novels Work and What They Mean. Da Capo Press. ISBN 978-0-7867-2157-3.
• Wood, Monica (1997). "Maus: A Survivor's Tale, Volumes I and II, by Art Spiegelman". 12 Multicultural Novels: Reading and Teacher Strategies. Walch Publishing. pp. 81–94. ISBN 978-0-8251-2901-8.
• Young, James E. (2006). "The Arts of Jewish Memory in a Postmodern Age". In Rüsen, Jörn (ed.). Meaning and Representation in History. Berghahn Books. pp. 239–254. ISBN 978-1-57181-776-1.

Journals and magazines

• Arnold, Andrew D. (September 7, 2001). "Lemons into Lemonade". Time. Retrieved February 19, 2014.
• Bolhafner, J. Stephen (October 1991). "Art for Art's Sake". The Comics Journal. 348 (145). Fantagraphics Books: 96–99. Bibcode:1990Natur.348..280C. doi:10.1038/348280d0. ISSN 0194-7869.
• Brown, Joshua (1988). "Of Mice and Memory". Oral History Review (Spring). Oral History Association: 91–109. doi:10.1093/ohr/16.1.91. ISSN 0094-0798.
• Chute, Hillary (Summer 2006). ""The Shadow of a past Time": History and Graphic Representation in "Maus"". Twentieth Century Literature. 52 (2): 199–230. doi:10.1215/0041462X-2006-3001. JSTOR 20479765. S2CID 160818029.
• Frahm, Ole (May 2004). "Considering MAUS. Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust by Deborah R. Geis (ed.)". Image & Narrative (8). ISSN 1780-678X. Retrieved January 30, 2012.
• Gordon, Andrew (Spring 2004). "Jewish Fathers and Sons in Spiegelman's Maus and Roth's Patrimony". ImageText. 1 (1). ISSN 1549-6732. Retrieved February 1, 2012.
• Jannequin, Jean-Paul (April 1990). "Druillet and Spiegelman Take Grand Prizes". The Comics Journal (121). Fantagraphics Books: 19. ISSN 0194-7869.
• Kannenberg, Gene Jr. (February 1999). Groth, Gary (ed.). "#4: Maus". The Comics Journal (210). Fantagraphics Books. ISSN 0194-7869.
• McGlothlin, Erin Heather (May 2003). "No Time Like the Present: Narrative and Time in Art Spiegelman's Maus". Narrative. 11 (2): 177–198. doi:10.1353/nar.2003.0007. S2CID 146408018.
• Merino, Ana (2010). "Memory in Comics: Testimonial, Autobiographical and Historical Space in Maus". TransAtlantica. 2010 (1). ISSN 1765-2766. Retrieved February 1, 2012.
• Park, Hye Su (January 1, 2011). "Art Spiegelman's Maus: A Survivor's Tale: A Bibliographic Essay". Shofar. 29 (2): 146–164. doi:10.1353/sho.2011.0038. S2CID 54749234. Retrieved March 1, 2012.
• Pekar, Harvey (December 1986). "Maus and Other Topics". The Comics Journal (113). Fantagraphics Books: 54–57. ISSN 0194-7869.
• Pekar, Harvey (April 1990). "Blood and Thunder". The Comics Journal. 302 (135). Fantagraphics Books: 27–34. Bibcode:1983Natur.302..784D. doi:10.1038/302784a0. ISSN 0194-7869.
• Surridge, Matthew (July 2001). "When Extravagant Fantasies Become Drab Experiences". The Comics Journal (235). Fantagraphics Books: 36–37. ISSN 0194-7869.
• Weschler, Lawrence (July–August 2001). "Pig Perplex". Lingua Franca. 11 (5). Retrieved May 15, 2012.
• Witek, Joseph (2004). "Imagetext, or, Why Art Spiegelman Doesn't Draw Comics". ImageTexT: Interdisciplinary Comics Studies. 1 (1). University of Florida. ISSN 1549-6732. Archived from the original on November 29, 2014. Retrieved April 16, 2012.
• Wizard staff (June 2009). "100 Greatest Graphic Novels of our Lifetime". Wizard (212). Wizard Entertainment.

Newspapers

• Couvreur, Daniel (March 5, 2012). "Katz a-t-il défiguré Maus ?". Le Soir (in French). Archived from the original on November 2, 2013. Retrieved June 15, 2012.
• Garner, Dwight (October 12, 2011). "After a Quarter-Century, an Author Looks Back at His Holocaust Comic". The New York Times. Retrieved June 12, 2012.
• Franklin, Ruth (October 5, 2011). "Art Spiegelman's Genre-Defying Holocaust Work, Revisited". The New Republic. Retrieved January 30, 2012.
• Hays, Matthew (October 8, 2011). "Of Maus and man: Art Spiegelman revisits his Holocaust classic". The Globe and Mail.
• Kois, Dan (December 2, 2011). "The Making of 'Maus'". The New York Times. Retrieved January 27, 2012.
• Langer, Lawrence L (December 6, 1998). "A Fable Of The Holocaust". The New York Times. Retrieved August 28, 2012.
• McGrath, Charles (July 11, 2004). "Not Funnies". The New York Times. Retrieved June 7, 2012.
• New York Times staff (March 11, 1987). "Awards for Books With Jewish Themes". The New York Times. Retrieved January 30, 2012.

Websites

• Beaty, Bart (March 7, 2012). "Conversational Euro-Comics: Bart Beaty On Katz". The Comics Reporter. Retrieved April 17, 2012.
• Blau, Rosie (November 29, 2008). "Breakfast with the FT: Art Spiegelman". Financial Times. Retrieved April 18, 2012.(registration required)
• Colbert, James (November 8, 1992). "Times Book Prizes 1992 : Fiction : On Maus II". Los Angeles Times. Retrieved January 31, 2012.
• Comic Salon staff (2012). "Nominierungen/Preisträger seit 1984" (in German). Comic Salon. Retrieved January 31, 2012.
• Conan, Neal (October 5, 2011). "'MetaMaus': The Story Behind Spiegelman's Classic". NPR. Retrieved May 8, 2012.
• The Daily Free Press staff (September 28, 2000). "Cartoonist Sued for $1.5 Million". The Daily Free Press. Archived from the original on February 26, 2014. Retrieved February 19, 2014.
• Eisner Awards staff (2012). "Complete List of Eisner Award Winners". San Diego Comic-Con International. Archived from the original on April 27, 2011. Retrieved January 31, 2012.
• Entertainment Weekly staff (June 27, 2008). "The New Classics: Books". Entertainment Weekly. Archived from the original on January 27, 2012. Retrieved January 27, 2012.
• Gambino, Lauren (April 28, 2015). "Art Spiegelman warns of 'dangerous' outcome as Russian shops ban Maus". The Guardian. Archived from the original on June 2, 2015. Retrieved August 23, 2015.
• Grossman, Lev (March 6, 2009). "Top Ten Graphic Novels: Maus". Time. Retrieved April 16, 2012.
• Hammarlund, Ola (August 8, 2007). "Urhunden: Satir och iransk kvinnoskildring får seriepris" (in Swedish). Urhunden. Archived from the original on April 13, 2019. Retrieved April 27, 2012.
• Harvey Awards staff (1992). "1992 Harvey Award Winners". Harvey Awards. Archived from the original on March 15, 2016. Retrieved January 31, 2012.
• Johnston, Ian (December 28, 2001). "On Spiegelman's Maus I and II". Vancouver Island University. Archived from the original on January 22, 2012. Retrieved February 29, 2012.
• Morman, Todd (January 29, 2003). "High Art, Hit Movies and Manifestos". IndyWeek.com. Retrieved June 7, 2012.
• Mozzocco, J. Caleb (December 1, 2011). "Balloonless | Art Spiegelman and Hillary Chute's MetaMaus". Comic Book Resources. Archived from the original on December 4, 2011. Retrieved May 18, 2012.
• National Book Critics Circle staff (2012). "All Past National Book Critics Circle Award Winners and Finalists". National Book Critics Circle. Archived from the original on April 8, 2014. Retrieved January 31, 2012.
• Obst, Peter. "A Commentary on Maus by Art Spiegelman". American Council for Polish Culture. Retrieved May 16, 2012.
• Pulitzer Prize staff (2012). "Special Awards and Citations". Pulitzer Prizes. Retrieved January 31, 2012.
• Silver, Alexandra (August 30, 2011). "All-TIME 100 Nonfiction Books: Maus". Time. Retrieved April 16, 2012.
• Smith, Russ (July 30, 1999). "When Controversy Ralls the Comics World". Jewish World Review. Retrieved February 19, 2014.
• Tout en BD staff (1993). "Le festival BD: Le palmarès 1993" (in French). Tout en BD. Archived from the original on October 5, 2011. Retrieved January 31, 2012.
• Tout en BD staff (1998). "Le festival BD: Le palmarès 1988" (in French). Tout en BD. Archived from the original on February 7, 2012. Retrieved January 31, 2012.
• Tzadka, Saul (February 2, 2012). "Maus: Revisited". Alondon. Retrieved May 18, 2012.