I, Robot (2004 Film)

Production

Development

The film I, Robot originally had no connection with Isaac Asimov's Robot series. It started with an original screenplay written in 1995 by Jeff Vintar, entitled Hardwired. The script was an Agatha Christie-inspired murder mystery that took place entirely at the scene of a crime, with one lone human character, FBI agent Del Spooner, investigating the killing of a reclusive scientist named Dr. Alfred Lanning, and interrogating a cast of machine suspects that included Sonny the robot, VIKI the supercomputer with a perpetual smiley face, the dead Dr. Lanning's hologram, plus several other examples of artificial intelligence.[6]

The project was first acquired by Walt Disney Pictures for Bryan Singer to direct. Several years later, 20th Century Fox (which ironically, was acquired by the latter during Disney's acquisition of 21st Century Fox) acquired the rights, and signed Alex Proyas as director. Arnold Schwarzenegger was attached to the project for several years, and Smith pursued taking over the role when Schwarzenegger's schedule delayed his participation in the film.[7] Denzel Washington was offered the role of Det. Del Spooner, but turned it down.[8]

Jeff Vintar was brought back on the project and spent several years opening up his stage play-like cerebral mystery to meet the needs of a big budget studio film. When the studio decided to use the name "I, Robot", he incorporated the Three Laws of Robotics and renamed his female lead character from Flynn to Susan Calvin. Akiva Goldsman was hired late in the process to write for Smith.[6] Jeff Vintar and Akiva Goldsman are credited for the screenplay, with Vintar also receiving "screen story by" credit. The end credits list the film as "suggested by the book I, Robot by Isaac Asimov".

Filming

A model of Sonny's head

Alex Proyas directed the film. Laurence Mark, John Davis, Topher Dow and Wyck Godfrey produced, with Will Smith starring and serving as an executive producer at the same time. Simon Duggan was the cinematographer. Film editing was done by Richard Learoyd, Armen Minasian and William Hoy.

The film renames Asimov's "U.S. Robots and Mechanical Men" to U.S. Robotics (USR), the modem manufacturer named after the fictional company, and depicts the company with a futuristic USR logo.[9] Other product placements include Converse's Chuck Taylor All-Stars, FedEx, Tecate, and JVC.[10][11]

The Audi RSQ was designed especially for the film;[12] surveys conducted in the United States showed that the Audi RSQ gave a substantial boost to the image ratings of the brand.[13] It also features an MV Agusta F4 SPR motorcycle.[14]

Later Alex Proyas said: "It was an unpleasant experience. The movie was micro-managed and messed with at every level at every point through the entire production, from pre-production through the shoot to post-production. After a couple of years of this, the solid ground that I stood on as a director became shaky, and I became obsessed with keeping as many details as I could to the point that I didn't realise how much of what enthused me originally was getting lost. I used to describe working on I, ROBOT as running a marathon with the studio lined up beside you throwing chairs under you to make everything that little bit harder. It's so unnecessary because at all times I was just trying to make the best damn film I could." Although it was an "unpleasant experience", he enjoyed working with Will Smith.[15]


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