In 1930, Universal Studios had lost $2.2 million in revenues. Within 48 hours of its opening at New York's Roxy Theatre on February 12, 1931, Dracula starring Bela Lugosi had sold 50,000 tickets, building a momentum that culminated in a $700,000 profit, the largest of Universal's 1931 releases. As a result, the head of production, Carl Laemmle Jr., announced immediate plans for more horror films.[7] It purchased the film rights to John L. Balderston's planned stage adaptation of Peggy Webling's British stage adaptation of Mary Wollstonecraft Shelley's original novel.[8]
Immediately following his success in Dracula, Lugosi had hoped to play Henry Frankenstein in Universal's original film concept. However, the actor was expected by producer Carl Laemmle Jr. to play the Monster[9] (a common move for a contract player in a film studio at the time) to keep his famous name on the bill.[10]
Frankenstein was also inspired by The Golem, a surreal novel based on Jewish folklore, and its film adaptation,[11] a silent horror film where the Golem is a literal being rather than the ambiguous existence it was in the novel.
Although this is often regarded as one of the worst decisions in any actor's career, in actuality, the part that Lugosi was offered was not the same character that Karloff eventually played. The initial director was Robert Florey, who had re-characterized the Monster as a simple killing machine, without a touch of human interest or pathos, unlike in the original Shelley novel. This reportedly caused Lugosi to complain, "I was a star in my country[12] and I will not be a scarecrow over here!"[13] Florey later wrote that "the Hungarian actor didn't show himself very enthusiastic for the role and didn't want to play it". However, the decision may not have been Lugosi's in any case, since recent evidence suggests that he was kicked off the project, along with director Robert Florey, when the newly arrived James Whale asked for the property and later cast Karloff, who resembled Whale.[14]
Actors who worked on the project either were, or shortly became familiar to the fans of the Universal horror films. These included Frederick Kerr as the old Baron Frankenstein, Henry's father; Lionel Belmore as Herr Vogel, the Bürgermeister; Marilyn Harris as Little Maria, the girl the Monster accidentally kills; Dwight Frye as Frankenstein's hunchbacked assistant, Fritz; and Michael Mark as Ludwig, Maria's father.
Kenneth Strickfaden designed the electrical effects that were used in the "creation scene". They were so successful that such effects came to be considered an essential part of every subsequent Universal film involving Frankenstein's Monster. Accordingly, the equipment used to produce them has come to be referred to in fan circles as "Strickfadens". It appears that Strickfaden managed to secure the use of at least one Tesla Coil built by the inventor Nikola Tesla himself.[15]
The film opened in New York City at the Mayfair Theatre on December 4, 1931, and grossed $53,000 in one week.[13]
Florey and Lugosi were given the Murders in the Rue Morgue film, as a consolation. Lugosi would later go on to play Frankenstein's Monster in Frankenstein Meets the Wolf Man a decade later, when his career was in decline (in the original shooting script the Monster spoke, cancelling Lugosi's initial objection to the part, but his filmed dialogue sequences were cut prior to release, along with the premise that the Monster was blind, which was the way Lugosi had played it).[16]
