In July 1604, Cervantes sold the rights of El ingenioso hidalgo don Quixote de la Mancha (known as Don Quixote, Part I) to the publisher-bookseller Francisco de Robles for an unknown sum. License to publish was granted in September, the printing was finished in December, and the book came out on 16 January 1605.
The novel was an immediate success. The majority of the 400 copies of the first edition were sent to the New World, with the publisher hoping to get a better price in the Americas. Although most of them disappeared in a shipwreck near La Havana, approximately 70 copies reached Lima, from where they were sent to Cuzco in the heart of the defunct Inca Empire.
No sooner was it in the hands of the public than preparations were made to issue derivative (pirated) editions. Don Quixote had been growing in favour, and its author's name was now known beyond the Pyrenees. By August 1605, there were two Madrid editions, two published in Lisbon, and one in Valencia. Publisher Francisco de Robles secured additional copyrights for Aragon and Portugal for a second edition.
Sale of these publishing rights deprived Cervantes of further financial profit on Part One. In 1607, an edition was printed in Brussels. Robles, the Madrid publisher, found it necessary to meet demand with a third edition, a seventh publication in all, in 1608. Popularity of the book in Italy was such that a Milan bookseller issued an Italian edition in 1610. Yet another Brussels edition was called for in 1611. Since then, numerous editions have been released and in total, the novel is believed to have sold more than 500 million copies worldwide. The work has been produced in numerous editions and languages, the Cervantes Collection, at the State Library of New South Wales includes over 1,100 editions. These were collected, by Dr Ben Haneman, over a period of thirty years.
In 1613, Cervantes published the Novelas Ejemplares, dedicated to the Maecenas of the day, the Conde de Lemos. Eight and a half years after Part One had appeared came the first hint of a forthcoming Segunda Parte (Part Two). "You shall see shortly," Cervantes says, "the further exploits of Don Quixote and humours of Sancho Panza." Don Quixote, Part Two, published by the same press as its predecessor, appeared late in 1615, and quickly reprinted in Brussels and Valencia (1616) and Lisbon (1617). Parts One and Two were published as one edition in Barcelona in 1617. Historically, Cervantes' work has been said to have "smiled Spain's chivalry away", suggesting that Don Quixote as a chivalric satire contributed to the demise of Spanish Chivalry.
English editions in translation
There are many translations of the book, and it has been adapted many times in shortened versions. Many derivative editions were also written at the time, as was the custom of envious or unscrupulous writers. Seven years after the Parte Primera appeared, Don Quixote had been translated into French, German, Italian, and English, with the first French translation of 'Part II' appearing in 1618, and the first English translation in 1620. One abridged adaptation, authored by Agustín Sánchez, runs slightly over 150 pages, cutting away about 750 pages.
Thomas Shelton's English translation of the First Part appeared in 1612 while Cervantes was still alive, although there is no evidence that Shelton had met the author. Although Shelton's version is cherished by some, according to John Ormsby and Samuel Putnam, it was far from satisfactory as a carrying over of Cervantes' text. Shelton's translation of the novel's Second Part appeared in 1620.
Near the end of the 17th century, John Phillips, a nephew of poet John Milton, published what Putnam considered the worst English translation. The translation, as literary critics claim, was not based on Cervantes' text but mostly upon a French work by Filleau de Saint-Martin and upon notes which Thomas Shelton had written.
Around 1700, a version by Pierre Antoine Motteux appeared. Motteux's translation enjoyed lasting popularity; it was reprinted as the Modern Library Series edition of the novel until recent times. Nonetheless, future translators would find much to fault in Motteux's version: Samuel Putnam criticized "the prevailing slapstick quality of this work, especially where Sancho Panza is involved, the obtrusion of the obscene where it is found in the original, and the slurring of difficulties through omissions or expanding upon the text". John Ormsby considered Motteux's version "worse than worthless", and denounced its "infusion of Cockney flippancy and facetiousness" into the original.
The proverb 'The proof of the pudding is in the eating' is widely attributed to Cervantes. The Spanish word for pudding, 'budín', however, doesn't appear in the original text but premieres in the Motteux translation. In Smolletts translation of 1755, he notes that the original text reads literally "you will see when the eggs are fried" meaning 'time will tell'.
A translation by Captain John Stevens, which revised Thomas Shelton's version, also appeared in 1700, but its publication was overshadowed by the simultaneous release of Motteux's translation.
In 1742, the Charles Jervas translation appeared, posthumously. Through a printer's error, it came to be known, and is still known, as "the Jarvis translation". It was the most scholarly and accurate English translation of the novel up to that time, but future translator John Ormsby points out in his own introduction to the novel that the Jarvis translation has been criticized as being too stiff. Nevertheless, it became the most frequently reprinted translation of the novel until about 1885. Another 18th-century translation into English was that of Tobias Smollett, himself a novelist, first published in 1755. Like the Jarvis translation, it continues to be reprinted today.
A translation by Alexander James Duffield appeared in 1881 and another by Henry Edward Watts in 1888. Most modern translators take as their model the 1885 translation by John Ormsby.
An expurgated children's version, under the title The Story of Don Quixote, was published in 1922 (available on Project Gutenberg). It leaves out the risqué sections as well as chapters that young readers might consider dull, and embellishes a great deal on Cervantes' original text. The title page actually gives credit to the two editors as if they were the authors, and omits any mention of Cervantes.
The most widely read English-language translations of the mid-20th century are by Samuel Putnam (1949), J. M. Cohen (1950; Penguin Classics), and Walter Starkie (1957). The last English translation of the novel in the 20th century was by Burton Raffel, published in 1996. The 21st century has already seen five new translations of the novel into English. The first is by John D. Rutherford and the second by Edith Grossman. Reviewing the novel in the New York Times, Carlos Fuentes called Grossman's translation a "major literary achievement" and another called it the "most transparent and least impeded among more than a dozen English translations going back to the 17th century."
In 2005, the year of the novel's 400th anniversary, Tom Lathrop published a new English translation of the novel, based on a lifetime of specialized study of the novel and its history. The fourth translation of the 21st century was released in 2006 by former university librarian James H Montgomery, 26 years after he had begun it, in an attempt to "recreate the sense of the original as closely as possible, though not at the expense of Cervantes' literary style."
In 2011, another translation by Gerald J. Davis appeared. It is the latest and the fifth translation of the 21st century.