Maxim Lieber was McCullers's literary agent in 1938 and intermittently thereafter. In 1940, at the age of 23, writing in the Southern Gothic or perhaps Southern realist traditions, McCullers completed her first novel, The Heart Is a Lonely Hunter.[8][9] The title was suggested by her editor and was taken from the poem "The Lonely Hunter" by the Scottish poet Fiona MacLeod. At the time the novel was thought to suggest an anti-Fascist message.[10]
After completing The Heart Is a Lonely Hunter in 1939 (then titled The Mute), McCullers and her husband moved to Fayetteville, North Carolina, where she completed Reflections in a Golden Eye (then titled Army Post) in the span of two months. She sold the book to Harper's Bazaar for five hundred dollars in August 1940. It was published in two parts in the magazine in October and November.[11]
With influences such as Isak Dinesen, Dostoevsky, Chekhov, and Tolstoy, she published eight books; the best known are The Heart Is a Lonely Hunter (1940), Reflections in a Golden Eye (1941) and The Member of the Wedding (1946). The novella The Ballad of the Sad Café (1951) depicts loneliness and the pain of unrequited love; at the time of its writing, McCullers was a resident at Yaddo, the artists' colony in Saratoga Springs, New York.
In The Member of the Wedding, McCullers describes the feelings of a young girl at her brother's wedding. The Broadway stage adaptation of the novel had a successful run in 1950–51[1] and was produced by the Young Vic in London in September 2007. The original production won the New York Drama Critics' Circle Award for the best play of the season.[12]
Many know her works largely by their film adaptations, neither of which she lived to see. The Heart Is a Lonely Hunter was adapted as a film with the same title in 1968, with Alan Arkin in the lead role. Reflections in a Golden Eye was directed by John Huston (1967) and starred Marlon Brando and Elizabeth Taylor. McCullers died a fortnight before that film's premiere in October 1967. Huston, in his autobiography, An Open Book (1980), wrote of her:
I first met Carson McCullers during the war when I was visiting Paulette Goddard and Burgess Meredith in upstate New York. Carson lived nearby, and one day when Buzz and I were out for a walk she hailed us from her doorway. She was then in her early 20s, and had already suffered the first of a series of strokes. I remember her as a fragile thing with great shining eyes, and a tremor in her hand as she placed it in mine. It wasn't palsy, rather a quiver of animal timidity. But there was nothing timid or frail about the manner in which Carson McCullers faced life. And as her afflictions multiplied, she only grew stronger.
Richard Wright, the author of Black Boy, reviewed her first novel, published in 1940 when she was 23, and said she was the first white writer to create fully human black characters. In his review 'Hugo: Secrets of the Inner Landscape', he stated:
To me the most impressive aspect of The Heart Is a Lonely Hunter is the astonishing humanity that enables a white writer, for the first time in Southern fiction, to handle Negro characters with as much ease and justice as those of her own race. This cannot be accounted for stylistically or politically; it seems to stem from an attitude toward life which enables Miss McCullers to rise above the pressures of her environment and embrace white and black humanity in one sweep of apprehension and tenderness.[13]
