Early life and family
Ginsberg was born into a Jewish family in Newark, New Jersey, and grew up in nearby Paterson. He was the second son of Louis Ginsberg, a schoolteacher and sometime poet, and the former Naomi Levy, a Russian emigree and fervent Marxist.
As a teenager, Ginsberg began to write letters to The New York Times about political issues, such as World War II and workers' rights. He published his first poems in the Paterson Morning Call. While in high school, Ginsberg became interested in the works of Walt Whitman, inspired by his teacher's passionate reading. In 1943, Ginsberg graduated from Eastside High School and briefly attended Montclair State College before entering Columbia University on a scholarship from the Young Men's Hebrew Association of Paterson.
In 1945, he joined the Merchant Marine to earn money to continue his education at Columbia. While at Columbia, Ginsberg contributed to the Columbia Review literary journal, the Jester humor magazine, won the Woodberry Poetry Prize, served as president of the Philolexian Society (literary and debate group), and joined Boar's Head Society (poetry society). Ginsberg has stated that he considered his required freshman seminar in Great Books, taught by Lionel Trilling, to be his favorite Columbia course.
According to The Poetry Foundation, Ginsberg spent several months in a mental institution after he pleaded insanity during a hearing. He was allegedly being prosecuted for harboring stolen goods in his dorm room. It was noted that the stolen property was not his, but belonged to an acquaintance.
Relationship with his parents
Ginsberg referred to his parents, in a 1985 interview, as "old-fashioned delicatessen philosophers". His mother was affected by a psychological illness that was never properly diagnosed. She was also an active member of the Communist Party and took Ginsberg and his brother Eugene to party meetings. Ginsberg later said that his mother "made up bedtime stories that all went something like: 'The good king rode forth from his castle, saw the suffering workers and healed them.'" Of his father Ginsberg said: "My father would go around the house either reciting Emily Dickinson and Longfellow under his breath or attacking T. S. Eliot for ruining poetry with his 'obscurantism.' I grew suspicious of both sides."
Naomi Ginsberg's mental illness often manifested as paranoid delusions. She would claim, for example, that the president had implanted listening devices in their home and that her mother-in-law was trying to kill her. Her suspicion of those around her caused Naomi to draw closer to young Allen, "her little pet", as Bill Morgan says in his biography of Ginsberg, titled, I Celebrate Myself: The Somewhat Private Life of Allen Ginsberg. She also tried to kill herself by slitting her wrists and was soon taken to Greystone, a mental hospital; she would spend much of Ginsberg's youth in mental hospitals. His experiences with his mother and her mental illness were a major inspiration for his two major works, "Howl" and his long autobiographical poem "Kaddish for Naomi Ginsberg (1894–1956)".
When he was in junior high school, he accompanied his mother by bus to her therapist. The trip deeply disturbed Ginsberg—he mentioned it and other moments from his childhood in "Kaddish". His experiences with his mother's mental illness and her institutionalization are also frequently referred to in "Howl". For example, "Pilgrim State, Rockland, and Grey Stone's foetid halls" is a reference to institutions frequented by his mother and Carl Solomon, ostensibly the subject of the poem: Pilgrim State Hospital and Rockland State Hospital in New York and Greystone Park Psychiatric Hospital in New Jersey. This is followed soon by the line "with mother finally ******." Ginsberg later admitted the deletion was the expletive "fucked." He also says of Solomon in section three, "I'm with you in Rockland where you imitate the shade of my mother," once again showing the association between Solomon and his mother.
Ginsberg received a letter from his mother after her death responding to a copy of "Howl" he had sent her. It admonished Ginsberg to be good and stay away from drugs; she says, "The key is in the window, the key is in the sunlight at the window—I have the key—Get married Allen don't take drugs—the key is in the bars, in the sunlight in the window". In a letter she wrote to Ginsberg's brother Eugene, she said, "God's informers come to my bed, and God himself I saw in the sky. The sunshine showed too, a key on the side of the window for me to get out. The yellow of the sunshine, also showed the key on the side of the window." These letters and the absence of a facility to recite kaddish inspired Ginsberg to write "Kaddish", which makes references to many details from Naomi's life, Ginsberg's experiences with her, and the letter, including the lines "the key is in the light" and "the key is in the window".
New York Beats
In Ginsberg's first year at Columbia he met fellow undergraduate Lucien Carr, who introduced him to a number of future Beat writers, including Jack Kerouac, William S. Burroughs, and John Clellon Holmes. They bonded, because they saw in one another an excitement about the potential of American youth, a potential that existed outside the strict conformist confines of post–World War II, McCarthy-era America. Ginsberg and Carr talked excitedly about a "New Vision" (a phrase adapted from Yeats' "A Vision"), for literature and America. Carr also introduced Ginsberg to Neal Cassady, for whom Ginsberg had a long infatuation. In the first chapter of his 1957 novel On the Road Kerouac described the meeting between Ginsberg and Cassady. Kerouac saw them as the dark (Ginsberg) and light (Cassady) side of their "New Vision", a perception stemming partly from Ginsberg's association with communism, of which Kerouac had become increasingly distrustful. Though Ginsberg was never a member of the Communist Party, Kerouac named him "Carlo Marx" in On the Road. This was a source of strain in their relationship.
Also, in New York, Ginsberg met Gregory Corso in the Pony Stable Bar. Corso, recently released from prison, was supported by the Pony Stable patrons and was writing poetry there the night of their meeting. Ginsberg claims he was immediately attracted to Corso, who was straight, but understood of homosexuality after three years in prison. Ginsberg was even more struck by reading Corso's poems, realizing Corso was "spiritually gifted." Ginsberg introduced Corso to the rest of his inner circle. In their first meeting at the Pony Stable, Corso showed Ginsberg a poem about a woman who lived across the street from him and sunbathed naked in the window. Amazingly, the woman happened to be Ginsberg's girlfriend that he was living with during one of his forays into heterosexuality. Ginsberg took Corso over to their apartment. There the woman proposed sex with Corso, who was still very young and fled in fear. Ginsberg introduced Corso to Kerouac and Burroughs and they began to travel together. Ginsberg and Corso remained lifelong friends and collaborators.
Shortly after this period in Ginsberg's life, he became romantically involved with Elise Nada Cowen after meeting her through Alex Greer, a philosophy professor at Barnard College whom she had dated for a while during the burgeoning Beat generation's period of development. As a Barnard student, Elise Cowen extensively read the poetry of Ezra Pound and T. S. Eliot, when she met Joyce Johnson and Leo Skir, among other Beat players. As Cowen had felt a strong attraction to darker poetry most of the time, Beat poetry seemed to provide an allure to what suggests a shadowy side of her persona. While at Barnard, Cowen earned the nickname "Beat Alice" as she had joined a small group of anti-establishment artists and visionaries known to outsiders as beatniks, and one of her first acquaintances at the college was the beat poet Joyce Johnson who later portrayed Cowen in her books, including "Minor Characters" and Come and Join the Dance, which expressed the two women's experiences in the Barnard and Columbia Beat community. Through his association with Elise Cowen, Ginsberg discovered that they shared a mutual friend, Carl Solomon, to whom he later dedicated his most famous poem "Howl". This poem is considered an autobiography of Ginsberg up to 1955, and a brief history of the Beat Generation through its references to his relationship to other Beat artists of that time.
In 1948 in an apartment in Harlem, Ginsberg had an auditory hallucination while reading the poetry of William Blake (later referred to as his "Blake vision"). At first, Ginsberg claimed to have heard the voice of God but later interpreted the voice as that of Blake himself reading Ah! Sun-flower, The Sick Rose, and Little Girl Lost, also described by Ginsberg as "voice of the ancient of days." The experience lasted several days. Ginsberg believed that he had witnessed the interconnectedness of the universe. He looked at latticework on the fire escape and realized some hand had crafted that; he then looked at the sky and intuited that some hand had crafted that also, or rather, that the sky was the hand that crafted itself. He explained that this hallucination was not inspired by drug use but said he sought to recapture that feeling later with various drugs. Ginsberg stated: "[...] not that some hand had placed the sky but that the sky was the living blue hand itself. Or that God was in front of my eyes—existence itself was God", and "And it was a sudden awakening into a totally deeper real universe than I'd been existing in."
San Francisco Renaissance
Ginsberg moved to San Francisco during the 1950s. Before Howl and Other Poems was published in 1956 by City Lights, he worked as a market researcher.
In 1954, in San Francisco, Ginsberg met Peter Orlovsky (1933–2010), with whom he fell in love and who remained his lifelong partner. Selections from their correspondence have been published.
Also in San Francisco, Ginsberg met members of the San Francisco Renaissance (James Broughton, Robert Duncan, Madeline Gleason and Kenneth Rexroth) and other poets who would later be associated with the Beat Generation in a broader sense. Ginsberg's mentor William Carlos Williams wrote an introductory letter to San Francisco Renaissance figurehead Kenneth Rexroth, who then introduced Ginsberg into the San Francisco poetry scene. There, Ginsberg also met three budding poets and Zen enthusiasts who had become friends at Reed College: Gary Snyder, Philip Whalen, and Lew Welch. In 1959, along with poets John Kelly, Bob Kaufman, A. D. Winans, and William Margolis, Ginsberg was one of the founders of the Beatitude poetry magazine.
Wally Hedrick—a painter and co-founder of the Six Gallery—approached Ginsberg in mid-1955 and asked him to organize a poetry reading at the Six Gallery. At first, Ginsberg refused, but once he had written a rough draft of "Howl", he changed his "fucking mind", as he put it. Ginsberg advertised the event as "Six Poets at the Six Gallery". One of the most important events in Beat mythos, known simply as "The Six Gallery reading" took place on October 7, 1955. The event, in essence, brought together the East and West Coast factions of the Beat Generation. Of more personal significance to Ginsberg, the reading that night included the first public presentation of "Howl", a poem that brought worldwide fame to Ginsberg and to many of the poets associated with him. An account of that night can be found in Kerouac's novel The Dharma Bums, describing how change was collected from audience members to buy jugs of wine, and Ginsberg reading passionately, drunken, with arms outstretched.
Ginsberg's principal work, "Howl", is well known for its opening line: "I saw the best minds of my generation destroyed by madness, starving hysterical naked [...]" "Howl" was considered scandalous at the time of its publication, because of the rawness of its language. Shortly after its 1956 publication by San Francisco's City Lights Bookstore, it was banned for obscenity. The ban became a cause célèbre among defenders of the First Amendment, and was later lifted, after Judge Clayton W. Horn declared the poem to possess redeeming artistic value. Ginsberg and Shig Murao, the City Lights manager who was jailed for selling "Howl," became lifelong friends.
Biographical references in "Howl"
Ginsberg claimed at one point that all of his work was an extended biography (like Kerouac's Duluoz Legend). "Howl" is not only a biography of Ginsberg's experiences before 1955, but also a history of the Beat Generation. Ginsberg also later claimed that at the core of "Howl" were his unresolved emotions about his schizophrenic mother. Though "Kaddish" deals more explicitly with his mother, "Howl" in many ways is driven by the same emotions. "Howl" chronicles the development of many important friendships throughout Ginsberg's life. He begins the poem with "I saw the best minds of my generation destroyed by madness", which sets the stage for Ginsberg to describe Cassady and Solomon, immortalizing them into American literature. This madness was the "angry fix" that society needed to function—madness was its disease. In the poem, Ginsberg focused on "Carl Solomon! I'm with you in Rockland", and, thus, turned Solomon into an archetypal figure searching for freedom from his "straightjacket". Though references in most of his poetry reveal much about his biography, his relationship to other members of the Beat Generation, and his own political views, "Howl", his most famous poem, is still perhaps the best place to start.
To Paris and the "Beat Hotel", Tangier and India
In 1957, Ginsberg surprised the literary world by abandoning San Francisco. After a spell in Morocco, he and Peter Orlovsky joined Gregory Corso in Paris. Corso introduced them to a shabby lodging house above a bar at 9 rue Gît-le-Coeur that was to become known as the Beat Hotel. They were soon joined by Burroughs and others. It was a productive, creative time for all of them. There, Ginsberg began his epic poem "Kaddish", Corso composed Bomb and Marriage, and Burroughs (with help from Ginsberg and Corso) put together Naked Lunch from previous writings. This period was documented by the photographer Harold Chapman, who moved in at about the same time, and took pictures constantly of the residents of the "hotel" until it closed in 1963. During 1962–1963, Ginsberg and Orlovsky travelled extensively across India, living half a year at a time in Calcutta (now Kolkata) and Benares (Varanasi). Also during this time, he formed friendships with some of the prominent young Bengali poets of the time including Shakti Chattopadhyay and Sunil Gangopadhyay. Ginsberg had several political connections in India; most notably Pupul Jayakar who helped him extend his stay in India when the authorities were eager to expel him.
England and the International Poetry Incarnation
In May 1965, Ginsberg arrived in London, and offered to read anywhere for free. Shortly after his arrival, he gave a reading at Better Books, which was described by Jeff Nuttall as "the first healing wind on a very parched collective mind". Tom McGrath wrote: "This could well turn out to have been a very significant moment in the history of England—or at least in the history of English Poetry".
Soon after the bookshop reading, plans were hatched for the International Poetry Incarnation, which was held at the Royal Albert Hall in London on June 11, 1965. The event attracted an audience of 7,000, who heard readings and live and tape performances by a wide variety of figures, including Ginsberg, Adrian Mitchell, Alexander Trocchi, Harry Fainlight, Anselm Hollo, Christopher Logue, George MacBeth, Gregory Corso, Lawrence Ferlinghetti, Michael Horovitz, Simon Vinkenoog, Spike Hawkins and Tom McGrath. The event was organized by Ginsberg's friend, the filmmaker Barbara Rubin.
Peter Whitehead documented the event on film and released it as Wholly Communion. A book featuring images from the film and some of the poems that were performed was also published under the same title by Lorrimer in the UK and Grove Press in US.
Continuing literary activity
Though the term "Beat" is most accurately applied to Ginsberg and his closest friends (Corso, Orlovsky, Kerouac, Burroughs, etc.), the term "Beat Generation" has become associated with many of the other poets Ginsberg met and became friends with in the late 1950s and early 1960s. A key feature of this term seems to be a friendship with Ginsberg. Friendship with Kerouac or Burroughs might also apply, but both writers later strove to disassociate themselves from the name "Beat Generation." Part of their dissatisfaction with the term came from the mistaken identification of Ginsberg as the leader. Ginsberg never claimed to be the leader of a movement. He claimed that many of the writers with whom he had become friends in this period shared many of the same intentions and themes. Some of these friends include: David Amram, Bob Kaufman; Diane di Prima; Jim Cohn; poets associated with the Black Mountain College such as Charles Olson, Robert Creeley, and Denise Levertov; poets associated with the New York School such as Frank O'Hara and Kenneth Koch. LeRoi Jones before he became Amiri Baraka, who, after reading "Howl", wrote a letter to Ginsberg on a sheet of toilet paper. Baraka's independent publishing house Totem Press published Ginsberg's early work. Through a party organized by Baraka, Ginsberg was introduced to Langston Hughes while Ornette Coleman played saxophone.
Later in his life, Ginsberg formed a bridge between the beat movement of the 1950s and the hippies of the 1960s, befriending, among others, Timothy Leary, Ken Kesey, Hunter S. Thompson, and Bob Dylan. Ginsberg gave his last public reading at Booksmith, a bookstore in the Haight-Ashbury neighborhood of San Francisco, a few months before his death. In 1993, Ginsberg visited the University of Maine at Orono to pay homage to the 90-year-old great Carl Rakosi.
Buddhism and Krishna
In 1950, Kerouac began studying Buddhism and shared what he learned from Dwight Goddard's Buddhist Bible with Ginsberg. Ginsberg first heard about the Four Noble Truths and such sutras as the Diamond Sutra at this time.
Ginsberg's spiritual journey began early on with his spontaneous visions, and continued with an early trip to India with Gary Snyder. Snyder had previously spent time in Kyoto to study at the First Zen Institute at Daitoku-ji Monastery. At one point, Snyder chanted the Prajnaparamita, which in Ginsberg's words "blew my mind." His interest piqued, Ginsberg traveled to meet the Dalai Lama as well as the Karmapa at Rumtek Monastery. Continuing on his journey, Ginsberg met Dudjom Rinpoche in Kalimpong, who taught him: "If you see something horrible, don't cling to it, and if you see something beautiful, don't cling to it."
After returning to the United States, a chance encounter on a New York City street with Chögyam Trungpa Rinpoche (they both tried to catch the same cab), a Kagyu and Nyingma Tibetan Buddhist master, led to Trungpa becoming his friend and lifelong teacher. Ginsberg helped Trungpa and New York poet Anne Waldman in founding the Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, Colorado.
Ginsberg was also involved with Krishnaism. He had started incorporating chanting the Hare Krishna mantra into his religious practice in the mid-1960s. After learning that A. C. Bhaktivedanta Swami Prabhupada, the founder of the Hare Krishna movement in the Western world had rented a store front in New York, he befriended him, visiting him often and suggesting publishers for his books, and a fruitful relationship began. This relationship is documented by Satsvarupa dasa Goswami in his biographical account Srila Prabhupada Lilamrta. Ginsberg donated money, materials, and his reputation to help the Swami establish the first temple, and toured with him to promote his cause.
Despite disagreeing with many of Bhaktivedanta Swami's required prohibitions, Ginsberg often sang the Hare Krishna mantra publicly as part of his philosophy and declared that it brought a state of ecstasy. He was glad that Bhaktivedanta Swami, an authentic swami from India, was now trying to spread the chanting in America. Along with other counterculture ideologists like Timothy Leary, Gary Snyder, and Alan Watts, Ginsberg hoped to incorporate Bhaktivedanta Swami and his chanting into the hippie movement, and agreed to take part in the Mantra-Rock Dance concert and to introduce the swami to the Haight-Ashbury hippie community.[nb 1]
On January 17, 1967, Ginsberg helped plan and organize a reception for Bhaktivedanta Swami at San Francisco International Airport, where fifty to a hundred hippies greeted the Swami, chanting Hare Krishna in the airport lounge with flowers in hands.[nb 2] To further support and promote Bhaktivendata Swami's message and chanting in San Francisco, Allen Ginsberg agreed to attend the Mantra-Rock Dance, a musical event 1967 held at the Avalon Ballroom by the San Francisco Hare Krishna temple. It featured some leading rock bands of the time: Big Brother and the Holding Company with Janis Joplin, the Grateful Dead, and Moby Grape, who performed there along with the Hare Krishna founder Bhaktivedanta Swami and donated proceeds to the Krishna temple. Ginsberg introduced Bhaktivedanta Swami to some three thousand hippies in the audience and led the chanting of the Hare Krishna mantra.
Music and chanting were both important parts of Ginsberg's live delivery during poetry readings. He often accompanied himself on a harmonium, and was often accompanied by a guitarist. It is believed that the Hindi and Buddhist poet Nagarjun had introduced Ginsberg to the harmonium in Banaras. According to Malay Roy Choudhury, Ginsberg refined his practice while learning from his relatives, including his cousin Savitri Banerjee. When Ginsberg asked if he could sing a song in praise of Lord Krishna on William F. Buckley, Jr.'s TV show Firing Line on September 3, 1968, Buckley acceded and the poet chanted slowly as he played dolefully on a harmonium. According to Richard Brookhiser, an associate of Buckley's, the host commented that it was "the most unharried Krishna I've ever heard."
At the 1967 Human Be-In in San Francisco's Golden Gate Park, the 1968 Democratic National Convention in Chicago, and the 1970 Black Panther rally at Yale campus Allen chanted "Om" repeatedly over a sound system for hours on end.
Ginsberg further brought mantras into the world of rock and roll when he recited the Heart Sutra in the song "Ghetto Defendant". The song appears on the 1982 album Combat Rock by British first wave punk band The Clash.
Ginsberg came in touch with the Hungryalist poets of Bengal, especially Malay Roy Choudhury, who introduced Ginsberg to the three fish with one head of Indian emperor Jalaluddin Mohammad Akbar. The three fish symbolised coexistence of all thought, philosophy and religion.
In spite of Ginsberg's attraction to Eastern religions, the journalist Jane Kramer argues that he, like Whitman, adhered to an "American brand of mysticism" that was "rooted in humanism and in a romantic and visionary ideal of harmony among men."
Illness and death
In 1960, he was treated for a tropical disease, and it is speculated that he contracted hepatitis from an unsterilized needle administered by a doctor, which played a role in his death 37 years later. Ginsberg was a lifelong smoker, and though he tried to quit for health and religious reasons, his busy schedule in later life made it difficult, and he always returned to smoking.
In the 1970s, Ginsberg suffered two minor strokes which were first diagnosed as Bell's palsy, which gave him significant paralysis and stroke-like drooping of the muscles in one side of his face.
Later in life, he also suffered constant minor ailments such as high blood pressure. Many of these symptoms were related to stress, but he never slowed down his schedule.
Ginsberg won a 1974 National Book Award for The Fall of America (split with Adrienne Rich, Diving into the Wreck).
In 1986, Ginsberg was awarded the Golden Wreath by the Struga Poetry Evenings International Festival in Macedonia, the second American poet to be so awarded since W. H. Auden. At Struga, Ginsberg met with the other Golden Wreath winners, Bulat Okudzhava and Andrei Voznesensky.
In 1989, Ginsberg appeared in Rosa von Praunheim's award-winning film Silence = Death about the fight of gay artists in New York City for AIDS-education and the rights of HIV infected people.
In 1993, the French Minister of Culture appointed Ginsberg a Chevalier des Arts et des Lettres.
Ginsberg continued to help his friends as much as he could: he gave money to Herbert Huncke out of his own pocket, regularly supplied neighbor Arthur Russell with an extension cord to power his home recording setup, and housed a broke, drug-addicted Harry Smith.
With the exception of a special guest appearance at the NYU Poetry Slam on February 20, 1997, Ginsberg gave what is thought to be his last reading at The Booksmith in San Francisco on December 16, 1996.
After returning home from the hospital for the last time, where he had been unsuccessfully treated for congestive heart failure, Ginsberg continued making phone calls to say goodbye to nearly everyone in his address book. Some of the phone calls, including one with Johnny Depp, were sad and interrupted by crying, and others were joyous and optimistic. Ginsberg continued to write through his final illness, with his last poem, "Things I'll Not Do (Nostalgias)", written on March 30.
He died on April 5, 1997, surrounded by family and friends in his East Village loft in Manhattan, succumbing to liver cancer via complications of hepatitis at the age of 70. Gregory Corso, Roy Lichtenstein, Patti Smith and others came by to pay their respects. He was cremated, and his ashes were buried in his family plot in Gomel Chesed Cemetery in Newark. He was survived by Orlovsky.
In 1998, various writers, including Catfish McDaris read at a gathering at Ginsberg's farm to honor Allen and the Beats.
Good Will Hunting (released in December 1997) was dedicated to Ginsberg, as well as Burroughs, who died four months later.