1. ^ a b c d Porter, David (2005). "Aeschylus' "Eumenides": Some Contrapuntal Lines". The American Journal of Philology. 126: 301–331. JSTOR cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background-image:url("//");background-image:linear-gradient(transparent,transparent),url("//");background-repeat:no-repeat;background-size:9px;background-position:right .1em center}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background-image:url("//");background-image:linear-gradient(transparent,transparent),url("//");background-repeat:no-repeat;background-size:9px;background-position:right .1em center}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background-image:url("//");background-image:linear-gradient(transparent,transparent),url("//");background-repeat:no-repeat;background-size:9px;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background-image:url("//");background-image:linear-gradient(transparent,transparent),url("//");background-repeat:no-repeat;background-size:12px;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}
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  9. ^ Henrichs, Albert. "Anonymity and Polarity: Unknown Gods and Nameless Altars at the Areopagos". University of Illinois Press. JSTOR 23065418. Cite journal requires |journal= (help)
  10. ^ Trousdell, Richard. "Tragedy and Transformation: The Oresteia of Aeschylus". C.G. Jung Institute of San Francisco. JSTOR 10.1525/jung.2008.2.3.5. Cite journal requires |journal= (help)
  11. ^ a b Hester, D. A. "The Casting Vote". The Johns Hopkins University Press. JSTOR 294130. Cite journal requires |journal= (help)
  12. ^ a b Mace, Sarah. "Why the Oresteia's Sleeping Dead Won't Lie, Part II: "Choephoroi" and "Eumenides"". The Classical Association of the Middle West and South, Inc. (CAMWS). JSTOR 4133005. Cite journal requires |journal= (help)
  13. ^ Smyth, H.W. (1930). Aeschylus: Agamemnon, Libation-Bearers, Eumenides, Fragments. Harvard University Press. p. 455. ISBN 0-674-99161-3.
  14. ^ Alan Sommerstein: Aeschylus Fragments, Loeb Classical Library, 2008
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  20. ^ Zeitlin, Froma I. (1966-01-01). "Postscript to Sacrificial Imagery in the Oresteia (Ag. 1235–37)". Transactions and Proceedings of the American Philological Association. 97: 645–653. doi:10.2307/2936034. JSTOR 2936034.
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  25. ^ "This Restless House five star review Zinnie Harris". The Guardian.
  26. ^ Silvia Dionisio. "Terror Express".
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