In what way does Ted Koppel show compassion and understanding toward Morrie when setting up the third and last "Nightline" interview?
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From the text:
Unlike the previous two Koppel-Schwartz sessions, this one was conducted entirely within Morrie’s study, where Morrie had become a prisoner of his chair. Koppel, who kissed my old professor when he first saw him, now had to squeeze in alongside the bookcase in order to be seen in the camera’s lens.
Tuesdays With Morrie