The Seducer's Diary Soren Kierkegaard

Kierkegaard published some of his works using pseudonyms and for others he signed his own name as author. Whether being published under pseudonym or not, Kierkegaard's central writing on religion was Fear and Trembling, and Either/Or is considered to be his magnum opus. Pseudonyms were used often in the early 19th century as a means of representing viewpoints other than the author's own. Kierkegaard employed the same technique as a way to provide examples of indirect communication. In writing under various pseudonyms to express sometimes contradictory positions, Kierkegaard is sometimes criticized for playing with various viewpoints without ever committing to one in particular. He has been described by those opposing his writings as indeterminate in his standpoint as a writer, though he himself has testified to all his work deriving from a service to Christianity.[77] After On the Concept of Irony with Continual Reference to Socrates, his 1841 master's thesis under Frederik Christian Sibbern,[78] he wrote his first book under the pseudonym "Johannes Climacus" (after John Climacus) between 1841 and 1842. De omnibus dubitandum est (Latin: "Everything must be doubted") was not published until after his death.[79]

Kierkegaard's magnum opus Either/Or was published 20 February 1843; it was mostly written during Kierkegaard's stay in Berlin, where he took notes on Schelling's Philosophy of Revelation. Either/Or includes essays of literary and music criticism and a set of romantic-like aphorisms, as part of his larger theme of examining the reflective and philosophical structure of faith.[80][81] Edited by "Victor Eremita", the book contained the papers of an unknown "A" and "B" which the pseudonymous author claimed to have discovered in a secret drawer of his secretary.[82] Eremita had a hard time putting the papers of "A" in order because they were not straightforward. "B"'s papers were arranged in an orderly fashion.[83][84] Both of these characters are trying to become religious individuals.[85] Each approached the idea of first love from an aesthetic and an ethical point of view. The book is basically an argument about faith and marriage with a short discourse at the end telling them they should stop arguing. Eremita thinks "B", a judge, makes the most sense. Kierkegaard stressed the "how" of Christianity as well as the "how" of book reading in his works rather than the "what".[86]

Three months after the publication of Either/Or, 16 May 1843, he published Two Upbuilding Discourses, 1843 and continued to publish discourses along with his pseudonymous books. These discourses were published under Kierkegaard's own name and are available as Eighteen Upbuilding Discourses today. David F. Swenson first translated the works in the 1940s and titled them the Edifying Discourses; however, in 1990, Howard V. and Edna H. Hong translated the works again but called them the Upbuilding Discourses. The word "upbuilding" was more in line with Kierkegaard's thought after 1846, when he wrote Christian deliberations[87] about Works of Love.[88] An upbuilding discourse or edifying discourse isn't the same as a sermon because a sermon is preached to a congregation while a discourse can be carried on between several people or even with oneself. The discourse or conversation should be "upbuilding", which means one would build up the other person, or oneself, rather than tear down to build up. Kierkegaard said: "Although this little book (which is called 'discourses', not sermons, because its author does not have authority to preach, 'upbuilding discourses', not discourses for upbuilding, because the speaker by no means claims to be a teacher) wishes to be only what it is, a superfluity, and desires only to remain in hiding".[89]

On 16 October 1843, Kierkegaard published three more books about love and faith and several more discourses. Fear and Trembling was published under the pseudonym Johannes de Silentio. Repetition is about a Young Man (Søren Kierkegaard) who has anxiety and depression because he feels he has to sacrifice his love for a girl (Regine Olsen) to God. He tries to see if the new science of psychology can help him understand himself. Constantin Constantius, who is the pseudonymous author of that book, is the psychologist. At the same time, he published Three Upbuilding Discourses, 1843 under his own name, which dealt specifically with how love can be used to hide things from yourself or others.[90] These three books, all published on the same day, are an example of Kierkegaard's method of indirect communication.

Kierkegaard questioned whether an individual can know if something is a good gift from God or not and concludes by saying, "it does not depend, then, merely upon what one sees, but what one sees depends upon how one sees; all observation is not just a receiving, a discovering, but also a bringing forth, and insofar as it is that, how the observer himself is constituted is indeed decisive."[91] God's love is imparted indirectly just as our own sometimes is.[92]

During 1844, he published two, three, and four more upbuilding discourses just as he did in 1843, but here he discussed how an individual might come to know God. Theologians, philosophers and historians were all engaged in debating about the existence of God. This is direct communication and Kierkegaard thinks this might be useful for theologians, philosophers, and historians (associations) but not at all useful for the "single individual" who is interested in becoming a Christian. Kierkegaard always wrote for "that single individual whom I with joy and gratitude call my reader";[93] the single individual must put what is understood to use or it will be lost. Reflection can take an individual only so far before the imagination begins to change the whole content of what was being thought about. Love is won by being exercised just as much as faith and patience are.

He also wrote several more pseudonymous books in 1844: Philosophical Fragments, Prefaces and The Concept of Anxiety and finished the year up with Four Upbuilding Discourses, 1844. He used indirect communication in the first book and direct communication in the rest of them. He doesn't believe the question about God's existence should be an opinion held by one group and differently by another no matter how many demonstrations are made. He says it's up to the single individual to make the fruit of the Holy Spirit real because love and joy are always just possibilities. Christendom wanted to define God's attributes once and for all but Kierkegaard was against this. His love for Regine was a disaster but it helped him because of his point of view.[94]

Kierkegaard believed "each generation has its own task and need not trouble itself unduly by being everything to previous and succeeding generations".[95] In an earlier book he had said, "to a certain degree every generation and every individual begins his life from the beginning",[96] and in another, "no generation has learned to love from another, no generation is able to begin at any other point than the beginning", "no generation learns the essentially human from a previous one."[97] And, finally, in 1850 he wrote, "those true Christians who in every generation live a life contemporaneous with that of Christ have nothing whatsoever to do with Christians of the preceding generation, but all the more with their contemporary, Christ. His life here on earth attends every generation, and every generation severally, as Sacred History..."[98] But in 1848, "The whole generation and every individual in the generation is a participant in one's having faith."[99]

He was against the Hegelian idea of mediation[100][101] because it introduces a "third term"[102] that comes between the single individual and the object of desire. Kierkegaard wrote in 1844, 'If a person can be assured of the grace of God without needing temporal evidence as a middleman or as the dispensation advantageous to him as interpreter, then it is indeed obvious to him that the grace of God is the most glorious of all."[103] He was against mediation and settled instead on the choice to be content with the grace of God or not. It's the choice between the possibility of the "temporal and the eternal", "mistrust and belief, and deception and truth",[104] "subjective and objective".[105] These are the "magnitudes" of choice. He always stressed deliberation and choice in his writings and wrote against comparison.[106] This is how Kant put it in 1786 and Kierkegaard put it in 1847:

Thinking for one's self is to seek the chief touchstone of truth in one's self (id est, in one's own reason); and the maxim, to think for one's self at all times is Enlightening. Thereto belongs not just so much, as those may imagine who take knowledge, to be enlightening; as it is rather a negative principle in the use of one's cognoscitive faculty, and he, who is very rich in knowledge, is often the least enlightened in the use of it. To exercise one's own reason, means nothing more, than, relatively to every thing which one is to suppose, to question one's self.

— Immanuel Kant, What it Means to Orient One's Self in Thinking

Worldly worry always seeks to lead a human being into the small-minded unrest of comparisons, away from the lofty calmness of simple thoughts. To be clothed, then, means to be a human being—and therefore to be well clothed. Worldly worry is preoccupied with clothes and dissimilarity of clothes. Should not the invitation to learn from the lilies be welcome to everyone just as the reminder is useful to him! Alas, those great, uplifting, simple thoughts, those first thoughts, are more and more forgotten, perhaps entirely forgotten in the weekday and worldly life of comparisons. The one human being compares himself with others, the one generation compares itself with the other, and thus the heaped up pile of comparisons overwhelms a person. As the ingenuity and busyness increase, there come to be more and more in each generation who slavishly work a whole lifetime far down in the low underground regions of comparisons. Indeed, just as miners never see the light of day, so these unhappy people never come to see the light: those uplifting, simple thoughts, those first thoughts about how glorious it is to be a human being. And up there in the higher regions of comparison, smiling vanity plays its false game and deceives the happy ones so that they receive no impression from those lofty, simple thoughts, those first thoughts.

— Søren Kierkegaard, Upbuilding Discourses in Various Spirits, Hong pp. 188–189

The Inwardness of Christianity

Kierkegaard believed God comes to each individual mysteriously.[107][108] He published Three Discourses on Imagined Occasions (first called Thoughts on Crucial Situations in Human Life, in David F. Swenson's 1941 translation) under his own name on 29 April, and Stages on Life's Way edited by Hilarius Bookbinder, 30 April 1845. The Stages is a sequel to Either/Or which Kierkegaard did not think had been adequately read by the public and in Stages he predicted "that two-thirds of the book's readers will quit before they are halfway through, out of boredom they will throw the book away."[109] He knew he was writing books but had no idea who was reading them. His sales were meager and he had no publicist or editor. He was writing in the dark, so to speak.[110] Many of his readers have been and continue to be in the dark about his intentions. He explained himself in his "Journal": "What I have understood as the task of the authorship has been done. It is one idea, this continuity from Either/Or to Anti-Climacus, the idea of religiousness in reflection. The task has occupied me totally, for it has occupied me religiously; I have understood the completion of this authorship as my duty, as a responsibility resting upon me." He advised his reader to read his books slowly and also to read them aloud since that might aid in understanding.[111]

He used indirect communication in his writings by, for instance, referring to the religious person as the "knight of hidden inwardness" in which he's different from everyone else, even though he looks like everyone else, because everything is hidden within him.[112] He put it this way in 1847: "You are indistinguishable from anyone else among those whom you might wish to resemble, those who in the decision are with the good—they are all clothed alike, girdled about the loins with truth, clad in the armor of righteousness, wearing the helmet of salvation!"[113][114]

Kierkegaard was aware of the hidden depths inside of each single individual. The hidden inwardness is inventive in deceiving or evading others. Much of it is afraid of being seen and entirely disclosed. "Therefore all calm and, in the intellectual sense, dispassionate observers, who eminently know how to delve searchingly and penetratingly into the inner being, these very people judge with such infinite caution or refrain from it entirely because, enriched by observation, they have a developed conception of the enigmatic world of the hidden, and because as observers they have learned to rule over their passions. Only superficial, impetuous passionate people, who do not understand themselves and for that reason naturally are unaware that they do not know others, judge precipitously. Those with insight, those who know never do this."[115]

Kierkegaard imagined hidden inwardness several ways in 1848.

Imagine hidden in a very plain setting a secret chest in which the most precious is placed—there is a spring that must be pressed, but the spring is concealed, and the pressure must be of a certain force so that an accidental pressure cannot be sufficient. The hope of eternity is concealed within a person's innermost being in the same way, and hardship is the pressure. When the pressure is put on the concealed spring, and forcefully enough, the content appears in all its glory! Søren Kierkegaard Christian Discourses 1848 Hong 1997 p. 111

Imagine a kernel of grain placed in the earth; if it is to grow, what does it need? First of all space; it must have space. Next, pressure; there must also be pressure—sprouting is making space for itself in opposition. Eternity's hope is placed in a person's innermost being in the same way. But hardship makes space by setting everything else aside, everything provisional, which is brought to despair; thus hardship's pressure is what draws forth! Søren Kierkegaard Christian Discourses 1848 Hong 1997 pp. 111–112

Imagine, as indeed is the case, an animal that has a defense weapon with which it defends itself but which it uses only in mortal danger. Eternity's hope is in a person's innermost being in the same way; hardship is the mortal danger. Imagine a creeping animal that nevertheless has wings that it can use when it is brought to an extremity, but for everyday use it does not find it worth the trouble to use them. Eternity's hope is in a person's innermost being in the same way; he has wings but he must be brought to an extremity in order to discover them, or in order to develop them, or in order to use them! Søren Kierkegaard Christian Discourses 1848 Hong 1997 p. 112

He was writing about the subjective inward nature of God's encounter with the individual in many of his books, and his goal was to get the single individual away from all the speculation that was going on about God and Christ. Speculation creates quantities of ways to find God and his Goods but finding faith in Christ and putting the understanding to use stops all speculation, because then one begins to actually exist as a Christian, or in an ethical/religious way. He was against an individual waiting until certain of God's love and salvation before beginning to try to become a Christian. He defined this as a "special type of religious conflict the Germans call Anfechtung" (contesting or disputing).[116][117]

In Kierkegaard's view the Church should not try to prove Christianity or even defend it. It should help the single individual to make a leap of faith, the faith that God is love and has a task for that very same single individual.[118] He wrote the following about fear and trembling and love as early as 1839, "Fear and trembling is not the primus motor in the Christian life, for it is love; but it is what the oscillating balance wheel is to the clock—it is the oscillating balance wheel of the Christian life."[119] Kierkegaard identified the leap of faith as the good resolution.[120] Kierkegaard discussed the knight of faith in Works of Love, 1847 by using the story of Jesus healing the bleeding woman who showed the " originality of faith" by believing that if she touched Jesus' robe she would be healed. She kept that secret within herself.[121]

If doubt is the beginning, then God is lost long before the end, and the individual is released from always having a task, but also from always having the comfort that there is always a task. But if the consciousness of guilt is the beginning, then the beginning of doubt is rendered impossible, and then the joy is that there is always a task. The joy, then, is that it is eternally certain that God is love; more specifically understood, the joy is that there is always a task. As long as there is life there is hope, but as long as there is a task there is life, and as long as there is life there is hope—indeed, the task itself is not merely a hope for a future time but is a joyful present. Søren Kierkegaard, Upbuilding Discourses in Various Spirits, Hong pp. 277, 279–280

Kierkegaard wrote his Concluding Unscientific Postscript to Philosophical Fragments in 1846 and here he tried to explain the intent of the first part of his authorship.[122][123] He said, "Christianity will not be content to be an evolution within the total category of human nature; an engagement such as that is too little to offer to a god. Neither does it even want to be the paradox for the believer, and then surreptitiously, little by little, provide him with understanding, because the martyrdom of faith (to crucify one's understanding) is not a martyrdom of the moment, but the martyrdom of continuance."[124][125] The second part of his authorship was summed up in Practice in Christianity:

The deification of the established order is the secularization of everything. With regard to secular matters, the established order may be entirely right: one should join the established order, be satisfied with that relativity, etc. But ultimately the relationship with God is also secularized; we want it to coincide with a certain relativity, do not want it to be something essentially different from our positions in life—rather than that it shall be the absolute for every individual human being and this, the individual person's God-relationship, shall be precisely what keeps every established order in suspense, and that God, at any moment he chooses, if he merely presses upon an individual in his relationship with God, promptly has a witness, an informer, a spy, or whatever you want to call it, one who in unconditional obedience and with unconditional obedience, by being persecuted, by suffering, by dying, keeps the established order in suspense. Søren Kierkegaard, Practice in Christianity (1850) p. 91 Hong[126]

Early Kierkegaardian scholars, such as Theodor W. Adorno and Thomas Henry Croxall, argue that the entire authorship should be treated as Kierkegaard's own personal and religious views.[127] This view leads to confusions and contradictions which make Kierkegaard appear philosophically incoherent.[128] Later scholars, such as the post-structuralists, interpreted Kierkegaard's work by attributing the pseudonymous texts to their respective authors.[129] Postmodern Christians present a different interpretation of Kierkegaard's works.[130] Kierkegaard used the category of "The Individual"[131] to stop[132] the endless Either/Or.[133]

Pseudonyms

Kierkegaard's most important pseudonyms,[134] in chronological order, were:

• Victor Eremita, editor of Either/Or
• A, writer of many articles in Either/Or
• Judge William, author of rebuttals to A in Either/Or
• Johannes de Silentio, author of Fear and Trembling
• Constantine Constantius, author of the first half of Repetition
• Young Man, author of the second half of Repetition
• Vigilius Haufniensis, author of The Concept of Anxiety
• Nicolaus Notabene, author of Prefaces
• Hilarius Bookbinder, editor of Stages on Life's Way
• Johannes Climacus, author of Philosophical Fragments and Concluding Unscientific Postscript
• Inter et Inter, author of The Crisis and a Crisis in the Life of an Actress
• H.H., author of Two Minor Ethical-Religious Essays
• Anti-Climacus, author of The Sickness unto Death and Practice in Christianity

Kierkegaard explained his pseudonyms this way in his Concluding Unscientific Postscript:

In Either/Or, I am just as little, precisely just as little, the editor Victor Eremita as I am the Seducer or the Judge. He is a poetically actual subjective thinker who is found again in "In Vino Veritas". In Fear and Trembling, I am just as little, precisely just as little, Johannes de Silentio as the knight of faith he depicts, and in turn just as little the author of the preface to the book, which is the individuality—lines of a poetically actual subjective thinker. In the story of suffering ("'Guilty?/'Not Guilty'"), I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Søren Kierkegaard, Concluding Postscript 1846, Hong pp. 625–626

All of these writings analyze the concept of faith, on the supposition that if people are confused about faith, as Kierkegaard thought the inhabitants of Christendom were, they will not be in a position to develop the virtue. Faith is a matter of reflection in the sense that one cannot have the virtue unless one has the concept of virtue—or at any rate the concepts that govern faith's understanding of self, world, and God.[135]

The Corsair affair

On 22 December 1845, Peder Ludvig Møller, who studied at the University of Copenhagen at the same time as Kierkegaard, published an article indirectly criticizing Stages on Life's Way. The article complimented Kierkegaard for his wit and intellect, but questioned whether he would ever be able to master his talent and write coherent, complete works. Møller was also a contributor to and editor of The Corsair, a Danish satirical paper that lampooned everyone of notable standing. Kierkegaard published a sarcastic response, charging that Møller's article was merely an attempt to impress Copenhagen's literary elite.

Kierkegaard wrote two small pieces in response to Møller, The Activity of a Traveling Esthetician and Dialectical Result of a Literary Police Action. The former focused on insulting Møller's integrity while the latter was a directed assault on The Corsair, in which Kierkegaard, after criticizing the journalistic quality and reputation of the paper, openly asked The Corsair to satirize him.[136]

Kierkegaard's response earned him the ire of the paper and its second editor, also an intellectual of Kierkegaard's own age, Meïr Aron Goldschmidt.[137] Over the next few months, The Corsair took Kierkegaard up on his offer to "be abused", and unleashed a series of attacks making fun of Kierkegaard's appearance, voice and habits. For months, Kierkegaard perceived himself to be the victim of harassment on the streets of Denmark. In a journal entry dated 9 March 1846, Kierkegaard made a long, detailed explanation of his attack on Møller and The Corsair, and also explained that this attack made him rethink his strategy of indirect communication.[138]

There had been much discussion in Denmark about the pseudonymous authors until the publication of Concluding Unscientific Postscript to Philosophical Fragments, 27 February 1846, where he openly admitted to be the author of the books because people began wondering if he was, in fact, a Christian or not.[139][140] Several Journal entries from that year shed some light on what Kierkegaard hoped to achieve.[141][142][143][144] This book was published under an earlier pseudonym, Johannes Climacus. On 30 March 1846 he published Two Ages: A Literary Review, under his own name. A critique of the novel Two Ages (in some translations Two Generations) written by Thomasine Christine Gyllembourg-Ehrensvärd, Kierkegaard made several insightful observations on what he considered the nature of modernity and its passionless attitude towards life. Kierkegaard writes that "the present age is essentially a sensible age, devoid of passion ... The trend today is in the direction of mathematical equality, so that in all classes about so and so many uniformly make one individual".[145] In this, Kierkegaard attacked the conformity and assimilation of individuals into "the crowd"[146] which became the standard for truth, since it was the numerical. How can one love the neighbor if the neighbor is always regarded as the wealthy or the poor or the lame?[147]

A useless and perhaps futile conflict goes on often enough in the world, when the poor person says to the wealthy person, "Sure, it's easy for you—you are free from worry about making a living." Would to God that the poor person would really understand how the Gospel is much more kindly disposed to him, is treating him equally and more lovingly. Truly, the Gospel does not let itself be deceived into taking sides with anyone against someone else, with someone who is wealthy against someone who is poor, or with someone who is poor against someone who is wealthy. Among individuals in the world, the conflict of disconnected comparison is frequently carried on about dependence and independence, about the happiness of being independent and the difficulty of being dependent. And yet, yet human language has not ever, and thought has not ever, invented a more beautiful symbol of independence than the poor bird of the air. And yet, yet no speech can be more curious than to say that it must be very bad and very heavy to be—light as the bird! To be dependent on one's treasure—that is dependence and hard and heavy slavery; to be dependent on God, completely dependent—that is independence. Søren Kierkegaard, 1847 Upbuilding Discourses in Various Spirits, Hong pp. 180–181

As part of his analysis of the "crowd", Kierkegaard accused newspapers of decay and decadence. Kierkegaard stated Christendom had "lost its way" by recognizing "the crowd", as the many who are moved by newspaper stories, as the court of last resort in relation to "the truth". Truth comes to a single individual, not all people at one and the same time. Just as truth comes to one individual at a time so does love. One doesn't love the crowd but does love their neighbor, who is a single individual. He says, "never have I read in the Holy Scriptures this command: You shall love the crowd; even less: You shall, ethico-religiously, recognize in the crowd the court of last resort in relation to 'the truth.'"[148][149]