The Red Badge of Courage
The Dynamics of Egotism and Naturalism in The Red Badge of Courage
Stephen Crane’s The Red Badge of Courage follows the enlistment of the protagonist Henry and his struggle to mature from a youthful vanity that drives most of his actions through the novel to a final acceptance of the uncaring reality of war and society and the inevitability of death. Though the novel ends on an optimistic note that Henry has at last become a “heroic” man, I argue that Henry’s change from naiveté and vanity to selflessness and maturity is not a simple and thorough shift, but subtle and largely an incomplete thought at best that leaves readers to question where to draw the line whereupon Henry’s egotism ends and naturalism takes over. This “gray” area Henry is in between selfishness and a recognition of death’s inevitability despite human intervention ultimately shows the two concepts more entangled than it appears at face-value. Henry’s shift, then, is illustrated as a complicated process with no exact “endpoint” in which readers must extricate which “side” Henry falls on at the end of the novel.
From the onset of the novel, readers can immediately note Henry’s youthful naiveté and romantic conception of military life and war. Despite his mother’s ominous words, “I know how you are… you are jest one little...
Join Now to View Premium Content
GradeSaver provides access to 820 study guide PDFs and quizzes, 6114 literature essays, 1715 sample college application essays, 245 lesson plans, and ad-free surfing in this premium content, “Members Only” section of the site! Membership includes a 10% discount on all editing orders.
Already a member? Log in