Reviews for the film were overwhelmingly positive. Roger Ebert wrote: "The Piano is as peculiar and haunting as any film I've seen" and "it is one of those rare movies that is not just about a story, or some characters, but about a whole universe of feeling".[19] Hal Hinson of The Washington Post called it an "evocative, powerful, extraordinarily beautiful film".[20]
The Piano was named one of the best films of 1993 by 86 film critics, making it the most acclaimed film of 1993.[21]
In his 2013 Movie Guide, Leonard Maltin gave the film 3 1/2 stars out of 4, calling the film a "haunting, unpredictable tale of love and sex told from a woman's point of view" and went on to say "writer-director Campion has fashioned a highly original fable, showing the tragedy and triumph erotic passion can bring to one's daily life".[22]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 90% based on 71 reviews, and an average rating of 8.50/10. The website's critical consensus reads: "Powered by Holly Hunter's main performance, The Piano is a truth-seeking romance played in the key of erotic passion."[23] On Metacritic, the film has a weighted average score of 89 out of 100, based on 20 critics, indicating "universal acclaim".[24]
Box office
The film was the highest-grossing New Zealand film of all-time surpassing Footrot Flats: The Dog's Tale (1986) with a gross of $NZ3.8 million.[25]
It grossed over US$140 million worldwide, including $7 million in Australia, $16 million in France, and $39 million in the United States and Canada.[26]
Accolades
The film was nominated for eight Academy Awards (including Best Picture), winning three for Best Actress (Holly Hunter), Best Supporting Actress (Anna Paquin) and Best Original Screenplay (Jane Campion). At age 11, Anna Paquin became the second youngest competitive Academy Award winner (after Tatum O'Neal in 1973).[27]
At the Cannes Film Festival, the film won the Palme d'Or (sharing with Chen Kaige's Farewell My Concubine), with Campion becoming the first woman to win the honour, as well as the first filmmaker from New Zealand to achieve this.[28][29] Holly Hunter also won Best Actress.[30]
In 2019, the BBC polled 368 film experts from 84 countries to name the 100 best films by women directors, and The Piano was named the top film, with nearly 10% of the critics polled giving it first place on their ballots.[31]
Award | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|
20/20 Awards | Best Picture | Nominated | ||
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Nominated | ||
Best Original Screenplay | Jane Campion | Nominated | ||
Best Art Direction | Andrew McAlpine | Nominated | ||
Best Cinematography | Stuart Dryburgh | Nominated | ||
Best Costume Design | Janet Patterson | Nominated | ||
Best Film Editing | Veronika Jenet | Nominated | ||
Best Original Score | Michael Nyman | Nominated | ||
Academy Awards | Best Picture | Jan Chapman | Nominated | [32] |
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Won | ||
Best Screenplay – Written Directly for the Screen | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | Nominated | ||
Best Costume Design | Janet Patterson | Nominated | ||
Best Film Editing | Veronika Jenet | Nominated | ||
American Cinema Editors Awards | Best Edited Feature Film | Nominated | ||
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Theatrical Releases | Stuart Dryburgh | Nominated | [33] |
Argentine Film Critics Association Awards | Best Foreign Film | Jane Campion | Won | |
Australian Film Institute Awards | Best Film | Jan Chapman | Won | [34] |
Best Direction | Jane Campion | Won | ||
Best Actor in a Leading Role | Harvey Keitel | Won | ||
Best Actress in a Leading Role | Holly Hunter | Won | ||
Best Actor in a Supporting Role | Sam Neill | Nominated | ||
Best Actress in a Supporting Role | Kerry Walker | Nominated | ||
Best Original Screenplay | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | Won | ||
Best Costume Design | Janet Patterson | Won | ||
Best Editing | Veronika Jenet | Won | ||
Best Original Music Score | Michael Nyman | Won | ||
Best Production Design | Andrew McAlpine | Won | ||
Best Sound | Lee Smith, Tony Johnson, Gethin Creagh, Peter Townsend and Annabelle Sheehan | Won | ||
Awards Circuit Community Awards | Best Director | Jane Campion | Nominated | |
Best Actress in a Leading Role | Holly Hunter | Won | ||
Best Actress in a Supporting Role | Anna Paquin | Won | ||
Best Original Screenplay | Jane Campion | Nominated | ||
Best Costume Design | Janet Patterson | Nominated | ||
Best Original Score | Michael Nyman | Nominated | ||
Best Production Design | Andrew McAlpine | Nominated | ||
Bodil Awards | Best Non-American Film | Jane Campion | Won | [35] |
Boston Society of Film Critics Awards | Best Actress | Holly Hunter | Won | [36] |
British Academy Film Awards | Best Film | Jan Chapman and Jane Campion | Nominated | [37] |
Best Direction | Jane Campion | Nominated | ||
Best Actress in a Leading Role | Holly Hunter | Won | ||
Best Original Screenplay | Jane Campion | Nominated | ||
Best Cinematography | Stuart Dryburgh | Nominated | ||
Best Costume Design | Janet Patterson | Won | ||
Best Editing | Veronika Jenet | Nominated | ||
Best Original Music | Michael Nyman | Nominated | ||
Best Production Design | Andrew McAlpine | Won | ||
Best Sound | Lee Smith, Tony Johnson and Gethin Creagh | Nominated | ||
British Society of Cinematographers | Best Cinematography in a Theatrical Feature Film | Stuart Dryburgh | Nominated | [38] |
Camerimage | Golden Frog (Main Competition) | Won | ||
Cannes Film Festival | Palme d'Or | Jane Campion | Won[a] | [30] |
Best Actress | Holly Hunter | Won | ||
César Awards | Best Foreign Film | Jane Campion | Won | [39] |
Chicago Film Critics Association Awards | Best Film | Nominated | [40] | |
Best Foreign Language Film | Won | |||
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Nominated | ||
Best Screenplay | Jane Campion | Nominated | ||
Best Original Score | Michael Nyman | Won | ||
Dallas–Fort Worth Film Critics Association Awards | Best Film | Nominated | ||
Best Director | Jane Campion | Nominated | ||
Best Actress | Holly Hunter | Won | ||
David di Donatello Awards | Best Foreign Actress | Nominated | ||
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Jane Campion | Nominated | [41] |
Film Critics Circle of Australia Awards | Best Director | Won | [42] | |
Best Supporting Actor – Female | Anna Paquin | Won | ||
Best Screenplay | Jane Campion | Won | ||
Best Musical Score | Michael Nyman | Won | ||
Golden Globe Awards | Best Motion Picture – Drama | Nominated | [43] | |
Best Actress in a Motion Picture – Drama | Holly Hunter | Won | ||
Best Supporting Actress – Motion Picture | Anna Paquin | Nominated | ||
Best Director – Motion Picture | Jane Campion | Nominated | ||
Best Screenplay – Motion Picture | Nominated | |||
Best Original Score – Motion Picture | Michael Nyman | Nominated | ||
Golden Reel Awards | Best Sound Editing – Foreign Feature | Martin Oswin | Won | |
Guldbagge Awards | Best Foreign Film | Won | [44] | |
Independent Spirit Awards | Best International Film | Won | [45] | |
Japan Academy Film Prize | Outstanding Foreign Language Film | Nominated | ||
Kinema Junpo Awards | Best Foreign Language Film | Jane Campion | Won | |
London Film Critics Circle Awards | Film of the Year | Won | [46][47] | |
Actress of the Year | Holly Hunter | Won | ||
Los Angeles Film Critics Association Awards | Best Picture | Runner-up | [48] | |
Best Director | Jane Campion | Won | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | Won[b] | ||
Best Screenplay | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | Won[c] | ||
Best Music Score | Michael Nyman | Runner-up | ||
Medias Central European Film Festival | Best Picture (Audience Award) | Jane Campion | Won | |
Nastro d'Argento | Best Foreign Director | Nominated | ||
National Board of Review Awards | Top Ten Films | 4th Place | [49] | |
Best Actress | Holly Hunter | Won | ||
National Society of Film Critics Awards | Best Film | 2nd Place | [50] | |
Best Director | Jane Campion | 2nd Place | ||
Best Actress | Holly Hunter | Won | ||
Best Supporting Actress | Anna Paquin | 3rd Place | ||
Best Screenplay | Jane Campion | Won | ||
Best Cinematography | Stuart Dryburgh | 2nd Place | ||
New York Film Critics Circle Awards | Best Film | Runner-up | [51] | |
Best Director | Jane Campion | Won | ||
Best Actress | Holly Hunter | Won | ||
Best Screenplay | Jane Campion | Won | ||
Best Cinematographer | Stuart Dryburgh | Runner-up | ||
Political Film Society Awards | Democracy | Nominated | ||
Producers Guild of America Awards | Outstanding Producer of Theatrical Motion Pictures | Jan Chapman | Nominated | [52] |
Most Promising Producer in Theatrical Motion Pictures | Won | |||
Robert Awards | Best Foreign Film | Jane Campion | Won | |
SESC Film Festival | Best Foreign Film | Won | ||
Southeastern Film Critics Association Awards | Best Picture | Jan Chapman | Won | [53] |
Top Ten Films | Won | |||
Best Director | Jane Campion | Won | ||
Best Actress | Holly Hunter | Won | ||
Turkish Film Critics Association Awards | Best Foreign Film | Won | ||
Vancouver International Film Festival | Most Popular International Film | Jane Campion | Won | |
Writers Guild of America Awards | Best Screenplay – Written Directly for the Screen | Won | [54] |