- ^ Edmund Sawyer, Memorials of Affairs of State, vol. 2 (London, 1725), pp. 43-4.
- ^ Martin Butler, The Stuart Court Masque and Political Culture (Cambridge, 2008), p. 111.
- ^ Leapman, p. 94.
- ^ Mara R. Wade, 'Anna of Denmark and her Royal Sisters', Clare McManus, Women and Culture at the Courts of the Stuart Queens (Palgrave Macmillan, 2003), pp. 60–61.
- ^ Nandini Das, João Vicente Melo, Haig Z. Smith, Lauren Working, Blackamoor/Moor, Keywords of Identity, Race, and Human Mobility in Early Modern England. (Amsterdam, 2021), pp. 40–50.
- ^ Giles Worsley, Inigo Jones and the European Classical Tradition (Yale, 2007), p. 6.
- ^ Lesley Mickel, 'Glorious Spangs and Rich Embroidery: Costume in The Masque of Blackness and Hymenaei', Studies in the Literary Imagination, 36:2 (2003).
- ^ Leapman, pp. 73–7.
- ^ Sujata Iyengar, Shades of Difference: Mythologies of Skin Color in Early Modern England (Philadelphia: University of Pennsylvania Press, 2005), p. 84.
- ^ Butler, Martin. "The Court Masque | The Cambridge Works of Ben Jonson". universitypublishingonline.org. Retrieved 30 March 2017.
- ^ Memorials of Affairs of State from the papers of Ralph Winwood, vol. 2 (London, 1725), pp. 39–40, John Packer to Winwood, 12 December 1604.
- ^ Leeds Barroll, Anna of Denmark, Queen of England: A Cultural Biography (Philadelphia, 2001), pp. 102, 200 fn.53.
- ^ Barbara Ravelhofer, The Early Stuart Masque: Dance, Costume, and Music (Oxford, 2006), 130: Diana Scarisbrick, Jewellery in Britain, 1066-1837 (Norwich: Michael Russell, 1994), p. 73: Francis Grose, Antiquarian Repertory, 1 (London, 1807), 281.
- ^ Memorials of Affairs of State from the papers of Ralph Winwood, vol. 2 (London, 1725), p. 44.
- ^ Susan Dunn-Hensley, Anna of Denmark and Henrietta Maria, Virgins, Witches, and Catholic Queens (Palgrave Macmillan, 2017), p. 89.
- ^ John Nichols, Progresses of James the First, vol. 1 (London, 1828), p. 474.
- ^ Carol Chillington Rutter, Enter The Body: Women and Representation on Shakespeare's Stage (Routledge, 2001), p. 97: Mary Anne Everett Green, Calendar State Papers Domestic, 1603-1610 (London, 1857), p. 187 citing TNA SP14/12 f.28.
- ^ Arthur F. Marotti, 'Neighbourhood, Social Networks and a Manuscript Collection', James Daybell & Peter Hinds, Material Readings of Early Modern Culture: Texts and Social Practices (Basingstoke, 2010), p. 188: Daniel Starza Smith, John Donne and the Conway Papers: Patronage and Manuscript Circulation (Oxford, 2014), p. 218: British Library Add MS 25707 f34r
- ^ Morwenna Carr, 'Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage', Early Theatre, 20:1 (2017), p. 79.
- ^ Andrea Stevens, 'Mastering Masques of Blackness: Jonson's "Masque of Blackness", The Windsor text of "The Gypsies Metamorphosed", and Brome's "The English Moor"', English Literary Renaissance, 39:2 (Spring 2009), pp. 396-426 , 414-420.
- ^ Oroszlan, Aniko (2005). ""Actors" in "Barbaresque mantells": the blackness of the female performers in Ben Jonson's Masque of Blackness" (PDF). The AnaChronisT: 23+ – via Literature Resource Center.
- ^ Martin Butler, The Stuart Court Masque and Political Culture (Cambridge, 2008), p. 114.
- ^ Jemma Field, Anna of Denmark: The Material and Visual Culture of the Stuart Courts (Manchester, 2020), pp. 169-71.
- ^ Eva Griffith, A Jacobean Company and its Playhouse: The Queen's Servants at the Red Bull Theatre (Cambridge, 2013), p. 158.
- ^ Kim F. Hall, Things of Darkness: Economies of Race and Gender in Early Modern England (Cornell University Press, 1996), p. 129.
- ^ Kim F. Hall, Things of Darkness: Economies of Race and Gender in Early Modern England (Cornell University Press, 1996), p. 133.
- ^ Bernadette Andrea, 'Black Skin, The Queen's Masques: Africanist Ambivalence and Feminine Author(ity) in the Masques of Blackness and Beauty', English Literary Renaissance, 29:2 (Spring 1999), pp. 246-281 at p. 247.
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