How does "The Love Song of J. Alfred Prufrock" use fragmentation?

Eliot achieves much of this fragmentation through his exquisite imagery. Whether it is the subliminal comparison between the fog "that rubs its muzzle on the windowpanes" (16) and feline movement, a self-conscious dissection of how women's eyes have Prufrock "pinned and wriggling on the wall" (58), or Prufrock's self-debasement as a "pair of ragged claws" (73), the images in "Prufrock" are specific and symbolic.