The Great Gatsby

But I didn’t call to him, for he gave a sudden intimation that he was content to be alone—he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward—an

But I didn’t call to him, for he gave a sudden intimation that he was content to be alone—he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock. When I looked once more for Gatsby he had vanished, and I was alone again in the unquiet darkness.

Gatsby’s reaching from the darkness toward the light, creates

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This creates the motif of obsessional longing for something that isn't real. The light of Daisy's mansion is green and blurred. Gatsby cannot grasp it just as he cannot grasp Daisy because his view of Daisy is built out of longing and obsession: it isn't real. Daisy isn't the person Gatsby fantasizes her to be.