The Emigrants


Upon publication, the English version of The Emigrants was well received by critics, and has since gained increasing recognition. Cynthia Ozick strongly praised both Sebald and Hulse, speculating that "we are Sebald's translator (himself a poet), for allowing us to see, through the strained glass of his consummate Englishing, what must surely by the most delicately powerful German prose since Thomas Mann." [4] Lisa Cohen offered similarly strong praise, hailing The Emigrants' “uncanny vividness and specificity,” concluding that “the brilliance of this book lies in the fact that Sebald never loses sight of either the power of metaphor or the viciousness of history.”[2] Daniel Medin noted in 2003 that "Hulse's 1996 translation of Die Ausgewanderten introduced Sebald to audiences beyond...German [readership], and [Sebald] was hailed immediately as a new and compelling voice in contemporary European fiction." [5]

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