The Bloody Chamber
Objects As Abstractions in "The Bloody Chamber" and "The Erl-King" College
Angela Carter’s work in the short story collection “The Bloody Chamber,” makes frequent use of concrete objects as expressions of abstract concepts, among them freedom, bondage, and death in multiple forms, not only physical.
In the short story “The Bloody Chamber,” the world the protagonist lives in is archaic. Although timeless in technicality, the reader gets the idea that it is set in the Victorian era or a little after. This idea is reinforced by the dress of the characters, the behavior of the majority of the women, and the use of wagons and horses as transportation, with the “motorcar” as a luxury item. The reader is shocked by the presence of the telephone, first revealed while the protagonist and her new husband are having sex for the first time, “A dozen husbands impaled a dozen brides while the mewing gulls swung on invisible trapezes in the empty air outside. I was brought to my senses by the insistent shrilling of the telephone” (TBC 17). Carter’s use of anachronism highlights the significance of the telephone in the story. In this instance, the telephone seems to symbolize safety or freedom. It is with the telephone that she is able to call her mother. That maternal bond between mother and daughter, via the...
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