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oedipus complex of paul in sons and lovers


gerry h #68179
Nov 09, 2008 5:52 PM

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oedipus complex of paul in sons and lovers

does paul have an oedipus complex and is that why all his relationships fail?

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yujie j #76715
Jan 17, 2009 6:24 AM

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fatima d #76741
Jan 17, 2009 11:36 AM

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Oh yeah, that was helpful yujie!

samuel n #84719
Mar 17, 2009 1:45 PM

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Hmm! i think it's trully that he has an oedepus complex.

oppong a #85239
Mar 21, 2009 8:28 AM

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What is it that influenced Paul Morel's choices in Sons and Lovers.

abdul k #109637
Oct 25, 2009 12:53 AM

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i am a student of NUB.If you please posted me this report.

shagun j #126331
Feb 16, 2010 9:23 AM

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rafik a #179397
Apr 13, 2011 10:14 PM

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The damaging influence of the mother-fixation in the story Sons and lovers is not only confined William. it extends more intensely in the case of Paul and in his relationship with Miriam and was the birth of Paul that Mrs Morel had decided that with all her force,with all her soul,she wold make up to it for having brought it into the world unloved.later he shows to love her like a lover,and for this reason Paul does not develop his relationship with any women.

Source(s): s.sen


hiba h #199177
Sep 08, 2011 6:51 AM

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Perhaps Sigmund Freud's most celebrated theory of sexuality, the Oedipus complex takes its name from the title character of the Greek play Oedipus Rex. In the story, Oedipus is prophesied to murder his father and have sex with his mother (and he does, though unwittingly). Freud argued that these repressed desires are present in most young boys. (The female version is called the Electra complex.)
D.H. Lawrence was aware of Freud's theory, and Sons and Lovers famously uses the Oedipus complex as its base for exploring Paul's relationship with his mother. Paul is hopelessly devoted to his mother, and that love often borders on romantic desire. Lawrence writes many scenes between the two that go beyond the bounds of conventional mother-son love. Completing the Oedipal equation, Paul murderously hates his father and often fantasizes about his death.
Paul assuages his guilty, incestuous feelings by transferring them elsewhere, and the greatest receivers are Miriam and Clara (note that transference is another Freudian term). However, Paul cannot love either woman nearly as much as he does his mother, though he does not always realize that this is an impediment to his romantic life. The older, independent Clara, especially, is a failed maternal substitute for Paul. In this setup, Baxter Dawes can be seen as an imposing father figure; his savage beating of Paul, then, can be viewed as Paul's unconsciously desired punishment for his guilt. Paul's eagerness to befriend Dawes once he is ill (which makes him something like the murdered father) further reveals his guilt over the situation.
But Lawrence adds a twist to the Oedipus complex: Mrs. Morel is saddled with it as well. She desires both William and Paul in near-romantic ways, and she despises all their girlfriends. She, too, engages in transference, projecting her dissatisfaction with her marriage onto her smothering love for her sons. At the end of the novel, Paul takes a major step in releasing himself from his Oedipus complex. He intentionally overdoses his dying mother with morphia, an act that reduces her suffering but also subverts his Oedipal fate, since he does not kill his father, but his mother.

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