Song ("On Her Loving Two Equally")

Song ("On Her Loving Two Equally") Literary Elements

Speaker or Narrator, and Point of View

The speaker is woman, speaking in the first person singular.

Form and Meter

3 stanzas of 6 lines; the first 5 lines are iambic tetrameter, and the last line is iambic pentameter

Metaphors and Similes

"Fever in the blood" is a metaphor for strong physical attraction

Alliteration and Assonance

"'twixt two" is an example of alliteration because the "t" sound is repeated at the start of both syllables. "'Twixt" is a contracted form of "betwixt," which has one syllable too many to fit the meter.

Irony

The major irony in β€œOn Her Loving Two Equally,” occurs when the speaker realizes the paradox of what it means to love two people equally. Although the speaker might be present with one lover, the other, no matter how close proximally, can never be loved equally at the same time. In some way then, the entire poem is an ironic musing on the impossibility of two equal instances of love.

Genre

Pastoral Lyric/Song

Setting

No time or place is specified

Tone

Confused/Troubled

Protagonist and Antagonist

The narrator is a protagonist, and Cupid (the author of her quandary) is an antagonist

Major Conflict

The major conflict is an exploration of whether it is possible to love two people equally.

Climax

The author demands that Cupid take back one of the darts of love, and so choose which suitor will no longer be loved. However, the speaker realizes that losing one of the lovers would amount to losing part of her identity, and here the poem leaves us.

Foreshadowing

Understatement

Allusions

There's an allusion to classical mythology in the reference to Cupid, who is said to shoot people with magical arrows, causing them to fall in love. The speaker blames her plight on the fact she's been shot twice.

Metonymy and Synecdoche

Personification

Love is personified as Cupid

Hyperbole

Onomatopoeia