Shakespeare's Sonnets Summary and Analysis
Sonnet 135 - "Whoever hath her wish, thou hast they Will"
What's he saying?
"Whoever hath her wish, thou hast thy Will, / And Will to boot, and Will in over-plus;"
No matter what other women have to satisfy their sexual desires, you have more satisfaction that you even need;
"More than enough am I that vexed thee still, / To thy sweet will making addition thus."
Surely I, who have pleaded with you so insistently, am enough to satisfy you sexually.
"Wilt thou, whose will is large and spacious, / Not once vouchsafe to hide my will in thine?"
Won't you, with your huge sexual appetite, let me have sex with you just once?
"Shall will in others seem right gracious, / And in my will no fair acceptance shine?"
Would you have sex with others, but not with me?
"The sea, all water, yet receives rain still, / And in abundance addeth to his store;"
Even though the sea is totally composed of water, it still lets the rain add more water to it;
"So thou, being rich in Will, add to thy Will / One will of mine, to make thy large will more."
In the same way, although you already are quite sexually satisfied by others, let me also have sex with you.
"Let no unkind, no fair beseechers kill; / Think all but one, and me in that one Will."
Don't hurt anyone who wants to have sex with you by denying them; realize that all penises are the same, and mine should be inside you.
Why is he saying it?
Sonnet 135 and the sonnets that follow play with the different meanings of the word "will;" its surface meaning of volition, or intent, is entirely obfuscated. In fact, if one tries to read it with that meaning, the poem makes little sense. In addition to that surface meaning, the word is used here to mean six other things: lust; the auxiliary verb denoting future tense; determination or willfulness; penis; vagina; the man's name "William." Since "will" can be read as a nickname for "William," the question arises of whom the name refers to. There is general acceptance among scholars that it is the poet himself, but it could also be the woman's husband. It is possible that it could refer to the fair lord, the poet's friend with whom the mistress has also had an affair.
The assumption of this sonnet, that the woman addressed has an insatiable sexual appetite and no discretion when it comes to whom she will have sex with, is unflattering to her. But it is based on the myth that female sexuality poses a threat to societal order. In the Homeric myth, Circe seeks to hold Odysseus in bondage forever as her sexual slave, though it is not explicitly stated. The woman addressed here has "Will to boot, and Will in over-plus," or more sexual partners than she can even handle. The assertion that her "will is large and spacious" implies not just that she has lust enough to go around, but that physically, her vagina has been stretched by so much lovemaking.
Though this sonnet implies that the poet himself is left out of the woman's circle of lovers, lines 3-4 suggest otherwise. They are out of place, since the tone of the sonnet is one of pleading to be allowed to have sex with the mistress, but these lines suggest that he has already been admitted to do so. The term "making addition" means adding his own penis to the line of men who have had access "to thy sweet will." But if his goal has already been achieved, the following lines, which ask, ""Wilt thou, whose will is large and spacious, / Not once vouchsafe to hide my will in thine?" do not make sense. Therefore lines 3-4 can be interpreted as being in question or conditional form, as if he poet is asserting that he would be "more than enough" for her.
Although the theme of this sonnet is clearly sexual, allusions to the Bible are embedded within it. The word "will," around which the sonnet revolves, especially in line 6, "...to hide my will in thine," hints at the phrase, "Not my will but thine be done," from Christ's agony in the Garden of Gethsemane. This comparison aligns the poet with Christ and the mistress with God, suggesting a connection between the mysteries of love and those of religion. Likewise, the word "vouchsafe" used in line 6 is common in the Bible and in prayers, and the word "gracious" is also reminiscent of God's grace.
The meaning of line 13 is somewhat unclear; the second instance of "no" could be meant as a word spoken by the woman in denial of the poet. Or the word "unkind" could be read as a noun, meaning something cruel, or in this case, a refusal of sex. In both these cases, the "fair beseechers" are men such as the poet, "killed" by a refusal. The denial of a lover causing his death is a hyperbole, but there is a double meaning: an orgasm was thought of as a little death. If "kill" is read as meaning "let have an orgasm inside you," then line 13 is an appeal that the woman not have sex with any more "fair beseechers" other than the poet.
Shakespeare's Sonnets Essays and Related Content
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- William Shakespeare: Biography
- Shakespeare's Sonnets Summary
- About Shakespeare's Sonnets
- Character List
- Glossary of Terms
- Major Themes
- Summary and Analysis of Sonnet 1 - "From fairest creatures we desire increase"
- Summary and Analysis of Sonnet 18 - "Shall I compare thee to a summer's day?"
- Summary and Analysis of Sonnet 20 - "A woman's face with Nature's own hand painted"
- Summary and Analysis of Sonnet 30 - "When to the sessions of sweet silent thought"
- Summary and Analysis of Sonnet 52 - "So am I as the rich, whose blessed key"
- Summary and Analysis of Sonnet 60 - "Like as the waves make towards the pebbled shore"
- Summary and Analysis of Sonnet 73 - "That time of year thou mayst in me behold"
- Summary and Analysis of Sonnet 87 - "Farewell! thou art too dear for my possessing"
- Summary and Analysis of Sonnet 94 - "They that have power to hurt and will do none"
- Summary and Analysis of Sonnet 116 - "Let me not to the marriage of true minds"
- Summary and Analysis of Sonnet 126 - "O thou, my lovely boy, who in thy power"
- Summary and Analysis of Sonnet 129 - "The expense of spirit in a waste of shame"
- Summary and Analysis of Sonnet 130 - "My mistress' eyes are nothing like the sun"
- Summary and Analysis of Sonnet 146 - "Poor soul, the centre of my sinful earth"
- Summary and Analysis of Sonnet 153 - "Cupid laid by his brand, and fell asleep"
- Summary and Analysis of Sonnet 3 - "Look in thy glass and tell the face thou viewest"
- Summary and Analysis of Sonnet 5 - "Those hours, that with gentle work did frame"
- Summary and Analysis of Sonnet 6 - "Then let not winter's ragged hand deface"
- Summary and Analysis of Sonnet 9 - "Is it for fear to wet a window's eye"
- Summary and Analysis of Sonnet 12 - "When I do count the clock that tells the time"
- Summary and Analysis of Sonnet 15 - "When I consider every thing that grows"
- Summary and Analysis of Sonnet 16 - "But wherefore do you not a mighter way"
- Summary and Analysis of Sonnet 19 - "Devouring Time, blunt thou the lion's paws,"
- Summary and Analysis of Sonnet 27 - "Weary with toil, I haste me to my bed,"
- Summary and Analysis of Sonnet 28 - "How can I then return in happy plight,"
- Summary and Analysis of Sonnet 29 - "When in disgrace with fortune and men's eyes"
- Summary and Analysis of Sonnet 33 - "Full many a glorious morning have I seen"
- Summary and Analysis of Sonnet 34 - "Why didst thou promise such a beauteous day"
- Summary and Analysis of Sonnet 35 - "No more be grieved at that which thou hast done"
- Summary and Analysis of Sonnet 39 - "O! how they worth with manners may I sing"
- Summary and Analysis of Sonnet 42 - "That thou hast her it is not all my grief"
- Summary and Analysis of Sonnet 46 - "Mine eye and heart are at a mortal war"
- Summary and Analysis of Sonnet 54 - "O! how much more doth beauty beauteous seem"
- Summary and Analysis of Sonnet 55 - "Not marble, nor the gilded monuments"
- Summary and Analysis of Sonnet 57 - "Being your slave what should I do but tend"
- Summary and Analysis of Sonnet 65 - "Since brass, nor stone, nor earth, nor boundless sea
- Summary and Analysis of Sonnet 69 - "Those parts of thee that the world's eye doth view"
- Summary and Analysis of Sonnet 71 - "No longer mourn for me when I am dead"
- Summary and Analysis of Sonnet 76 - "Why is my verse so barren of new pride"
- Summary and Analysis of Sonnet 77 - "Thy glass will show thee how thy beauties wear"
- Summary and Analysis of Sonnet 85 - "My tongue-tied Muse in manners holds her still"
- Summary and Analysis of Sonnet 90 - "Then hate me when thou wilt; if ever, now;"
- Summary and Analysis of Sonnet 99 - "The forward violet thus did I chide"
- Summary and Analysis of Sonnet 102 - "My love is strengthened, though more weak in seeming"
- Summary and Analysis of Sonnet 106 - "When in the chronicle of wasted time"
- Summary and Analysis of Sonnet 108 - "What's in the brain, that ink may character"
- Summary and Analysis of Sonnet 110 - "Alas! 'tis true, I have gone here and there"
- Summary and Analysis of Sonnet 113 - "Since I left you, mine eye is in my mind"
- Summary and Analysis of Sonnet 115 - "Those lines that I before have writ do lie"
- Summary and Analysis of Sonnet 119 - "What potions have I drunk of Siren tears"
- Summary and Analysis of Sonnet 123 - "No, Time, thou shalt not boast that I do change"
- Summary and Analysis of Sonnet 125 - "Were't aught to me I bore the canopy"
- Summary and Analysis of Sonnet 132 - "Thine eyes I love, and they, as pitying me,"
- Summary and Analysis of Sonnet 135 - "Whoever hath her wish, thou hast they Will"
- Summary and Analysis of Sonnet 137 - "Thou blind fool, Love, what dost thou to mine eyes"
- Summary and Analysis of Sonnet 149 - "Canst thou, O cruel! say I love thee not"
- The Art of the Shakespearean Sonnet
- A Note on the Pronunciation of Early Modern English
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