Suggested Essay Questions
Modern scholarship divides the sonnets into two main groups: the fair lord sonnets (1-126) and the dark lady sonnets (127-154). Do you agree with this division?
A: An answer to this question may wish to focus on the fair lord sonnets, as they offer more room for creativity. It is also worth questioning whether any subdivisions might be identified within the aforementioned divisions? Finally, what do these sorts of divisions mean for the scholar? Do they simplify too much, or are they useful tools for analysis?
Choose one of the three recurring characters in the sonnets - the fair lord, the rival poet, or the dark lady - and argue the case for his or her real-world identity. Adopt a candidate who has already been proposed, assessing the evidence for yourself - or posit a new possibility.
A: This question demands careful historical research, coupled with close literary analysis. Techniques of comparative literature will come in handy; for example, when weighing the validity of the Christopher Marlowe claim, it behooves the student to not only study Marlowe's life and place in history, but his work as well - and the ways in which Shakespeare's writing might draw from, comment on, or question his.
Discuss the conflict between Platonic love and carnal lust captured in the figures of the fair lord and the dark lady, respectively.
A: "Love" is a multifaceted term, and Shakespeare explores it in all its permutations in his sonnets: love as friendship, love as family, love as devotion, love as affection, love as lust, love as sex. How does the poet express his love for the fair lord differently from how he expresses his love for the dark lady? And does he value one kind of love over another?
The rival poet enters the scene to stir things up with the narrator's fair lord. How would you characterize the poet's reaction to the thought of losing his fair lord to another?
A: A close analysis of the text on hand is crucial for this essay. The student should pick a reaction - jealousy, perhaps, or disdain - and support it with specific textual evidence. Perhaps the reaction suggests a broader emotion or mentality: pride (wounded in this case), greed (thwarted), helplessness...
Critics are divided over whether Shakespeare's sonnets really do contain expressions of homoerotic desire. What do you think?
A: There is of course no right answer here, but any argument must again pay close heed to the particulars of the text. Is the narrator's love for the fair lord purely one of friendship, or is it in fact something else? A consideration of what exactly homoeroticism meant and constituted in Shakespeare's day - how it might be expressed in so repressive a society, how it might be tacitly acknowledged - is likewise necessary.
Frequently throughout the sonnets the poet criticizes himself for his inadequacy. Find at least three examples of such self-criticism, and interrelate them in the context of the sonnets as a whole.
A: The rival poet certainly inspires feelings of inadequacy, but there are other instances to look for as well. More important, what does such self-criticism mean? Can it be read as autobiographical - truly personal, even confessional, writing? Or is Shakespeare simply adopting a guise? (Of course there can be no definitive answer to that, only speculation...)
Discuss the theme of unfaithfulness in Shakespeare's sonnets.
A: Specific questions to consider here are: Who is being unfaithful to whom? How can one characterize the narrator's reaction to his learning of his loves' infidelity? And how is infidelity portrayed? As an incurable sin - or as something to be understood?
Several of the sonnets are rife with financial imagery. Find as many examples of this imagery as you can, and try to account for their distribution within the sonnets.
A: Ask yourself: what does the poet wish to achieve by describing the sonnets' characters and events with the language of money and finance? Consider Shakespeare's time: the modern notion of economics is slowly taking shape, more and more sophisticated forms of trade are emerging, and a "philosophy" of money is not far away...
The color black is used frequently in the dark lady sonnets to characterize the woman's dark identity. What other instances of color symbolism appear in the sonnets? Find at least three examples of color symbolism and explain them.
A: Shakespeare's language is markedly tactile, imbued with specific imagery; thus, color (as well as sound, smell, feel) plays a major role in his poetry. Any colors may do in this essay, but in every case the student should use specific passages to support his or her claims.
Sonnets 153 and 154 are often said not to fit in with the overall sequence. It has also been suggested that they are in fact two drafts of the same sonnet due to their similarity in content and form. Do you agree with these statements? Support your hypothesis by attempting to explain why Shakespeare may have written these sonnets in the first place.
A: As with earlier questions, the student must consider both the text at hand and the historical context to fashion a fully realized argument.
Shakespeare's Sonnets Essays and Related Content
- Shakespeare's Sonnets: Major Themes
- Shakespeare's Sonnets: Essays
- Shakespeare's Sonnets: E-Text
- Shakespeare's Sonnets: Questions
- Shakespeare's Sonnets: Purchase the Novel and Related Material
- William Shakespeare: Biography
- Shakespeare's Sonnets Summary
- About Shakespeare's Sonnets
- Character List
- Glossary of Terms
- Major Themes
- Summary and Analysis of Sonnet 1 - "From fairest creatures we desire increase"
- Summary and Analysis of Sonnet 18 - "Shall I compare thee to a summer's day?"
- Summary and Analysis of Sonnet 20 - "A woman's face with Nature's own hand painted"
- Summary and Analysis of Sonnet 30 - "When to the sessions of sweet silent thought"
- Summary and Analysis of Sonnet 52 - "So am I as the rich, whose blessed key"
- Summary and Analysis of Sonnet 60 - "Like as the waves make towards the pebbled shore"
- Summary and Analysis of Sonnet 73 - "That time of year thou mayst in me behold"
- Summary and Analysis of Sonnet 87 - "Farewell! thou art too dear for my possessing"
- Summary and Analysis of Sonnet 94 - "They that have power to hurt and will do none"
- Summary and Analysis of Sonnet 116 - "Let me not to the marriage of true minds"
- Summary and Analysis of Sonnet 126 - "O thou, my lovely boy, who in thy power"
- Summary and Analysis of Sonnet 129 - "The expense of spirit in a waste of shame"
- Summary and Analysis of Sonnet 130 - "My mistress' eyes are nothing like the sun"
- Summary and Analysis of Sonnet 146 - "Poor soul, the centre of my sinful earth"
- Summary and Analysis of Sonnet 153 - "Cupid laid by his brand, and fell asleep"
- Summary and Analysis of Sonnet 3 - "Look in thy glass and tell the face thou viewest"
- Summary and Analysis of Sonnet 5 - "Those hours, that with gentle work did frame"
- Summary and Analysis of Sonnet 6 - "Then let not winter's ragged hand deface"
- Summary and Analysis of Sonnet 9 - "Is it for fear to wet a window's eye"
- Summary and Analysis of Sonnet 12 - "When I do count the clock that tells the time"
- Summary and Analysis of Sonnet 15 - "When I consider every thing that grows"
- Summary and Analysis of Sonnet 16 - "But wherefore do you not a mighter way"
- Summary and Analysis of Sonnet 19 - "Devouring Time, blunt thou the lion's paws,"
- Summary and Analysis of Sonnet 27 - "Weary with toil, I haste me to my bed,"
- Summary and Analysis of Sonnet 28 - "How can I then return in happy plight,"
- Summary and Analysis of Sonnet 29 - "When in disgrace with fortune and men's eyes"
- Summary and Analysis of Sonnet 33 - "Full many a glorious morning have I seen"
- Summary and Analysis of Sonnet 34 - "Why didst thou promise such a beauteous day"
- Summary and Analysis of Sonnet 35 - "No more be grieved at that which thou hast done"
- Summary and Analysis of Sonnet 39 - "O! how they worth with manners may I sing"
- Summary and Analysis of Sonnet 42 - "That thou hast her it is not all my grief"
- Summary and Analysis of Sonnet 46 - "Mine eye and heart are at a mortal war"
- Summary and Analysis of Sonnet 54 - "O! how much more doth beauty beauteous seem"
- Summary and Analysis of Sonnet 55 - "Not marble, nor the gilded monuments"
- Summary and Analysis of Sonnet 57 - "Being your slave what should I do but tend"
- Summary and Analysis of Sonnet 65 - "Since brass, nor stone, nor earth, nor boundless sea
- Summary and Analysis of Sonnet 69 - "Those parts of thee that the world's eye doth view"
- Summary and Analysis of Sonnet 71 - "No longer mourn for me when I am dead"
- Summary and Analysis of Sonnet 76 - "Why is my verse so barren of new pride"
- Summary and Analysis of Sonnet 77 - "Thy glass will show thee how thy beauties wear"
- Summary and Analysis of Sonnet 85 - "My tongue-tied Muse in manners holds her still"
- Summary and Analysis of Sonnet 90 - "Then hate me when thou wilt; if ever, now;"
- Summary and Analysis of Sonnet 99 - "The forward violet thus did I chide"
- Summary and Analysis of Sonnet 102 - "My love is strengthened, though more weak in seeming"
- Summary and Analysis of Sonnet 106 - "When in the chronicle of wasted time"
- Summary and Analysis of Sonnet 108 - "What's in the brain, that ink may character"
- Summary and Analysis of Sonnet 110 - "Alas! 'tis true, I have gone here and there"
- Summary and Analysis of Sonnet 113 - "Since I left you, mine eye is in my mind"
- Summary and Analysis of Sonnet 115 - "Those lines that I before have writ do lie"
- Summary and Analysis of Sonnet 119 - "What potions have I drunk of Siren tears"
- Summary and Analysis of Sonnet 123 - "No, Time, thou shalt not boast that I do change"
- Summary and Analysis of Sonnet 125 - "Were't aught to me I bore the canopy"
- Summary and Analysis of Sonnet 132 - "Thine eyes I love, and they, as pitying me,"
- Summary and Analysis of Sonnet 135 - "Whoever hath her wish, thou hast they Will"
- Summary and Analysis of Sonnet 137 - "Thou blind fool, Love, what dost thou to mine eyes"
- Summary and Analysis of Sonnet 149 - "Canst thou, O cruel! say I love thee not"
- The Art of the Shakespearean Sonnet
- A Note on the Pronunciation of Early Modern English
- Related Links on Shakespeare's Sonnets
- Suggested Essay Questions
- Test Yourself! - Quiz 1
- Test Yourself! - Quiz 2
- Test Yourself! - Quiz 3
- Test Yourself! - Quiz 4
- Author of ClassicNote and Sources





