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Wilde's Salomé in later art
Wilde's version of the story has since spawned several other artistic works, the most famous of which is Richard Strauss's opera of the same name. The Strauss opera moves the center of interest to Salome, away from Herod Antipas.
In 1906, Maud Allan created a production entitled "Vision of Salomé", which debuted in Vienna. It was based loosely on Wilde's play. Her version of the Dance of the Seven Veils became famous (and to some notorious) and she was billed as "The Salomé Dancer". A production of the play led to a libel case in 1918, when Allan was accused of promoting sexual immorality.
The play, and most of the later filmed versions, have Herod as the center of the action. A strong actor, as with Al Pacino in his 1980s Circle in the Square production (and in 2006, in a Los Angeles production), or as with the Ken Russell movie Salome's Last Dance, Herod completely dominates the play.
The 1961 Biblical epic King of Kings uses lines of dialogue original to Wilde rather than the Gospel for some scenes involving Herod Antipas, John the Baptist, Herodias and Salome.
Australian musician Nick Cave wrote a 5-act play entitled Salomé which is included in the 1988 collection of Cave's writings, King Ink (the play alludes to the Gospel account, Wilde's play, and Pierre Puvis de Chavannes's 1869 painting, The Beheading of John the Baptist).
Ken Russell directed a film version of the play, Salome's Last Dance (1988), staged as a private performance for Wilde at a brothel.
Also heavily influenced by the play are The Smashing Pumpkins' video for the song "Stand Inside Your Love" and U2's "Mysterious Ways" and "Salome".
Caffe Cino playwright Doric Wilson wrote a comic re-imagination of Wilde's Salome entitled "Now She Dances!".
Salome is metaphorically referenced in the anime Blood+.
Spanish painter Gino Rubert created a series of pictures in 2005.[2]
Salome is the title of a track by Pete Doherty on his 2009 album Grace/Wastelands, which shares several lyrical references to Wilde's work.
Salome is currently played with great success in Paris, at the Théâtre du Nord-Ouest in a very inspired version by stage director Olivier Bruaux.
Salome is currently being played for the first time in San Juan, Puerto Rico at the Teatro Francisco Arrivi by theatre company Artefacto.
Throughout the movie and musical A Man of No Importance, the main character tries to produce the production of Salome in his local church.




