The Praise of Folly

Content

Hans Holbein's witty marginal drawing of Folly (1515), in a copy owned by Erasmus himself

The Praise of Folly begins with a satirical learned encomium, in which Folly praises herself, in the manner of the Greek satirist Lucian (2nd century AD), whose work Erasmus and Sir Thomas More had recently translated into Latin; it then takes a darker tone in a series of orations, as Folly praises self-deception and madness and moves to a satirical examination of pious but superstitious abuses of Catholic doctrine and corrupt practices in parts of the Roman Catholic Church—to which Erasmus was ever faithful—and the folly of pedants. Erasmus had recently returned disappointed from Rome, where he had turned down offers of advancement in the curia,[5]: xi  and Folly increasingly takes on Erasmus' own chastising voice. The essay ends with a straightforward statement of Christian ideal: "No Man is wise at all Times, or is without his blind Side."

Erasmus was a good friend of More, with whom he shared a taste for dry humor and other intellectual pursuits. The title Moriae Encomium could also be read as meaning "In praise of More". The double or triple meanings go on throughout the text.

The piece is filled with classical allusions delivered in a style typical of the learned humanists of the Renaissance. Folly parades as a goddess, offspring of Plutus, the god of wealth and a nymph, Youth. She was nursed by two other nymphs, Inebriation and Ignorance. Her faithful companions include Philautia (self-love), Kolakia (flattery), Lethe (forgetfulness), Misoponia (laziness), Hedone (pleasure), Anoia (dementia), Tryphe (wantonness), and two gods, Komos (intemperance) and Nigretos Hypnos (heavy sleep). Folly praises herself endlessly, arguing that life would be dull and distasteful without her. Of earthly existence, Folly pompously states, "you'll find nothing frolic or fortunate that it owes not to me."

Dante, Ockham, Eckhart cannot develop theme of folly—Erasmus’ Encomium Moriae raises folly again to metaphysical levels, a polemic against gloomy scholastic wisdom, humanist learning, and love of apatheia, while (the) hallmark of reality is folly, which includes everything beneath the mind and in which it is rooted, the whole splendor and vitality of life, love, and youth, and everything above the mind, all that is gratuitous, playful, graceful, the world of the gods—The Christian meaning of supra-rational folly is (Christ's) interpretation of evil on the Cross as not knowing what they do.

— Hans Urs von Balthasar (summarized), II.B.3.d. The Analogy of Folly, The Glory of the Lord Volume 5: The Realm of Metaphysics in the Modern Age[6]

In one of the notable pivots in the Praise of Folly, the book turns out to be almost an elaborate sermon on 1 Corinthians 1:21-23, the folly on the cross.


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