This content is from Wikipedia. We do not consider this content professional or citable. Please use your discretion when relying on it. GradeSaver also offers a professionally written study guide by one of our staff editors.
Introduction
| Part of the series on: The Dialogues of Plato |
| Early dialogues: |
| Apology – Charmides – Crito |
| Euthyphro – First Alcibiades |
| Hippias Major – Hippias Minor |
| Ion – Laches – Lysis |
| Transitional & middle dialogues: |
| Cratylus – Euthydemus – Gorgias |
| Menexenus – Meno – Phaedo |
| Protagoras – Symposium |
| Later middle dialogues: |
| Republic – Phaedrus |
| Parmenides – Theaetetus |
| Late dialogues: |
| Timaeus – Critias |
| Sophist – Statesman |
| Philebus – Laws |
| Of Doubtful Authenticity: |
| Clitophon – Epinomis |
| Epistles – Hipparchus |
| Minos – Rival Lovers |
| Second Alcibiades – Theages |
The Phaedrus (Greek: Φαίδρος), written by Plato, is a dialogue between Plato's main protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The Phaedrus was presumably composed around 370 BC, around the same time as Plato's Republic and Symposium; with those two texts, it is often considered one of Plato's literary high points. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as reincarnation and erotic love.
- Introduction
- Setting
- Dramatis Personæ
- Summary
- Interpretations and themes
- References
- Sources
- Bibliography
Related Content for Phaedrus
