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Notes
- ^ ChiaroScuro quoting Thomas Elsaesser
- ^ Christiane Mückenberger (1993), "Nosferatu" (in German), Deutsche Spielfilme von den Anfängen bis 1933, Berlin: Henschel Verlag, pp. 71, ISBN 3-89487-009-5
- ^ Roger Manvell, Henrik Galeen - Films as writer:, Other films:, Film Reference, http://www.filmreference.com/Writers-and-Production-Artists-Ei-Gi/Galeen-Henrik.html, retrieved 2009-04-23
- ^ Eisner 1967, page 27
- ^ a b c d e f g h i ChiaroScuro
- ^ Prinzler page 222: Luciano Berriatúa and Camille Blot in section: Zur Überlieferung der Filme. Then it was usual to use at least two cameras in parallel to maximise the number of copies for distribution. One negative would serve for local use and another for foreign distribution.
- ^ Editors of German Wikipedia citing Eisner 1967 page 27
- ^ a b c Editors of German Wikipedia
- ^ Editors of German Wikipedia citing Eisner 1967 page 28 Since vampires dying in daylight appears neither in Stoker's work nor in Galeen's script, this concept has been solely attributed to Murnau.
- ^ Michael Koller (July 2000), "Nosferatu", Issue 8, July–Aug 2000 (senses of cinema), http://archive.sensesofcinema.com/contents/cteq/00/8/nosferatu.html, retrieved 2009-04-23
- ^ Editors of German Wikipedia citing Grafe page 117
- ^ Editors of German Wikipedia citing Eisner page 60
- ^ Prinzler p. 131. Bilder ... sehr schön, sehr klar, sehr scharf. Jedoch: Was bei anderen, wirklichkeitstreuen Filmen ein Vorteil ist, muß bei einem Werk aus der Unwirklichkeit gegenteilig bewertet werden.
- ^ filmhistoriker.de (Berlin) vol. 7, no. 11, 12 Mar 1922, p. 45
- ^ Ashbury, Roy (2001-11-05). Nosferatu (1st ed.). Pearson Education. pp. 41.
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