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I think he's being as objective as possible being that he wasn't there, and because he's attempting to decipher his father's memories.
Gradesaver's summary is as follows;
It is February of 1987, and Art is sitting over a drawing table smoking, now portrayed as a human in a mouse's mask. Flies buzz around his head. Vladek died of a heart attack in 1982, he writes, and he and Francoise are expecting their first child in a few months. The first book of Maus was published last year to great success, but he is feeling depressed. The image zooms out to reveal that Art's drawing table is sitting atop a pile of dead Jews from the concentration camps. He is overrun by interviews and profit-seekers. One asks him if there was any message in the book. Another proposes marketing an official Maus vest, patterned on the one that Art so often wears. As Art becomes increasingly overwhelmed, his image begins to transform into that of a small child.
He visits his psychiatrist, Pavel, also a Jewish survivor. He, too, is wearing a mouse mask. Art tells him that when he has time to draw, he feels mentally blocked from continuing the story. It seems to him that nothing he ever accomplishes will compare with his father's survival of the Holocaust. They begin to discuss Vladek's and Auschwitz's effects on Art. Perhaps Art feels remorse that he has portrayed his father in a less-than-positive light in his book, Pavel suggests; or maybe Vladek himself felt guilty about surviving Auschwitz when so many other people died and subconsciously passed this guilt to his son. They also discuss exactly what it means to have survived the Holocaust. If surviving is admirable, does that mean that not surviving is not admirable? Pavel tells Art that survival in the Holocaust wasn't based on skill or resources. Ultimately, it was random, based purely on luck.
As Art leaves his session, he grows from a small boy to an adult again. These sessions always seem to make him feel better. Art returns home and begins listening to the tapes he recorded of his conversations with his father. On one tape, Vladek is complaining to his son about Mala's constant attempts to get at his money, and Art, frustrated, yells at his father to continue his Holocaust story.