Premium Content Pen, Ink, and Gas: The Use of Comics in MAUS
By Tom Saylor Potter - October 04, 2010
While Art sits at his drawing board, a pile of emaciated Jewish bodies lies below him, seemingly unnoticed while reporters and businessmen climb over them (II.41). These bodies represent the grave nature of Art’s subject matter, the millions of dead Jews demanding that their story be told accurately, that their murderers’ atrocity not be…
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