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Literary significance & criticism

Mansfield Park is the most controversial and perhaps the least popular of Austen's major novels. Regency critics praised the novel's wholesome morality, but many modern readers find Fanny's timidity and disapproval of the theatricals difficult to sympathise with and reject the idea (made explicit in the final chapter) that she is a better person for the relative privations of her childhood. Jane Austen's own mother thought Fanny "insipid",^[2] and many other readers have found her priggish and unlikeable.^[3] Other critics point out that she is a complex personality, perceptive yet given to wishful thinking, and that she shows courage and grows in self-esteem during the latter part of the story. Austen biographer Claire Tomalin, who is generally rather critical of Fanny, argues that "it is in rejecting obedience in favour of the higher dictate of remaining true to her own conscience that Fanny rises to her moment of heroism."^[4] But Tomalin reflects the ambivalence that many readers feel towards Fanny when she also writes: "More is made of Fanny Price's faith, which gives her the courage to resist what she thinks is wrong; it also makes her intolerant of sinners, whom she is ready to cast aside."

The story contains much social satire, targeted particularly at the two aunts. It is perhaps the most socially realistic Austen novel, with Fanny's family of origin, the Prices, coming from a much lower echelon of society than most Austen characters.

Edward Said implicated the novel in western culture's casual acceptance of the material benefits of slavery and imperialism, citing Austen's omission to mention that the estate of Mansfield Park was made possible only through slave labour. Other critics, such as Gabrielle White, have criticised Said's condemnation of Jane Austen and western culture, maintaining that Austen and other writers, including Samuel Johnson and Edmund Burke, opposed slavery and helped make its eventual abolition possible. Claire Tomalin, following literary critic Brian Southam, claims that Fanny, usually so timid, questions her uncle about the slave trade and receives no answer, suggesting that her vision of the trade's immorality is clearer than his.^[5] However, Ellen Moody has challenged Southam's interpretation, arguing that Fanny's uncle would not have been "pleased" (as the text suggests) to be questioned on the subject if Southam's reading of the scene were correct.^[6]