O'Neill finished revising the manuscript into its final version in March 1941.[6] He did not want it ever produced as a play, and did not even want it published during his lifetime, writing to his friend, the critic George Jean Nathan: "There are good reasons in the play itself...why I'm keeping this one very much to myself, as you will appreciate when you read it."[6]
O'Neill did not copyright the play. In 1945 he had a sealed copy of the manuscript placed in the document vault of publisher Random House, instructing that it not be published until 25 years after his death. He sent a second sealed copy to the O'Neill collection at Yale University.[6]
Soon after O'Neill's death, his widow Carlotta Monterey demanded that Random House contravene O'Neill's explicit wishes and publish the play at once. "We refused, of course," wrote publisher Bennett Cerf in his memoirs, "but then were horrified to learn that legally all the cards were in her hand. … I do not regret that we took the stand we did, because I still think we were right."[7] Monterey had the play published by the Yale University Press in 1956, with the bulk of the proceeds deeded to Yale's Eugene O'Neill Collection and for scholarships at its drama school.[6]