Jaws Steven Spielberg

Bibliography

  • Adamson, John E.; Morrison, Amanda (2011). Law for Business and Personal Use. Stamford, Connecticut: Cengage Learning. ISBN 978-0-538-49690-2.
  • Andrews, Nigel (1999). Nigel Andrews on Jaws. London: Bloomsbury Publishing. ISBN 978-0-7475-3975-9.
  • Baer, William (2008). Classic American Films: Conversations with the Screenwriters. Westport, Connecticut: Greenwood. ISBN 978-0-313-34898-3.
  • Biskind, Peter (1998). Easy Riders, Raging Bulls. New York: Simon & Schuster. ISBN 978-0-684-85708-4.
  • Blake, Edith (1975). The Making of the Movie Jaws. New York: Ballantine Books. ISBN 978-0-345-24882-4.
  • Bowker's Complete Video Directory 1994. New York: R. R. Bowker. 1994. ISBN 978-0-8352-3391-0.
  • Britton, Andrew (2009) [1979]. "Jaws". In Grant, Barry Keith (ed.). Britton on Film: The Complete Film Criticism of Andrew Britton. Detroit: Wayne State University Press. ISBN 978-0-8143-3363-1.
  • Brode, Douglas (1995). The Films of Steven Spielberg. New York: Carol Publishing. ISBN 978-0-8065-1951-7.
  • Brosnan, John (1978). Future Tense: The Cinema of Science Fiction. London: Macdonald and Jane's. ISBN 978-0-354-04222-2.
  • Burr, Ty (1999). The 100 Greatest Movies of All Time. New York: Entertainment Weekly Books. ISBN 978-1-883013-68-4.
  • Cancellaro, Joseph (2006). Exploring Sound Design for Interactive Media. Florence, Kentucky: Delmar Learning. ISBN 978-1-4018-8102-3.
  • Collins, Jim; Radner, Hilary (1993). Film Theory Goes to the Movies. London: Routledge. ISBN 978-0-415-90576-3.
  • Friedman, Lester D. (2006). Citizen Spielberg. Champaign: University of Illinois Press. ISBN 978-0-252-07358-8.
  • Friedman, Lester D.; Notbohm, Brent (2000). Steven Spielberg: Interviews. Jackson: University Press of Mississippi. ISBN 978-1-57806-113-6.
  • Gordon, Andrew (2008). Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg. Lanham, Maryland: Rowman & Littlefield. ISBN 978-0-7425-5578-5.
  • Gottlieb, Carl (2005). The Jaws Log. New York: Newmarket Press. ISBN 978-0-571-20949-1.
  • Hall, Sheldon; Neale, Stephen (2010). Epics, Spectacles, and Blockbusters: A Hollywood History. Detroit: Wayne State University Press. ISBN 978-0-8143-3008-1.
  • Heath, Stephen (1985). "Jaws, Ideology, and Film Theory". In Nichols, Bill (ed.). Movies and Methods: An Anthology, Volume II. Berkeley: University of California Press. ISBN 0-520-05409-1.
  • Jackson, Kathi (2007). Steven Spielberg: A Biography. Westport, Connecticut: Greenwood. ISBN 978-0-313-33796-3.
  • Jameson, Fredric (1979). "Reification and Utopia in Mass Culture". Signatures of the Visible. New York and London: Routledge. pp. 130–148. doi:10.2307/466409. ISBN 978-0-415-90012-6. JSTOR 466409. S2CID 2800844. {{cite book}}: |journal= ignored (help)
  • Kael, Pauline (1980) [1975]. "Notes on Evolving Heroes, Morals, Audiences". When the Lights Go Down. Beverly, Massachusetts: Wadsworth. ISBN 978-0-03-056842-8.
  • Kochberg, Searle (1996). "Institutions, Audiences and Technology". In Nelmes, Jill (ed.). An Introduction to Film Studies. London: Routledge. ISBN 978-0-415-10860-7.
  • Lemkin, Jonathan (1984). "Archetypal Landscapes and Jaws". In Grant, Barry Keith (ed.). Planks of Reason: Essays on the Horror Film. Lanham, Maryland: Scarecrow Press. ISBN 978-0-8108-2156-9.
  • Maltin, Leonard (1999). "100 Must-See Films of the 20th Century". Leonard Maltin's Movie & Video Guide 2000. New York: Penguin Group. ISBN 978-0-452-28123-3.
  • Marich, Robert (2005). Marketing to Moviegoers: A Handbook of Strategies Used by Major Studios and Independents. Cambridge, Massachusetts: Focal Press. ISBN 978-0-240-80687-7.
  • Mast, Gerald; Kawin, Bruce F. (2003). A Short History of the Movies. Harlow, Essex: Longman. ISBN 978-0-321-10603-2.
  • McBride, Joseph (1999). Steven Spielberg: A Biography. Cambridge, Massachusetts: Da Capo Press. ISBN 978-0-306-80900-2.
  • Moritz, Charles (1978). Current Biography Yearbook 1978. New York: H. W. Wilson. ISBN 978-99973-770-2-9.
  • Morris, Nigel (2007). The Cinema of Steven Spielberg: Empire of Light. New York: Wallflower Press. ISBN 978-1-904764-88-5.
  • Muir, John Kenneth (2007). Horror Films of the 1970s, Volume 2. Jefferson, North Carolina: McFarland. ISBN 978-0-7864-3104-5.
  • Nadler, Holly (2006). Vineyard Confidential: 350 Years of Scandals, Eccentrics, and Strange Occurrences. Rockport, Maine: Down East Enterprise Inc. ISBN 978-0-89272-687-5.
  • Ochoa, George (2011). Deformed and Destructive Beings: The Purpose of Horror Films. McFarland. ISBN 978-0-7864-6307-7.
  • Paszylk, Bartłomiej (2009). The Pleasure and Pain of Cult Horror Films: An Historical Survey. Jefferson, North Carolina: McFarland. ISBN 978-0-7864-3695-8.
  • Petersen, Clarence (1975). The Bantam Story: Thirty Years of Paperback Publishing. Bantam Books. OCLC 1937339.
  • Priggé, Steven (2004). Movie Moguls Speak: Interviews with Top Film Producers. Jefferson, North Carolina: McFarland. ISBN 978-0-7864-1929-6.
  • Scanlon, Jennifer (2009). Bad Girls Go Everywhere: The Life of Helen Gurley Brown. Oxford: Oxford University Press. ISBN 978-0-19-534205-5.
  • Shone, Tom (2004). Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer. New York: Simon & Schuster. ISBN 978-0-7432-3568-6.
  • Sinyard, Neil (1989). The Films of Steven Spielberg. London: Hamlyn Bison. ISBN 978-0-600-55226-0.
  • Siska, William Charles (1980). Toward a Semiotic Theory of Visual Communication in the Cinema. Manchester, New Hampshire: Ayer Publishing. ISBN 978-0-405-12900-1.
  • Stanley, John (1988). Revenge of the Creature Features Movie Guide: An A to Z Encyclopedia to the Cinema of the Fantastic, or, Is There a Mad Doctor in the House?. Pacifica, California: Creatures at Large Press. ISBN 978-0-940064-08-9.
  • Stringer, Julian (2003). Movie Blockbusters. Routledge. ISBN 978-0-415-25608-7.
  • Taylor, Matt (2012). Jaws: Memories from Martha's Vineyard. London: Titan Books. ISBN 978-1-78116-302-3.
  • Turner, Graeme (1999). Film as Social Practice. London: Routledge. ISBN 978-0-415-21595-4.
  • Wyatt, Justin (1994). High Concept: Movies and Marketing in Hollywood. Austin: University of Texas Press. ISBN 978-0-292-79091-9.
  • Wyatt, Justin (1998). "From Roadshowing to Saturation Release: Majors, Independents, and Marketing/Distribution Innovations". In Lewis, Jon (ed.). The New American Cinema. Durham, North Carolina: Duke University Press. ISBN 978-0-8223-2115-6.
  • Yewdall, David Lewis (2011). Practical Art of Motion Picture Sound. Waltham, Massachusetts: Focal Press. ISBN 978-0-240-81240-3.

This content is from Wikipedia. GradeSaver is providing this content as a courtesy until we can offer a professionally written study guide by one of our staff editors. We do not consider this content professional or citable. Please use your discretion when relying on it.

GradeSaver will pay $15 for your literature essays
GradeSaver will pay $25 for your college application essays
GradeSaver will pay $50 for your graduate school essays – Law, Business, or Medical
GradeSaver will pay $10 for your Community Note contributions
GradeSaver will pay $500 for your Textbook Answer contributions