Interpreter of Maladies garnered universal acclaim from myriad publications. Michiko Kakutani of the New York Times praises Lahiri for her writing style, citing her "uncommon elegance and poise." Time applauded the collection for "illuminating the full meaning of brief relationships—with lovers, family friends, those met in travel".[3] Ronny Noor asserts, "The value of these stories—although some of them are loosely constructed— lies in fact that they transcend confined borders of immigrant experience to embrace larger age-old issues that are, in the words of Ralph Waldo Emerson, 'cast into the mould of these new times' redefining America."[4]
Noelle Brada-Williams notes that Indian-American literature is under-represented and that Lahiri deliberately tries to give a diverse view of Indian Americans so as not to brand the group as a whole. She also argues that Interpreter of Maladies is not just a collection of random short stories that have common components, but a "short story cycle" in which the themes and motifs are intentionally connected to produce a cumulative effect on the reader: "...a deeper look reveals the intricate use of pattern and motif to bind the stories together, including recurring themes of the barriers to and opportunities for human communication; community, including marital, extra-marital, and parent-child relationships; and the dichotomy of care and neglect."[5]
Ketu H. Katrak reads Interpreter of Maladies as reflecting the trauma of self-transformation through immigration, which can result in a series of broken identities that form "multiple anchorages." Lahiri's stories show the diasporic struggle to keep hold of culture as characters create new lives in foreign cultures. Relationships, language, rituals, and religion all help these characters maintain their culture in new surroundings even as they build a "hybrid realization" as Asian Americans.[6]
Laura Anh Williams observes the stories as highlighting the frequently omitted female diasporic subject. Through the foods they eat, and the ways they prepare and eat them, the women in these stories utilize foodways to construct their own unique racialized subjectivity and to engender agency. Williams notes the ability of food in literature to function autobiographically, and in fact, Interpreter of Maladies indeed reflects Lahiri's own family experiences. Lahiri recalls that for her mother, cooking "was her jurisdiction. It was also her secret." For individuals such as Lahiri's' mother, cooking constructs a sense of identity, interrelationship, and home that is simultaneously communal and yet also highly personal.[7][8]
