how does the artistic interaction in this particular scene( pages 84 to 88 ) produce a final result?
And What is the strength of the scene in its performance? How do the elements of
performance actors, design, and director bring out the essence of the printed scene?
This is largely a technical production question rather than about the characters and the play. The stage design isn't on my copy of the play.
Hi Asian thank you for the reply. In “Conversations on the Set”( which is found in Death of a Salesman DVD,Dustin Hoffman, which can be seen here http://www.hulu.com/watch/355302 Conversations on set the title of the EXTRAS portion on the DVD which can be seen in this link http://on.aol.com/video/private-conversations-517354620) Miller, Hoffmann, Malkovitch, and director Schloendorff
discuss how scenes should go, what the intent and feelings are. I'm trying to Observe the significant
interchanges listed below and describe how the collaborative process works.
, in pages 88 to 84, which is scene three of act two, which is after Willy and Howard have that little argument http://www.cliffsnotes.com/literature/d/death-of-a-salesman/summary-and-analysis/act-ii-scene-3. and in the movie, it starts at the 1:01:40 mark right after Willy gets fired. And in the other vid, it seems that they are talking about that particular scene around the 30min:30sec mark/ 13min:51sec although I think the latter is more so where they talk about it. How does the artistic interaction in this particular scene produce a final result? and what is the strength of the scene in its performance? How do the elements of
performance—actors, design, and director—bring out the essence of the printed scene?
I don't know if you also help with questions regarding video adaptations of plays, I am about to take an American Drama, Script Analysis class soon and trying to find popular questions that come up on study guides on big plays to get ready and I want to see how other people who are way more experiences than I analyze plays.
