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Analysis

The story is told almost entirely from the point of view of the first person narrator, David Copperfield himself, and was the first Dickens novel to do so.

Critically, it is considered a Bildungsroman, i.e., a novel of self-cultivation, and would be influential in the genre which included Dickens's own Great Expectations (1861), Charlotte Brontë's Jane Eyre, published only two years prior, Thomas Hardy's Jude the Obscure, Samuel Butler's The Way of All Flesh, H. G. Wells's Tono-Bungay, D. H. Lawrence's Sons and Lovers, and James Joyce's A Portrait of the Artist as a Young Man.

Tolstoy regarded Dickens as the best of all English novelists, and considered Copperfield to be his finest work, ranking the "Tempest" chapter (chapter 55, LV – the story of Ham and the storm and the shipwreck) the standard by which the world's great fiction should be judged. Henry James remembered hiding under a small table as a boy to hear instalments read by his mother. Dostoyevsky read it enthralled in a Siberian prison camp. Franz Kafka called his first book Amerika a "sheer imitation". James Joyce paid it reverence through parody in Ulysses. Virginia Woolf, who normally had little regard for Dickens, confessed the durability of this one novel, belonging to "the memories and myths of life". It was Freud's favourite novel.